Here are 100 books that The Sense of an Ending fans have personally recommended if you like
The Sense of an Ending.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I love this book for the ideological shadows Ishiguro paints of the 1920s and '30s flashback period in the life of the protagonist, English Butler Stevens.
It doesn’t quite fit my title, but I didn’t want to leave it out because the period I mentioned gave me a glance at the respectable forms of fascist sympathy the wealthy European genteel held. This may not be the classic noir I truly love, but just this period of time with the flashback was enough to make me want to add this classic novel to my list.
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.
He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
I am a Wiltshire-based writer with a passion for historical and literary fiction and a fascination for the role of “memory” in the autumn of our lives. My own novel was inspired by conversations with my late grandfather in his final years. But as a journalist for more than 20 years, I had many rich opportunities to talk to the elderly members of our communities–most memorably, taking a pair of D-Day veterans back to the beaches of Normandy. In many ways, memories are the only things we can take with us throughout our lives, carrying both the burden of regrets and the consolation of those we have loved.
The novel tells the story of a group of friends who have taken it upon themselves to carry out the “last orders” of their drinking partner, Jack Dodds, to deliver his ashes to the grey seas of Margate. As they drive to the coast, their errand becomes a poignant journey into their collective pasts.
Swift described it as an homage to William Faulkner’s As I Lay Dying, and it follows a similar narrative structure, with chapters titled with the names of the seven key characters, with a shifting narrative perspective to follow the story from each of their eyes.
As a reader, you naturally find your favourite narrative viewpoint. For me, it was Ray, “Lucky Ray,” the obsessive gambler, which for me was the real centre of the novel.
The classic edition of one of the 20th Century's finest novels
Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack's widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day's outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I am a Wiltshire-based writer with a passion for historical and literary fiction and a fascination for the role of “memory” in the autumn of our lives. My own novel was inspired by conversations with my late grandfather in his final years. But as a journalist for more than 20 years, I had many rich opportunities to talk to the elderly members of our communities–most memorably, taking a pair of D-Day veterans back to the beaches of Normandy. In many ways, memories are the only things we can take with us throughout our lives, carrying both the burden of regrets and the consolation of those we have loved.
John Banville's 2005 novel, tells the story of a widower who returns to the seaside town of his childhood family holidays and where he fell in love for the first time.
Banville artfully weaves together the strands of the different times in Max Morden's life to create a tapestry of love and loss. He paints a haunting portrait of the beachside community and its characters.
I found the language spellbindingly descriptive and evocative of a distinctive place and time. At times, it borders on poetry. There is humour and pathos aplenty. It is a beautiful but beautifully sad novel, filled with sad people. Ultimately, this symphony of sadness crescendos to a heart-wrenching ending.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • An “extraordinary meditation on mortality, grief, death, childhood and memory" (USA Today) about a middle-aged Irishman who has gone back to the seaside to grieve the loss of his wife.
In this luminous novel, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness…
If one of the main reasons we marry is to raise a family, what happens to the couple once the children grow up and no longer need daily care?
A few years ago, I completed an MSc in Psychology, and my dissertation explored exactly this question. After interviewing many couples, it became clear that unless parents are emotionally prepared for life after children, the sense of loss can be overwhelming. That research raised deeper questions about why we commit—and what keeps us committed.
This starts with such a great premise: Douglas Petersen, a devoted but socially awkward biochemist, is blindsided when his wife announces she might leave him, but first, they’ll go on a "Grand Tour of Europe" with their 17-year-old son.
Douglas hopes this is his chance to fix the marriage, connect with his son, and rediscover the man he was supposed to be. But as the trip goes on, we start to realise that so often our vision of how life should be is based on fear of change and habit.
David Nicholls brings to bear all the wit and intelligence that graced ONE DAY in this brilliant, bittersweet novel about love and family, husbands and wives, parents and children. Longlisted for the Man Booker Prize for Fiction 2014.
'I was looking forward to us growing old together. Me and you, growing old and dying together.'
'Douglas, who in their right mind would look forward to that?'
Douglas Petersen understands his wife's need to 'rediscover herself' now that their son is leaving home.
He just thought they'd be doing their rediscovering together.
So when Connie announces that she will be leaving,…
I like to read and write novels that are uplifting and life-affirming where the main character, who's often quirky and upbeat, must find their way out of the drama and chaos life has dealt them. Growing up in a family where humor – often black – reigned supreme, with a father who penned silly limericks, I’m drawn to seeing the funny side of things. Showing the light and dark of life in a comedic yet poignant way not only makes for entertaining reading but is enlightening and inspiring. I believe novels should reflect us and our failings while offering hope that it’ll all be alright in the end.
In a similar vein to the previous book, this novel focuses on a man whose life is spiralling out of control. His professional life begins to crumble, he nearly gets run over by a car and his two teenage children get themselves into angst-causing strife. What I love the most about this book is that it’s narrated in the second person by the main character Michael who’s essentially having a mid-life crisis breakdown. This can be hard to pull off, but it works here as it’s like Michael’s providing commentary on himself and his life as if observing someone else. It makes for some hilarious writing, despite the serious theme. The author shows that sometimes to really appreciate the highs of life, you need to hit rock bottom first.
Michaelo O’Dell is hit by a car, and when he doesn’t die, he is surprised and pleased. But he can’t seem to move, frozen in the crash position. He can’t concentrate, or control his anger and grief, or work out what to do about much of anything. His professional life begins to crumble, and although his wife Wendy is heroically supportive, his teenage children only exacerbate his post-accident angst. His daughter Rosie punches out a vindictive schoolmate, plunging the family into a special parent-teacher hell. Meanwhile, his son Declan is found with a stash of illicit drugs, and a strange…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
Float started out as a comedy of manners set in a coastal Maine town, but the more I learned about fishing and the oceans, the more the characters began to struggle with questions about their responsibility to the natural world. By the time I was finished, Float had morphed into a dark comedy about plastic in the ocean, which is not just unsightly and a killer of sea animals, it is made from fossil fuels. I have stayed active in the fight against plastics ever since, and have participated in a number of programs on the intersection of the arts and climate science.
I like a good satire and I love Ian McEwan. Set in academia, Professor Beard, with his Nobel prize in physics clutched to his chest, is offended by the idea that art might be as good a tool for curing a sick planet as his analytical facts. For all his scientific knowledge, he fails to understand that art has power. His younger colleague tries his best, explaining how images created by art bypass the modern cerebral cortex and go straight to our ancient limbic brain which controls memory and emotion, the part of the brain where we process value judgments, judgments that exert a strong influence on our behavior. This book makes the case for climate change as an important subject in literature, art, and music, because we need to touch hearts before we can create change. And it’s pretty funny on top of it.
Michael Beard is a Nobel prize-winning physicist whose best work is behind him. Trading on his reputation, he speaks for enormous fees, lends his name to the letterheads of renowned scientific institutions and half-heartedly heads a government-backed initiative tackling global warming. A compulsive womaniser, Beard finds his fifth marriage floundering. But this time it is different: she is having the affair, and he is still in love with her.
When Beard's professional and personal worlds collide in a freak accident, an opportunity presents itself for Beard to extricate himself from his marital mess, reinvigorate his career and save the world…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
McEwan has always numbered among my favorite fiction writers, not only because he knows how to spin a tale, but I enjoy his immaculate prose. I was amazed by the way McEwan creates an exciting and brilliant story all in a one-day narrative. Unusual happenings occur in a famous neurosurgeon’s free Saturday following an exhausting week of intricate surgery. His mundane routine explodes into an unusual, complex situation when a minor car accident leads to a scene of violence and confrontation with a gang of youths. I was so drawn in to this story that I found myself almost being there and sweating in a state of anxiety.
The stunning new novel from the Booker Prize winning novelist.
Saturday, February 15, 2003 - Henry Perowne wakes before dawn to find himself already in motion, drawn to the window of his bedroom. He is a contented man - a successful neurosurgeon, the devoted husband of Rosalind, and proud father of two grown-up children. What troubles Perowne as he stands at his window is the state of the world - the impending war against Iraq, and a general darkening and gathering pessimism since the attacks on New York and Washington eighteen months before.
I have always had a lifelong passion for all things maritime. In the early 1980s, I crossed the Atlantic Ocean as a crew companion to the late famous Captain Ted Falcon Barker, author of The Devil’s Gold. The expedition made landfall in the Bahamas, so this area became a focus of fascination. I also have a very strong historical sense, reflected in my poetry and two of my other works of fiction, the novels Charity Amour and No Gentle Bondage.
Shiva Naipaul is a truly major Caribbean writer. He captures the volatile essence of that extremely unstable society. One added bonus is his inter-racial perspective, to which his Indian origins contributes decisively. This work ‘views a colonial world sharply with postcolonial perspectives.’ Any reader of West Indies fiction should combine a sense of history with some grasp of contemporary conditions. Although the novel was written in the 1960s, it still has a sense of contemporary relevance. Obviously, readers must keep their eyes open for younger writers in this mode. Naipaul’s works have rightly been integrated into the Educational System.
Heart-rending and darkly comic, V. S. Naipaul's A House for Mr Biswas has been hailed as one of the twentieth century's finest novels, a classic that evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad.
Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by writer Teju Cole.
Mr Biswas has been told since the day of his birth that…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
