Here are 100 books that A House for Mr. Biswas fans have personally recommended if you like
A House for Mr. Biswas.
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I was raised in a large family, and we were taught to be respectful, honest, and polite to everyone. I've never been able to understand the mind of a 'nasty' person or how a person can hurt another. When these people are brought to justice, how can we know they are telling the truth?
Expanding on this, I started thinking about Artificial Intelligence—could this be the creation that gives us the way to see into a person's mind; to find out what crime they have committed? But then I thought, what if the actual creator was a criminal? How would anyone even know? That was the route of my research which led to i4Ni being written.
I bought this book because of the great write-ups about it. The author won the Nobel Prize in Literature, and this was his first book following that award, so for me, it was recommended as soon as the author won the award.
It's a great read and has filled me with a mixture of emotions, so it will be interesting to see how you feel after reading it. For me personally, it's a book to study and learn from, as there is always room for learning in any career you decide to do.
It fascinated me because Klara is an 'Artificial Friend', which ties in with my research and interests in Artificial Intelligence.
*The #1 Sunday Times Bestseller* *Longlisted for the Booker Prize 2021* *A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post 'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
For whatever reason, I have always been interested in sad men. Successful men can be boring. It is failure, and how men manage it when success is the primary marker of masculinity, that I find interesting as a subject for fiction. Even when I was in my 20s, I liked reading novels about men suffering mid-life crisis. And now that I am squarely in middle age, novels that were about the future are now novels about the present.
I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar.
John Cheever's Collected Stories explores the delicate psychological frameworks of 20th century suburbia.
WITH AN INTRODUCTION BY HANIF KUREISHI
This outstanding collection by Pulitzer Prize-winning novelist John Cheever shows the power and range of one of the finest short story writers of the last century. Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.
When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
I read this book after I had already sent my manuscript to my agent and was surprised that the plot involved the main character unexpectedly caring for a dog after losing a loved one, as my novel does. Told from the point of view of a writing professor whose best friend and mentor has taken his own life, it traces the protagonist’s slow psychological unraveling as she tries to come to terms with both her friend’s death and the place he had held in her life. Adopting his dog takes her out of her ordinary routine in concrete ways and also grounds her and requires her to take part in the details of a new kind of daily life, even if reluctantly.
Part of what I love about this book is the many ways in which it’s experimental. It combines fiction, autofiction, and essay writing. It contains blank pages. There…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender.
WINNER OF THE SCOTIABANK GILLER PRIZE
'Spellbinding' i
'Breathtaking' Elle
'Powerhouses of feeling and depth' Mary Gaitskill
'Sharp and vital' Daisy Johnson
An ex-boxer turned nail salon worker falls for a pair of immaculate hands; a mother and daughter harvest earthworms in the middle of the night; a country music-obsessed housewife abandons her family for fantasy; and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs, and above all, the pursuit of a place to belong
I’m the child of immigrants and my role in the family was to be my parents’ American expert and translator. I learned my expertise by living, of course, but my understanding of the interior life and thoughts of Americans often came from reading American novels. Immigration-themed novels are catnip to me because they remind me, often with warmth, of my own childhood and parents.
This book is a true labor of love, an oral history about a community of Eastern European Jewish chicken ranchers that lived in Petaluma, California for decades. The voices ring with the cadence and language of my own childhood although the era is older and the political leanings of those interviewed are different than those in my own neighborhood. What distinguishes this book from many is that the community has no wish to assimilate.
Given its tumultuous history, one would hardly have expected Petaluma, California, to become transformed into the San Francisco bedroom suburb that it is today. It had been a small-town agricultural community, where Jewish chicken ranchers and radicals enjoyed a vigorous Yiddish cultural life, maintained intense political commitments, and took part in sharp conflicts among themselves and with the society beyond.
In this unique work of oral history, Kenneth Kann has ingeniously arranged and edited interviews with more than two hundred people, some of them telling their life stories in their own Yiddishized English. We meet an array of striking characters…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
Lahiri writes about immigrant families with a kind of quiet precision that always undoes me.
I love how this novel follows Gogol's uneasy relationship with his name, his parents, and the home they left behind. It's a beautiful exploration of how we inherit both love and loneliness from our families, and how long it can take to understand either.
'The Namesake' is the story of a boy brought up Indian in America.
'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'
For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to…
I teach and have written too many articles on these books as an English professor. There’s a time for tragic or difficult books (James Joyce, anyone?), but also a time for fun, and I believe it’s good for my students to giggle and enjoy reading while they learn. As a Canadian, I’m told my humor is dry but warmer, and accordingly, the books I prefer make me think—and some break my heart—but my favorites also make me laugh. If you want a quality read but aren’t above a fart joke, I hope you will check out my list.
This book has always hit the trifecta for me—interesting, moving, and funny. A story about London immigrant families in the ‘80s and ‘90s, it shows a lesser-known side of society and certainly is the raunchiest book in my list—there’s a lot of sex among its confused screw-ups.
I admit my mind was opened, and my sympathies widened by this book, and after re-reading, I can appreciate it as a masterpiece of comic chaos. I wouldn’t want to be these characters—how many books begin with a failed suicide attempt?—but I’m glad they let me into their lives.
One of the most talked about fictional debuts of recent years, "White Teeth" is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
I have a weakness for eccentric characters raging at the world while trying to find a place in it. Allie, the protagonist, leaves America for Honduras, where he tries to create an alternate universe, free from what he views as the ills of America. I read this book while living in the Caribbean and Allie’s pronouncements about imperialism and materialism, though clearly paranoid, contained, I felt, a germ of truth. The ebullient characters, the restless energy, and the dark humour, all characteristics of the novelist’s later books, are on full display here.
Winner of the Stanford Dolman Lifetime Contribution to Travel Writing Award 2020
The Mosquito Coast - winner of the James Tait Black Memorial Prize - is a breathtaking novel about fanaticism and a futile search for utopia from bestseller Paul Theroux.
Allie Fox is going to re-create the world. Abominating the cops, crooks, junkies and scavengers of modern America, he abandons civilisation and takes the family to live in the Honduran jungle. There his tortured, messianic genius keeps them alive, his hoarse tirades harrying them through a diseased and dirty Eden towards unimaginable darkness.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
My mother is a member of the exact same generation as Rushdie, kids born at the moment when India gained independence, so I grew up in the shadow of that legacy—the optimism, the violence, the huge historical question mark. But when I picked up Rushdie’s magical-realist novel, it was the prose that spoke to me first: vivid, exaggerated, a cacophony, evoking India itself.
Our narrator, Saleem Sinai, was switched at birth with another child, and throughout the novel, images and phrases recur in different contexts. Often, these are puns that, by the second or third time they appear, have accumulated the weight of metaphor. I’ve read this book half a dozen times, and find more to enjoy with each reading.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
