Books like The Full Ridiculous — picked by fans

Humor wielded with ill intention is a cruel weapon. Yet in thoughtful and caring hands, laughter is such a balm.

This is a hard story, yet I’m not sure I can count how often I laughed out loud while reading—not at someone’s expense but at Gail Honeyman’s ability to adeptly portray so many of the odd moments that come along with being a human on this earth.

Most importantly, this story beautifully illustrates how one person with more emotional baggage than anyone should have to carry is able to walk herself into a peaceful life so different than the one that nearly crippled her. And of the help she gets along the way.

To my knowledge, no one has written a main character like Don Tilman before. A tall, handsome genetics professor who’s never had a second date, he approaches his need for a wife with typical precision and the use of a complex spreadsheet. Don navigates the unfamiliar world of feelings and unplanned activities with his customary efficiency, but what is this strange new emotion he’s feeling?

I simply adore this book and often read it twice a year. It’s an absolute delight, funny, poignant, and so incredibly life-affirming. You’ll be cheering Don and Rosie on and hoping that everything works out for them. I do every time, and I know what happens!

I loved this book for its characters, especially Norman. Only a twelve-year-old boy, Norman has suffered the loss of his one true friend and now forms brave new plans: to find his birth father and to perform as a stand-up comedian at Edinburgh’s Fringe Festival. He is helped by his mother, her older colleague, and others he meets on the road trip to Scotland. Norman has terrible skin psoriasis, a fetish for cheese on toast, and vast quantities of courage and determination.

Some wisdom from Norman: "Never give up. Because no matter if everything goes to hell in a hand basket and you lose your father, your footy career, your baby, your memory, your son, your breath or your best friend, you’ve just got to keep on going."

This novel is elegantly written and emotionally authentic, and while it is a light and zippy read, the more you think about it, the more it seems to say. 

It is about a week in the life of Melbourne man Simon Larsen. Things are not going very well for Simon. He was a successful architect but during lockdown his business failed and his beautiful home had to be sold. Now Simon has moved his family to a tiny flat, and he is unemployed, broke, and can hardly get off the sofa. 

While Simon seems hopeless, the family he has married into are formidable, from his beautiful wife Tansy to his terrifying mother-in-law Gloria. I loved the Schnabels but still, I’m not sure I would want to be related.

I was captivated by Julian Barnes’ treatment of memory and time in this novel, which tells the story of Tony Webster and his group of school friends, whose relationships fracture and strain as life and death leave their marks on their lives. In his retirement, Webster's own memories of his youth prove unreliable.

I felt it was a well-paced and exquisitely written short novel, which makes impressive use of subtle imagery (the sight of the Severn bore is a good example–a nod to how the world can sometimes surprise us). He uses these subtly constructed visual reference points to illustrate this greater message on the relationship between time and memory.

As a piece of writing, I found it quite simply extraordinary.

This starts with such a great premise: Douglas Petersen, a devoted but socially awkward biochemist, is blindsided when his wife announces she might leave him, but first, they’ll go on a "Grand Tour of Europe" with their 17-year-old son.

Douglas hopes this is his chance to fix the marriage, connect with his son, and rediscover the man he was supposed to be. But as the trip goes on, we start to realise that so often our vision of how life should be is based on fear of change and habit.

Westlake is one of my favorite authors. His best-known works are his humorous John Dortmunder crime capers, but this book is a freestanding work with a brilliance all its own. Imagine an ordinary businessman sacked in corporate downsizing and desperate to land a new job…so desperate that he’ll literally kill the competition to get it.

I found it impossible to put down as I followed Burke Devore, someone not truly a “bad guy,” plan, prepare for, and carry out murder after murder. But what dazzled me most was how Westlake morphed a chilling crime spree into a grand metaphor for survival in the world of business.

I’m not a sports fan. My good friend, Ryan Harty (author of one of my favorite short story compilations: “Bring me your saddest Arizona”) recommended this book to me many years ago. I’m not a sports fan but he assured me it had very little if anything to do with sports. He was right about that! I gave it a shot and was immediately transported into the narrative. It’s still in my top 5 all-time favorite book list. Ford’s ability to communicate existential crises in deeper but simple ways is so, so good. Frank Bascombe, the protagonist is detached in a way that is both beautiful and unsettling.

Mickelson’s Ghosts was the final book of famous novelist and equally famous writing teacher John Gardner, published a few months before his death in a motorcycle accident at the too-young age of 49. It tells the story of Peter Mickelson, a once-famous philosopher nearing the end of his career, and finding himself buying a run-down house he can't afford with his ex-wife and the I.R.S. breathing down his neck. Soon the rationalist philosopher finds himself living in a world of bad decisions, sex, hauntings and ghosts, and religious cults—a world where rationalism can’t save him from his own creeping madness and mortality. 

I like a good satire and I love Ian McEwan. Set in academia, Professor Beard, with his Nobel prize in physics clutched to his chest, is offended by the idea that art might be as good a tool for curing a sick planet as his analytical facts. For all his scientific knowledge, he fails to understand that art has power. His younger colleague tries his best, explaining how images created by art bypass the modern cerebral cortex and go straight to our ancient limbic brain which controls memory and emotion, the part of the brain where we process value judgments, judgments that exert a strong influence on our behavior. This book makes the case for climate change as an important subject in literature, art, and music, because we need to touch hearts before we can create change. And it’s pretty funny on top of it.