Books like Landscape with Invisible Hand — picked by fans

From childhood, hearing and reading stories and folk stories with my parents and grandfather to reading Tolkien’s The Hobbit and The Lord of the Rings, I have always had a passion for the hearing, reading, and telling of tales, which strongly stimulates my love for fantasy as it is rich with symbolism.

Tolkien’s The Silmarillion took that love to new levels as it is the book I find myself always returning to, almost as though in its study. While it is commonly a difficult read for many due to its slow build for establishing its own context, I love how this book is a rich library of stories bespeaking themes of tragedy, despair, courage, hope, and nobility, where we get to see their fruits in the story’s conclusion.

Despite Tolkien’s decision to refrain from allegory as he kept the story purely ambiguous in nature as the fictional world feels both… show more.

This classic middle grade fantasy tale is what first taught me an appreciation of figurative language and lyricism in writing. It revolves around a young courtesan tasked to provide a definitive definition of delicious to resolve a court dispute. He asks many people throughout the land, which yields answers such as “a cold leg of chicken eaten in an orchard early in the morning in April when you have a friend to share it” or “a drink of cool water when you’re very, very thirsty.” At an early age, those descriptions made clear to me the power of making comparisons that evoke memory and mood. It also heavily influences my food and drink reviews to this day!

I studied the literature of the Harlem Renaissance in college, and the rhythmic power and cadence of so many great works of that time still influence me: the deep bass throughline of Claude McKay’s Banjo; the fiery, relentless push of truth in James Baldwin’s essays and novels. Zora Neale Hurston imbued her allegories and anthropological studies of the era with literary devices that made them smooth to read and easy to slide under your skin. Just the repetition of mountain in Moses, Man of the Mountain, is enough to reveal the power of the simplest literary devices. And her expert use of alliteration makes this a beautiful, boisterous, and emboldening read.

In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.

This book follows the main characters and their journey through finding young love, dealing with loss, and becoming resilient to what life throws them. The art in this book is a wonderful blend of fantasy and science fiction.

I love how the story plops you into the world but doesn’t explain how everything works. Stories without info dumps make me feel like the author trusts their characters, and visuals can stand alone. 

It’s always great to get a reminder to be true to yourself when you don’t fit in easily.

This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.

But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.

I was a huge fan of 99 Days by Katie Cotugno, so I knew I had to pick up this sequel.

Main character Molly is flawed, to the point where I wanted to throw the book across the room. But there’s no denying her pull toward the forbidden love interest, Gabe. What I admired most about this story is how author Katie Cotugno brought a series of unlikely events into the realm of plausibility.

If you’re into forbidden love, romance abroad, and a story you can’t put down, grab this one now!  

Lisa Damour is one of the most well-respected names in public-facing psychology right now, and that is for a good reason.

She brings to this book (and her earlier ones, which are equally excellent) a level-headed pragmatism, an empathetic listening stance to the adolescents who are her clients and subjects, and decades of clinical expertise. You will find no click-bait pronouncements about matters that are far too complex for such treatment in her writing, and no generational sneering.

Her work is also deeply valuable for parents—she digs into actionable advice for anyone working with adolescents today to navigate the challenges in their lives. I draw on her work heavily in my own writing, but more importantly in my parenting.

It’s about the simplest idea you can hang a story on: three people discover a house in the wilderness and explore it. But this short, black and white, silent graphic novel just sucked me deeper and deeper into the terror of a place that seems to grow impossibly larger, even as your pathway through it becomes narrower and narrower until...well, it’s pretty dark stuff. Simmons’s art is also inky black, but visualizes the concepts at play with beautiful power. There is a terrible force behind the scenes here, but you can never know what it is and you can never defeat it.  

Mariza Kuznetsova (Something Unbelievable), Irina Reyn (Mother Country), and I all left the Soviet Union as children, before Putin and before all the changes he brought. Kristina Gorcheva-Newberry came of age in the new Russia. The Orchard is a tale of what our own lives might have been if our families had stayed. This loose retelling of Chekov zeroes in on how a childhood begun in the USSR and a young adulthood lived in Russia affected everyone who went through it, how it shaped worldviews, and how it continues to resonate even after decades of immigrant life in America.