Here are 100 books that Stuff fans have personally recommended if you like
Stuff.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I’ve spent my entire life facing and dealing with misogyny. Last year, I wrote a book on the topic which marries storytelling, research, and journalism. For the Love of Women is vulnerable, but not a memoir; well-researched but not academic; and though it’s confrontive, it ends on a hopeful note. If you have any doubts that misogyny is an issue in America, you need to read this book.
The world and the world’s products are based on male bodies and men’s needs, which can harm women.
Our patriarchal culture expects women to adjust and adapt in all kinds of ways. For example, PPEs (the suits worn by frontline medical workers during the pandemic) are designed for men’s bodies, even though most frontline health care workers are women.
Seat belts in automobiles continue to be designed based on crash-test dummies that do not replicate the female anatomy. These male-centric designs are not simply inconvenient—they are highly consequential.
Winner of the 2019 Financial Times and McKinsey Business Book of the Year Award Winner of the 2019 Royal Society Science Book Prize
Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias, in time, money, and often with their lives.
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
I've always had a creative curiosity that involves making, designing, and finding creative solutions to problems, this led me to using digital tools and lecturing in interactive media. As technology, society, and design have developed so to has my knowledge and experience in these fields enabling me to understand and develop the unique skills that are required to create successful solutions in the digital design process. I do this through creating and designing interventions in the physical space to ask questions and raise awareness of our use of technology and the impact on our awareness of time and space and the world around us.
Marshall McLuhan, in his book The Medium Is the Massage, introduces the idea that "all media are extensions of some human faculty... The wheel is an extension of the foot. The book is an extension of the eye... clothing an extension of the skin, electric circuitry, an extension of the central nervous system." All of this, McLuhan says, alters the way that we see the world around us and how we interact with it.
This is a must-read for all who work with or study media as it makes the reader question the very medium that we use to interact with each other and see how this impacts how we interpret and experience the world around us. This is vital to beginning to understand how to utilise the medium that you are working with.
In a dazzling fusion of Quentin Fiore's bold and inventive graphic design and Marshall McLuhan's unique insight into technology, advertising and mass-media, The Medium is the Massage is a unique study of human communication in the twentieth century, published in Penguin Modern Classics
Marshall McLuhan is the man who predicted the all-pervasive rise of modern mass media. Blending text, image and photography, his 1960 classic The Medium is the Massage illustrates how the growth of technology utterly reshapes society, personal lives and sensory perceptions, so that we are effectively transformed by the means we use to communicate. His theories, many…
I am a futures anthropologist whose research centers on anticipated changes within human society. I seek to understand what gains can be made for humanity in various future scenarios, what aspects we must preserve to safeguard what I refer to as ‘sustainable humanity,’ and what is at risk of being lost and who stands to lose. One of the important themes in my work is love because intimacy–whether that be in a romantic, sensual, or friendly manner–is innate to the human experience. In my work, I wonder: if the experience of love changes, does this mean we, as humans, are also changing?
We have all heard that social media and other modern technologies are not good for us, but Turkle explains exactly why and how such technologies impact our well-being.
I am a mother of a toddler daughter, and even though, through my work as a future anthropologist, I was far from naïve about the impact of technology, I was still shocked to read what cell phones and laptops do to our children's brains. The book convinced me to be extra conscious of how I raise my daughter in a digital age.
Technology has become the architect of our intimacies. Online, we fall prey to the illusion of companionship, gathering thousands of Twitter and Facebook friends, and confusing tweets and wall posts with authentic communication. But this relentless connection leads to a new solitude. We turn to new technology to fill the void, but as MIT technology and society specialist Sherry Turkle argues, as technology ramps up, our emotional lives ramp down. Even the presence of sociable robots in our lives that pretend to demonstrate empathy makes us feel more isolated, as Turkle explains in a new introduction updating the book to…
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
I've always had a creative curiosity that involves making, designing, and finding creative solutions to problems, this led me to using digital tools and lecturing in interactive media. As technology, society, and design have developed so to has my knowledge and experience in these fields enabling me to understand and develop the unique skills that are required to create successful solutions in the digital design process. I do this through creating and designing interventions in the physical space to ask questions and raise awareness of our use of technology and the impact on our awareness of time and space and the world around us.
In this book Don Norman, through human centered design, unpacks and helps us understand the value and impact that the objects around us can have.
He helps the reader see these objects from a fresh perspective. Through looking at the different ‘levels of design’—visceral, behavioural, and reflective—and the importance of emotional machines, he explores the shared role that technology, design, and people play in manipulating their environment.
Did you ever wonder why cheap wine tastes better in fancy glasses? Why sales of Macintosh computers soared when Apple introduced the colourful iMac? New research on emotion and cognition has shown that attractive things really do work better, as Donald Norman amply demonstrates in this fascinating book, which has garnered acclaim everywhere from Scientific American to The New Yorker . Emotional Design articulates the profound influence of the feelings that objects evoke, from our willingness to spend thousands of dollars on Gucci bags and Rolex watches, to the impact of emotion on the everyday objects of tomorrow.Norman draws on…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
Stylin’ tells the history of African American fashion and style. As a Black man, I have always loved the unique style of the Black community and noticed how trends that start with Black people have consistently become central to American culture. This book explains why this is; how black culture evolved in conversation and conflict with the dominant culture of white America. But it doesn’t devolve into stereotypes or typical, simplistic observations. Black style is the blues, jazz, the cakewalk but it is also refined elegance and a knowing commentary on European culture.
For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African…
When I was a kid, I knew that my gender was different. I didn’t feel like a boy or a girl, but I didn’t know the word “nonbinary.” There were no kid’s books about people like me. I grew up with a lot of questions, which drove me to become a doctor of Women’s and Gender Studies and an expert on transgender history. Now I’m passionate about writing the kind of picture books that I needed as a child. If you want the kids in your life to understand transgender identity and feel loved whatever their gender may be, you’ll enjoy the books on my list.
When we talk about transgender pride, the voices of Native people are often nowhere to be heard. 47,000 Beads is an exception. This beautiful book tells the story of Peyton, a pow-wow dancer who has stopped feeling comfortable wearing a dress. This book helped me understand more about Indigenous children who are Two-Spirit – a pan-Native term for people whose genders are sacred in their tribal nation, but unintelligible to the white people who colonized the United States. I’m so glad I was able to read it and I hope you will be too.
Peyton loves to dance, and especially at Pow Wow, but her Auntie notices that she’s been dancing less and less. When Peyton shares that she isn't comfortable wearing a dress anymore, Auntie Eyota asks some friends for help to get Peyton what she needs.
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
The neoclassical style of dress—sheer, high-waisted muslin dresses that displayed a woman’s arms and eschewed traditional undergarments—that appeared in the late eighteenth century shaped European female fashions for nearly thirty years. Historians have often labeled the neoclassical movement associated with the Enlightenment and Age of Revolution as austere and masculine in its effects. However, Rauser effectively makes the case that women were at the center of 1790s neoclassicism in its most intense and embodied form, as creators and patrons—and that fashion, more so than other forms of art, reveals an era’s artistic and political culture.
Neoclassicism recast as a feminine, progressive movement through the lens of empire-style fashion, as well as related art and literature
The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing-often referred to as robe a la grecque, empire style, or "undress"-is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived:…
I have always loved children. I love tiny babies just discovering the world around them. I love elementary-age kids who are taking pride in developing new skills and learning how to deal with challenges. I love teens who are questioning and rethinking the things they thought they knew. I also love the science and practice of psychology (my profession for over thirty years) and, I love books. To date, I have written nine books. My audience ranges from preschool to high school and topics include strategies to understand and cope with problems as well as psychology as a topic of study.
This gentle picture book introduces us to Jacob who wants to dress up like his friend, Emily, and not in the costumes the other boys prefer. Despite being teased when he arrives at school wearing a dress fashioned from a towel, Jacob decides he wants a “real” dress. With support from his parents, he makes one of his own. Further teasing is met by Jacob’s expression of pride in his creation and refusal to compromise who he is. This colorful book promotes acceptance of gender nonconformance and can serve as an opener to discussions of the topic with young children.
One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015
An affirming story about gender nonconformity.
Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional…
I am a children’s book creator and a parent. Raising an anxious child can be challenging. Events that many children find fun and exciting can be overwhelming and scary for your child. Seemingly small changes in their daily routine can throw some youngsters into a swirl of emotions that is upsetting to them and to those who love them. When I was searching for picture books to help the young worrier in my life, I looked for books that acknowledged their distressing feelings while giving them some strategies with which to cope with their overwhelming emotions. That premise became the theme of my Maud the Koala book series.
Lena isn’t worried about the first day of kindergarten - but her shoes are. In this clever story we see various parts of Lena’s wardrobe taking on various personalities, possibly mirroring parts of Lena’s own personality. Her outgoing blue dress is ready for a new adventure, her friendly headband wants everyone to work together, of course, her fearful footwear wants to stay home. But when Lena threatens to wear her slippers to school, will her shoes muster the courage to march forward? A creative and witty book about facing your fears.
In the tradition of School’s First Day of School, debut author Keith Calabrese and Pura Belpré Award winner Juana Medina share a sweet, universal story about a clever little girl whose shoes are nervous about the first day of school.
Today is a big day! Today, Lena starts kindergarten. She is very excited. But there’s just one problem…
Lena’s shoes are nervous.
Lena doesn’t want to miss out on her first day of school, but she can’t go without her favorite shoes! How can she convince them to be brave?
