Here are 100 books that Stuff fans have personally recommended if you like
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As an attorney, former TV broadcaster, and workplace consultant, I’ve devoted my career to empowering women and confronting systemic inequities. My passion stems from personal experience navigating the complexities of workplace harassment, which inspired me to write my book and guide others through similar challenges. I am continually drawn to books that illuminate the hidden power structures and offer practical tools for resilience, empowerment, and self-advocacy. The works on this list have profoundly shaped my perspective, providing inspiration and clarity in both my professional and personal journey. I hope they resonate with you as deeply as they have with me.
This book completely reframed how I see the world. Perez dives into the pervasive gender data gaps that impact everything from workplace policies to public health. Her meticulous research and compelling examples made me realize how much of our world is designed without women in mind. It’s equal parts infuriating and enlightening, and it left me determined to question systems that perpetuate inequality.
This book is a must-read for anyone who wants to understand the hidden ways gender bias shapes our lives.
Winner of the 2019 Financial Times and McKinsey Business Book of the Year Award Winner of the 2019 Royal Society Science Book Prize
Data is fundamental to the modern world. From economic development, to healthcare, to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this bias, in time, money, and often with their lives.
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
I've always had a creative curiosity that involves making, designing, and finding creative solutions to problems, this led me to using digital tools and lecturing in interactive media. As technology, society, and design have developed so to has my knowledge and experience in these fields enabling me to understand and develop the unique skills that are required to create successful solutions in the digital design process. I do this through creating and designing interventions in the physical space to ask questions and raise awareness of our use of technology and the impact on our awareness of time and space and the world around us.
Marshall McLuhan, in his book The Medium Is the Massage, introduces the idea that "all media are extensions of some human faculty... The wheel is an extension of the foot. The book is an extension of the eye... clothing an extension of the skin, electric circuitry, an extension of the central nervous system." All of this, McLuhan says, alters the way that we see the world around us and how we interact with it.
This is a must-read for all who work with or study media as it makes the reader question the very medium that we use to interact with each other and see how this impacts how we interpret and experience the world around us. This is vital to beginning to understand how to utilise the medium that you are working with.
In a dazzling fusion of Quentin Fiore's bold and inventive graphic design and Marshall McLuhan's unique insight into technology, advertising and mass-media, The Medium is the Massage is a unique study of human communication in the twentieth century, published in Penguin Modern Classics
Marshall McLuhan is the man who predicted the all-pervasive rise of modern mass media. Blending text, image and photography, his 1960 classic The Medium is the Massage illustrates how the growth of technology utterly reshapes society, personal lives and sensory perceptions, so that we are effectively transformed by the means we use to communicate. His theories, many…
I am a futures anthropologist whose research centers on anticipated changes within human society. I seek to understand what gains can be made for humanity in various future scenarios, what aspects we must preserve to safeguard what I refer to as ‘sustainable humanity,’ and what is at risk of being lost and who stands to lose. One of the important themes in my work is love because intimacy–whether that be in a romantic, sensual, or friendly manner–is innate to the human experience. In my work, I wonder: if the experience of love changes, does this mean we, as humans, are also changing?
We have all heard that social media and other modern technologies are not good for us, but Turkle explains exactly why and how such technologies impact our well-being.
I am a mother of a toddler daughter, and even though, through my work as a future anthropologist, I was far from naïve about the impact of technology, I was still shocked to read what cell phones and laptops do to our children's brains. The book convinced me to be extra conscious of how I raise my daughter in a digital age.
Technology has become the architect of our intimacies. Online, we fall prey to the illusion of companionship, gathering thousands of Twitter and Facebook friends, and confusing tweets and wall posts with authentic communication. But this relentless connection leads to a new solitude. We turn to new technology to fill the void, but as MIT technology and society specialist Sherry Turkle argues, as technology ramps up, our emotional lives ramp down. Even the presence of sociable robots in our lives that pretend to demonstrate empathy makes us feel more isolated, as Turkle explains in a new introduction updating the book to…
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
I've always had a creative curiosity that involves making, designing, and finding creative solutions to problems, this led me to using digital tools and lecturing in interactive media. As technology, society, and design have developed so to has my knowledge and experience in these fields enabling me to understand and develop the unique skills that are required to create successful solutions in the digital design process. I do this through creating and designing interventions in the physical space to ask questions and raise awareness of our use of technology and the impact on our awareness of time and space and the world around us.
In this book Don Norman, through human centered design, unpacks and helps us understand the value and impact that the objects around us can have.
He helps the reader see these objects from a fresh perspective. Through looking at the different ‘levels of design’—visceral, behavioural, and reflective—and the importance of emotional machines, he explores the shared role that technology, design, and people play in manipulating their environment.
Did you ever wonder why cheap wine tastes better in fancy glasses? Why sales of Macintosh computers soared when Apple introduced the colourful iMac? New research on emotion and cognition has shown that attractive things really do work better, as Donald Norman amply demonstrates in this fascinating book, which has garnered acclaim everywhere from Scientific American to The New Yorker . Emotional Design articulates the profound influence of the feelings that objects evoke, from our willingness to spend thousands of dollars on Gucci bags and Rolex watches, to the impact of emotion on the everyday objects of tomorrow.Norman draws on…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
This is a brilliantly researched book which allowed me to accompany Sofi Thanhauser as she travelled across continents to unearth the origin and the fate of fabric production. It made me realise the terrible damage done to our environment and to communities through colonialisation, exploitation, industrialisation, and our throw-away economy. Tracking how craft is being replaced with slave labour, how traditions are being eroded, and local economies destroyed in the pursuit of cheaper and greater textile production, Worn is not a comfortable read, but it is, for me, a reminder of the human cost involved in most of what I wear.
A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet.
“We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post
In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and…
I’ve always wanted to know why people acquire the things they choose, how they get them, and what they do with them. For years, too, I’ve been fascinated by the period when modernity was being born, a time full of worldwide exploration, the founding of new nations and societies, and the invention of new ways of making, transporting, and distributing all sorts of goods and services. I discovered that studying consumers, consumer goods, and trade from the mid-seventeenth to the late eighteenth century was the perfect way to satisfy my curiosity. The Material Atlantic is my report about what I’ve learned.
When we think of fashion, we tend to envisage attention-getting, usually very expensive clothing. And because many of those pieces have been carefully preserved, most historical works also focus on costly luxury apparel.
But as John Styles, one of today’s most imaginative historians, demonstrates in this gorgeous book, fashion is not just a matter of big-name designers who show in Milan, Paris, or New York. Having discovered a wealth of new sources—fabric swatches pinned onto orphan records are just one of them—Styles reconstructs the ways in which ordinary Britons created apparel styles during the first “Consumer Revolution.”
This inventive and lucid book sheds new light on topics as diverse as crime, authority, and retailing in eighteenth-century Britain, and makes a major contribution to broader debates around consumerism, popular culture, and material life.
The material lives of ordinary English men and women were transformed in the years following the restoration of Charles II in 1660. Tea and sugar, the fruits of British mercantile and colonial expansion, altered their diets. Pendulum clocks and Staffordshire pottery, the products of British manufacturing ingenuity, enriched their homes. But it was in their clothing that ordinary people enjoyed the greatest change in their…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
Like my previous recommendation, How to Read a Dress is heavy on the visuals, but unlike my previous recommendation, this book gives you the language to describe and talk about what you’re seeing. If you’re ready to move beyond the basics and get a little more detailed in your study of fashion, How to Read a Dress is the perfect next step.
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries.
Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers will learn how garments were constructed and where their inspiration stemmed from at key…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A life-long lover of dresses that “swish” and “crinkle,” I’m in complete solidarity with Morris Micklewrite in his choice of the tangerine dress and shoes that “click” at dress-up time. But his classmates, hung up on narrow gender rules, don’t agree. Yet this story is not about Morris’s gender. It’s about his fondness for a color that reminds him of tigers and the sun, his love of playing spaceship and visiting elephants in his imagination. Even before I understood I was queer, I gravitated to peers who I now know are queer, too. Yet we bonded over play, singing, imagining adventures together! That’s what mattered. By this story’s end, some of Morris’s peers also realize it’s not gender rules that matter, but the greatness of the adventures you share!
Morris is a little boy who loves using his imagination. But most of all, Morris loves wearing the tangerine dress in his classroom's dress-up center. The children in Morris's class don't understand. Dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship some of his classmates are building. Astronauts, they say, don't wear dresses. One day when Morris feels all alone and sick from their taunts, his mother lets him stay home from school. Morris dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw…
