8 Books Like The Seven Wonders of the Ancient World

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

I'm a career editor living in the place I love most in the world, Australia's federal capital, Canberra. It's a small city encircled by mountains and populated with so many trees it's affectionately known as The Bush Capital. I love reading most genres but contemporary suspense intrigue above all. I know these books generally fall under the larger Thriller genre but I often feel that's a misnomer, and I think that applies to my novels. I love the range of stories this genre encompasses: it can take you anywhere in the world, into any situation, and follow any type of person as they attempt to come to grips with, and usually right, the wrongs of the world.

I was an Eagle Scout selected for the 1964 North Pole expedition, graduate of MIT with both BS and MS degrees in Aero Astro – yes, a true MIT rocket scientist. I quickly took planning roles at the “bleeding edge” of technology: missiles, nuclear power, heart pumps, DNA sequencing, telemedicine… In every case, however, the organizations were plagued by incompetence and corruption. As an individual, I interacted with activist leaders in movements for: peace, climate, social justice, ending poverty, etc. Again, incompetence and corruption. Throughout, I dug for answers into the wisdom of the classics and emerging viewpoints. Finally. All that effort paid off. I found the “big picture”! 

The End of the World is Flat is my fifth novel. All my previous work has used comedy to help tell a story, often viewing historical lives and themes through a light-hearted modern prism. This one reverses the process, using historical material – various accounts of Columbus’ first voyage to the Caribbean – to explore a bizarre modern movement. Because I’m critiquing gender ideology – a taboo undertaking in most of the publishing world – I’ve deliberately borrowed the allegorical methods of Bulgakov, Kadare, and, especially, Orwell. I hope the ‘samizdat’ way in which my novel has become a word-of-mouth bestseller makes that homage all the more fitting.

I’ve been interested in ancient Egypt ever since I read Asterix and Cleopatra when I was a boy. The hilarious moment of Obelix accidentally knocking off the Sphinx’s nose has always stayed with me in particular. By my early twenties, I was reading authors like Graham Hancock, Robert Bauval, and Colin Wilson, who showed me that what we think we know about ancient Egypt is not wholly correct. For instance, there’s little evidence that the Great Pyramid’s purpose was to be a tomb and the Sphinx seems to be much older than Egyptologists believe. In 2010, at thirty-four years old, I finally got to visit the wonders of Egypt myself.