Books like The Self Does Not Die — picked by fans

I became interested in the relationship between the mind and the brain around the age of 8. It was at this age that I decided to become a neuroscientist. Years later, I completed a bachelor's degree in psychology and then a doctorate in neuroscience. I’ve spent part of my research career in neuroscience at the University of Montreal. I have also been affiliated with the University of Arizona (Tucson). My groundbreaking work on the neurobiology of emotional self-regulation, consciousness, and spiritual experiences has received extensive international media coverage and numerous awards. I am one of the main proponents of a postmaterialist paradigm for the new science of mind/consciousness.

I became interested in the relationship between the mind and the brain around the age of 8. It was at this age that I decided to become a neuroscientist. Years later, I completed a bachelor's degree in psychology and then a doctorate in neuroscience. I’ve spent part of my research career in neuroscience at the University of Montreal. I have also been affiliated with the University of Arizona (Tucson). My groundbreaking work on the neurobiology of emotional self-regulation, consciousness, and spiritual experiences has received extensive international media coverage and numerous awards. I am one of the main proponents of a postmaterialist paradigm for the new science of mind/consciousness.

As a journalist, I'm driven to find stories that have not been covered before and to make clear the incomprehensible. I like people, and I like asking questions. I've covered wars and disasters, and on any given day, I could expect to see people at their very worst and at their very best. With my book about comas, I've met some of the finest people of my career, doctors, nurses, and other clinicians who are fighting the system, and coma survivors who are simply fighting to get through each and every day. This is the story I am now driven to tell.

I became interested in the relationship between the mind and the brain around the age of 8. It was at this age that I decided to become a neuroscientist. Years later, I completed a bachelor's degree in psychology and then a doctorate in neuroscience. I’ve spent part of my research career in neuroscience at the University of Montreal. I have also been affiliated with the University of Arizona (Tucson). My groundbreaking work on the neurobiology of emotional self-regulation, consciousness, and spiritual experiences has received extensive international media coverage and numerous awards. I am one of the main proponents of a postmaterialist paradigm for the new science of mind/consciousness.

I have always been the ‘observing individual’ and deeply interested in knowing the connection between mind and soul. This always led me to the question what are the roots of happiness and content? Since materialism has a strong, complex, and intricate impact on our lifestyle and choices, my observation led me to conclude that despite unparalleled access to wealth, people still struggle with concepts of serenity, peace, happiness, and contentment. This disconnect prompted me to explore the various socio-psychological dimensions of materialism. While writing this book my objective was to highlight subtle yet profound materialistic omnipresence on our life choices, often at the expense of genuine well-being. 

I have always been fascinated with the macabre and things that go bump in the night. My parents took me to see my first horror movie when I was a month old. It was the 1974 version of It’s Alive. I have been a horror lover ever since. I read my first Stephen King novel, Pet Semetary, at age nine. Then I moved on to Salem’s Lot and The Shining, devouring all three books before I was ten. I have had experiences of things moving in my bedroom when I am the only one there. I believe in the things that go bump in the night. 

I’ve been a hiker for a long time, but it wasn’t until COVID-19 that I began to pay attention to the forests I was hiking through. I started with field guides to edible plants, then used Seek and iNaturalist apps to identify more species, and started taking macro photography of what I found. The more I paid attention to the minutiae of the natural world, the more I fell in love with every part of it. I’m worried our current priorities for climate change (preserving our way of life) are misguided. I’m worried about the future of all species. Every insect and every plant I’ve looked at close up is breathtakingly beautiful and worth saving. 

I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired.  Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center.  Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.  

I became enthusiastic about the history of the Baltics when my dissertation advisor persuaded me to use my language training in German and Russian to test the American Frontier Theory in the Baltic region. None of the various theories were applicable, but I earned a Ph.D. anyway. Later I taught in Italy, Yugoslavia, Estonia, and the Czech Republic. I've written a number of books and won a Fulbright Hays grant, the Dr. Arthur Puksow Foundation prize, the Vitols Prize, and others. I retired in 2017 after fifty-one years of university and college teaching, but I would still be teaching if my hearing had not deteriorated to the point that I could not make out what shy students were saying. 

Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.