Here are 100 books that Looking Glass fans have personally recommended if you like
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Since I can remember, I’ve loved fairy tales. Stories that start once upon a time, somewherefar, far away. Those words are both comforting and exciting. I am fascinated by their evolution and prevalence in different cultures and genres. That same story can be told in a million different ways that are familiar, and completely new. I used a fairy tale to complete my writing minor, then submitted that same story for a Masters writing program, transforming it into my thesis, which became my first published book. I’ve spent a career reading and writing fairy tales, and I hope this list helps you love them as much as I do.
Ever wonder what would happen if you mixed up traditional fairy tales with noir fiction? This graphic novel series answers that question, as it moves those familiar fairy tale characters from the storybook forest to a gritty urban landscape called Fabletown. Now, you’ll follow a reformed Big “Bad” Wolf as he tries to solve the murder of Snow White’s party girl sister, Rose Red. It’s a fun read with compelling illustrations and an unexpected twist on both the fairy tale and detective genres.
When a savage creature, known only as the Adversary, conquered the fabled lands of legends and fairy tales, the famous inhabitants of folklore were forced into exile. Disguised among the normal citizens of a modern New York, these magical characters created their own peaceful and secret society, which they called Fabletown. But when Snow White's party-girl sister, Rose Red, is apparently murdered, it's up to Fabletown's sheriff -- the reformed Big Bad Wolf, Bigby -- to find the killer. Meanwhile, trouble of a different sort brews at the Fables' upstate farm, where non-human inhabitants are preaching revolution...and threatening the carefully…
Before the Wizard. Before Glinda. Before Dorothy and her broken companions.
Oz was a land of darkness.
Spun into a world she doesn’t understand, Dolly is trapped in a twisted Oz—where skies are ashen, lands barren, and shadows whisper of horrors. No golden roads, only a path of crimson bricks,…
Identity, agency, belonging, and transformation…these are the themes which drive me to write. I love historical fiction and historical fantasy because for female characters, the past was rife with oppression, which creates an even greater barrier to self-actualization and personal alchemy. There are still barriers for females in our present world, but setting a story in the past can more clearly call out those barriers and the ways females bust through them. We finally live in a world where historians and storytellers are unearthing the untold tales of the past. No longer are the narratives in the sole control of the victors and oppressors.
This is my favorite book of Donnelly’s, perhaps because I had the distinct pleasure of meeting her upon its release. This book was an inspiration to me as a writer. Not only is Isabelle considered “ugly,” but her spirit is so downtrodden at the beginning of the story because others don’t believe in her abilities. She must find her own agency and her own belief in her abilities to do great things and realize that real beauty shines from within.
'In an ancient city by the sea, three sisters - a maiden, a mother, and a crone - are drawing maps by candlelight. Sombre, with piercing grey eyes, they are the three Fates, and every map is a human life . . .'
Stepsister takes up where Cinderella's tale ends. We meet Isabelle, the younger of Cinderella's two stepsisters. Ella is considered beautiful; stepsister Isabelle is not. Isabelle is fearless, brave, and strong-willed. She fences better than any boy, and takes her stallion over jumps that grown men fear to attempt. It doesn't matter, though; these qualities are not valued…
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
A heartwarming young adventure story, winner of the prestigious Newbery Medal.
A deftly crafted fairy tale adventure story from a New York Times bestselling author, twice winner of the prestigious Newbery Medal. Here, reader, is the tale of a tiny, sickly mouse with unusually large ears; a mouse who takes his fate into his own hands. It is the tale of a beautiful, flaxen-haired princess who laughs often and makes everything around her seem brighter. It is the tale of a poor, deaf serving girl who entertains foolish dreams of splendour. It is a tale of impossible love, of bravery…
Before the Wizard. Before Glinda. Before Dorothy and her broken companions.
Oz was a land of darkness.
Spun into a world she doesn’t understand, Dolly is trapped in a twisted Oz—where skies are ashen, lands barren, and shadows whisper of horrors. No golden roads, only a path of crimson bricks,…
Since I can remember, I’ve loved fairy tales. Stories that start once upon a time, somewherefar, far away. Those words are both comforting and exciting. I am fascinated by their evolution and prevalence in different cultures and genres. That same story can be told in a million different ways that are familiar, and completely new. I used a fairy tale to complete my writing minor, then submitted that same story for a Masters writing program, transforming it into my thesis, which became my first published book. I’ve spent a career reading and writing fairy tales, and I hope this list helps you love them as much as I do.
This book starts in that familiar way fairy tales do, with a child that loses their mother and now must contend with that loss, a new stepmother, and then a half-sibling. Set in the modern world, our young protagonist hears books whispering to him and dreams of “The Crooked Man”. He finds himself in a dark fairy tale world full of odd and often terrifying characters. The story unfolds like a psychological thriller wrapped in lovely, lyrical prose, that keeps you turning pages until the very end.
'A brilliantly creepy coming of age novel' Daily Mirror
'A moving fable, brilliantly imagined, about the agony of loss and the pain of young adulthood' The Times
'This is no saccharine fairytale, but an eerie fable that's perfect for long winter nights' Daily Mail
This illustrated edition includes two new short stories - Cinderella, A Version and The Rat King, the latter introducing the Crooked Man who is central to the world of The Book of Lost Things - and an afterword from the author.
'Once upon a time, there was a boy who lost his mother . . .'…
Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.
This classic middle grade fantasy tale is what first taught me an appreciation of figurative language and lyricism in writing. It revolves around a young courtesan tasked to provide a definitive definition of deliciousto resolve a court dispute. He asks many people throughout the land, which yields answers such as “a cold leg of chicken eaten in an orchard early in the morning in April when you have a friend to share it” or “a drink of cool water when you’re very, very thirsty.” At an early age, those descriptions made clear to me the power of making comparisons that evoke memory and mood. It also heavily influences my food and drink reviews to this day!
Natalie Babbit's memorable first novel, The Search for Delicious, about a boy who nearly causes a civil war in the kingdom all because of his work on the royal dictionary.
Gaylen, the King's messenger, a skinny boy of twelve, is off to poll the kingdom, traveling from town to farmstead to town on his horse, Marrow. At first it is merely a question of disagreement at the royal castle over which food should stand for Delicious in the new dictionary. But soon it seems that the search for Delicious had better succeed if civil war is to be avoided.
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Oyeyemi plays with symbol, myth, and magic in all of her books, and this gorgeous novel is no exception.
This book turns the Snow White story inside out to tell a twentieth-century tale of race, beauty, and family. I’m always blown away by the range of Oyeyemi’s imagination and the depth of her skill. She is an absolutely extraordinary storyteller.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
I love when an author takes a character you think you know and adds layers of depth you never would have imagined. That’s what Shea does with Elle here. We all picture the Disney Belle--smart but with that feeling of needing to be rescued. This Elle is not that kind of beauty. I don’t want to spoil the surprise, but I really appreciated the heartbreaking strength this woman had. She literally gives everything for her family, and once she knows his heart, Prince Severin.
A small miscalculation sends her through the roof of an enchanted chateau. Stranded until her broken leg mends, Elle is unwillingly forced to rely on the good will of the sour chateau owner —the cursed Prince Severin.
Prince Severin—the commanding general and staunch supporter of his brother the crown prince—is cursed to look like a beast until a maiden falls in love with him. He has given up all hope of shattering the curse, and has only disdain for Elle.
Unfortunately, the pair can’t seem to avoid each other thanks to the…
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
I hold a master's in writing modern stories based on ancient myth and have always been fascinated by the power of mythology and the idea of the archetypal subconscious, combine this with the wonders of the natural world and beautifully constructed sentences, and you have my dream read. All the books on this list, even though two are historical, have a modern sensibility, all celebrate the power of nature, and all are masterful in their execution. Enjoy!
In the words of the writer herself, "this is an adult fairy tale about rivers, time, and the mystery of love." I have never read anything like this little gem of a book that immerses you in the natural world to such an extent, I felt like I became half-aquatic during the reading of it. It made me want to run away and live in the Tasmanian wilderness by a river, but then again, I’m not half woman, half fish, like the protagonist of the book. A strange and wonderful read.
The River Wife is a simple and subtle fable of love. It tells the story of the river wife - part human, part fish - whose duty is to tend the river, but instead falls in love with a man. Tender and melancholy, it speaks of desire and love, mothers and daughters, kinship and care, duty and sacrifice, water and wisdom. There is a great sternness and sadness here, coupled with gentleness. A love story, an environmental fable, a retelling of the Orpheus myth, The River Wife is grave, tender and otherworldly.
