Here are 100 books that The Search for Delicious fans have personally recommended if you like
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I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This book, again by JRR Tolkien, was published in 1977, actually four years after its author’s death. It deals with Middle Earth long before The Hobbit and The Lord of the Rings, both set in the Third Age.
It concerns a foe, Melkor, who is infinitely more powerful than Sauron, the adversary in the later books. Tolkien himself summarises it better than anyone: "The Silmarillion is the history of the War of the Exiled Elves against the Enemy. Several tales of victory and tragedy are caught up in it; but it ends with catastrophe, and the passing of the Ancient World, the world of the long First Age." Tolkien’s son Christopher had to finish something that was not fully complete.
For some, it might be an effort to keep up with the intricate cultural and in-depth world building than anything we see in the Third Age, yet again the…
The forerunner to The Lord of the Rings, The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.
The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.
Included on the recording are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.
I studied the literature of the Harlem Renaissance in college, and the rhythmic power and cadence of so many great works of that time still influence me: the deep bass throughline of Claude McKay’s Banjo; the fiery, relentless push of truth in James Baldwin’s essays and novels. Zora Neale Hurston imbued her allegories and anthropological studies of the era with literary devices that made them smooth to read and easy to slide under your skin. Just the repetition of mountainin Moses, Man of the Mountain, is enough to reveal the power of the simplest literary devices. And her expert use of alliteration makes this a beautiful, boisterous, and emboldening read.
“A narrative of great power. Warm with friendly personality and pulsating with . . . profound eloquence and religious fervor.” —New York Times
In this novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith.
Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.
In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.
An alluring new collection from the author of the New York Times Notable Book, Midnight Robber
Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness.
In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.
I was unprepared for this book’s unrelenting pace, as it provides some of the most on-the-nose and funny skewering of our present era that I’ve read to date, via alien invasion and our coping strategy of viewing reality as a show. Anderson wields short chapters and surprising reveals in his last sentences as atypical, but effective, literary weapons. His framing of the whole work as a series of images, through chapter titles that read like illustrations, is brilliant and a quite literal representation of figurative language. Each time we’re reminded that this is a story about television, about fiction, about the comfortable lies we tell ourselves, the words strike a familiar beat, like a cinematic score reprising a theme.
Award-winning author M. T. Anderson explores themes of art, truth and colonization in this sharply wrought satire of a future Earth.
From the author of dystopian tour de force Feed comes a soon-to-be literary classic that will resonate with young adults and adults alike.
When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth - but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents'…
Since I can remember, I’ve loved fairy tales. Stories that start once upon a time, somewherefar, far away. Those words are both comforting and exciting. I am fascinated by their evolution and prevalence in different cultures and genres. That same story can be told in a million different ways that are familiar, and completely new. I used a fairy tale to complete my writing minor, then submitted that same story for a Masters writing program, transforming it into my thesis, which became my first published book. I’ve spent a career reading and writing fairy tales, and I hope this list helps you love them as much as I do.
Lewis Carroll’s Alice in Wonderland is ripe with retellings, but you’d be hard-pressed to find a darker, more gruesome version than Christina Henry’s. In this violent, twisted landscape, a broken Alice finds herself trapped in an insane asylum, with only one friend—Hatcher. Known for being mad, he’s housed in the neighboring cell, imprisoned for killing people with a hatchet. We follow these damaged characters as they escape their prison and navigate a nightmarish world. While this is not a story for the faint of heart, if you can handle the darkness, Henry’s lovely prose and imaginative story will take you on an unforgettable journey unlike any fairy tale you’ve ever read.
In four new novellas, Christina Henry returns to the world of Alice and Red Queen, where magic runs as freely as secrets and blood.
Lovely Creature In the New City lives a girl with a secret: Elizabeth can do magic. But someone knows her secret--someone who has a secret of his own. That secret is a butterfly that lives in a jar, a butterfly that was supposed to be gone forever, a butterfly that used to be called the Jabberwock...
Girl in Amber Alice and Hatcher are just looking for a place to rest. Alice has been dreaming of a…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
I have to put Brecht on this list. Which Brecht? I don’t know, but I find myself coming back to the Journals more often than anything else. These record his responses to the world between 1934 and 1955, but the war years are the most gripping.
Once more, it is the seamlessness with which art and politics come together that characterizes Brecht’s achievement. Brecht is the touchstone, the rock, the ground to which I often return. Brecht’s prose—concrete, direct, transparent—has had more effect on me than any other author. I call it not just “getting to the point” but “getting it right.”
This book contains selected poems, plays, and prose by Bertolt Brecht taken from various points throughout his career. It includes translations of two prose works and provides some background information on Brecht's life and career.
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
This book, and others by Campbell, has valuable ideas about humanity and mythology that are endlessly useful to fiction writers. Not about craft. About stories. And you’ll get a sense of how stories shape our world. And it has the effects of myth on human existence, fascinating from both a historic and cultural perspective.
This volume explores the whole inner story of modern culture since the Dark Ages, treating modern man's unique position as the creator of his own mythology.
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
Dave Barry is most famous as a humor columnist and nonfiction writer. His first novel Big Trouble, with a story that reads like a suspenseful thriller, is full of comedic events and clever twists. It’s worth reading, however, for the prose alone. Sample sentence: “En route to the polling place, the old man picked up seven other voters, all men, some quite aromatic.”
Dave Barry makes his fiction debut with a ferociously funny novel of love and mayhem in south Florida.
In the city of Coconut Grove, Florida, these things happen: A struggling adman named Eliot Arnold drives home from a meeting with the Client From Hell. His teenage son, Matt, fills a Squirtmaster 9000 for his turn at a high school game called Killer. Matt's intended victim, Jenny Herk, sits down in front of the TV with her mom for what she hopes will be a peaceful evening for once. Jenny's alcoholic and secretly embezzling stepfather, Arthur, emerges from the maid's room,…
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
Because of the way she writes about the past and the way she writes about the present. Because she is at once straightforward and lyrical. Because she writes about places and people with the same acuity and insight. Because she writes with certainty about ambiguity.
Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems.…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
Any Maugham story has to be great. This collection is no exception. Usually a character in his own stories, Maugham will play the part of reader’s confidant, recounting a story about a friend of his, or a friend of a friend, as it were second-hand. I particularly like how he handles the theme of money in this collection (unlike Balzac, who introduces money with a truncheon): no big deal; but such a bother. Each story seems a trifling anecdote, distanced, cursory ̶ until the perfect note of pathos slips in. And Matisse’s simple line drawings complement Maugham’s prose nicely.
