If one of the main reasons we marry is to raise a family, what happens to the couple once the children grow up and no longer need daily care?
A few years ago, I completed an MSc in Psychology, and my dissertation explored exactly this question. After interviewing many couples, it became clear that unless parents are emotionally prepared for life after children, the sense of loss can be overwhelming. That research raised deeper questions about why we commit—and what keeps us committed.
Reading this book made me blush, gasp and giggle—a lot!
Difficult to describe without spoilers—a literal and metaphorical road trip with surprises at every stop. The moving, shocking and very funny story follows 45-year-old Los Angeles–based multimedia artist, navigating midlife, parenting and a marriage that had lost its narrative under the weight of routine and thwarted expectations.
The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life
“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.”—Vogue
“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
The story follows Jack and Elizabeth who meet when they are young, struggling artists in Chicago and moves into their midlife years where their marriage strains amid parenting, the wellness culture, polyamory, and a yearning for their ‘best lives’.
What I found most intriguing first was the great writing, but also the contrast between pre-digital life and the way our immediate environment shapes our self-perception, and in that, the ways we relate to each other.
'American storytelling at its era-spanning best . . . An immersive, multi-layered portrait of a marriage, Nathan Hill's follow-up to The Nix is a work of quiet genius.' - The Observer
'The incredible scope of this dazzlingly detailed state-of-the-nation satire almost defies description . . . Brilliant doesn't begin to describe it, but I'll say it anyway.' - Daily Mail
'I doubt I'll enjoy many books this year as much as Wellness.' - The Times
An Oprah's Book Club Pick.
Moving from the gritty 90s Chicago art scene to a suburbia of detox diets and home renovation hysteria, Wellness is…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
This starts with such a great premise: Douglas Petersen, a devoted but socially awkward biochemist, is blindsided when his wife announces she might leave him, but first, they’ll go on a "Grand Tour of Europe" with their 17-year-old son.
Douglas hopes this is his chance to fix the marriage, connect with his son, and rediscover the man he was supposed to be. But as the trip goes on, we start to realise that so often our vision of how life should be is based on fear of change and habit.
David Nicholls brings to bear all the wit and intelligence that graced ONE DAY in this brilliant, bittersweet novel about love and family, husbands and wives, parents and children. Longlisted for the Man Booker Prize for Fiction 2014.
'I was looking forward to us growing old together. Me and you, growing old and dying together.'
'Douglas, who in their right mind would look forward to that?'
Douglas Petersen understands his wife's need to 'rediscover herself' now that their son is leaving home.
He just thought they'd be doing their rediscovering together.
So when Connie announces that she will be leaving,…
Out buying vegetables, Julia encounters a woman she hasn't seen for twenty years. This shakes up her world and keeps the pages turning. Running over her years getting the perfect life, the chance encounter forces her to reconsider everything and foreshadows a crashing downfall.
The writing is clear, no frills, yet gets right into the mind of a very complex protagonist.
NATIONAL BESTSELLER • NAMED A BEST BOOK BY PEOPLE AND PARADE • The New York Times bestselling author of The Most Fun We Ever Had (“wonderfully immersive…deliciously absorbing”—NPR) returns with another brilliantly observed family drama in which the enduring, hard-won affection of a long marriage faces imminent derailment from events both past and present.
“Infidelity, dysfunction, secrets – this family novel delivers."—The New York Times • "Lombardo has such a fine eye for the weft and warp of a family’s fabric." —The Washington Post • “Witty and insightful...a powerful exploration of marriage, motherhood, and self.”–Bonnie Garmus, bestselling author of Lessons…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
From the first page I was caught up in the whirlwind of Toby’s post-marriage Manhattan—dating apps, sexting and catching up on years of fidelity—which all seems to be going very well until his ex-wife vanishes.
Then Toby Fleishman has to start getting to know Rachel Fleishman all over again, and in that search, himself.
The quirky narrative shifts from biting to moving to philosophical. Sharply observed and wildly entertaining.
'Sharp and wicked, insightful and funny, and then suddenly so touching' DAVID NICHOLLS
'It is a Great Novel . . . It has depth, wit, nuance and life. Heartbreaking and funny' NIGELLA LAWSON
'This is the novel of the summer . . . There is no one that this book isn't for. I can't believe it's a first novel. Pure brilliance' INDIA KNIGHT, THE SUNDAY TIMES
'Could be one of the books of my entire lifetime. I've never felt so seen' GRACE DENT, GUARDIAN
'This book is a work of utter perfection' ELIZABETH GILBERT
When Elizabeth tracks down her first love during the Covid pandemic, their messages rapidly escalate into an erotic obsession—until she turns up in Jack’s town ready to make it real…
The ideas I wanted to explore were the stories we tell ourselves about our pasts, shown by Elizabeth’s obsession with winning over the handsome 18-year-old Jack who’d ditched her when she was a teenager. Also, the disconnect between virtual passion and every-day reality. This is especially put into relief when Jack’s wife discovers his cheating and sets out to make their lives hell. Finally, it was important to me to show all facets of a divorce: though Jude is devastated by Jack’s deceit, what right have we to hold another human back from happiness?
