Here are 100 books that The Screenwriter's Bible fans have personally recommended if you like
The Screenwriter's Bible.
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I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
I can’t recommend books about storytelling without including this masterwork. Anyone who works in storytelling will face times when their creative well is dry, and this book is the solution. I’ve run into quite a few moments in my life when tragedy and trauma prevented me from being my most creative self.
Whether I was dealing with personal or professional struggles, this book has always been able to bring me back to my authentic, creative self. I’ve done this “program of artist recovery” both alone and with a group (which Cameron calls a “creative cluster”), and it’s been just as successful each time. I even force my MFA writing students to do the “Artist Dates” explained in this book, and they always thank me later.
The Artist's Way provides a twelve-week course that guides you through the process of recovering your creative self. It aims to dispel the 'I'm not talented enough' conditioning that holds many people back and helps you to unleash your own inner artist. Its step-by-step approach enables you to transform your life, overcome any artistic blocks you may suffer from, including limiting beliefs, fear, sabotage, jealousy and guilt, and replace them with self confidence and productivity. It helps demystify the creative process by making it a part of your daily life. Whatever your artistic leanings, this book will give you the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
I think Blake Snyder’s original book simplified, codified, and added to the most key fundamental precepts for screenwriters and did it in a light, breezy style that’s an easy read.
I find it to be full of practical wisdom delivered succinctly from a dedicated professional who knows the craft and how to communicate it.
Here’s what started the phenomenon: the best seller, for over 15 years, that’s been used by screenwriters around the world! Blake Snyder tells all in this fast, funny and candid look inside the movie business. “Save the Cat” is just one of many ironclad rules for making your ideas more marketable and your script more satisfying, including: The four elements of every winning logline The seven immutable laws of screenplay physics The 10 genres that every movie ever made can be categorized by ― and why they’re important to your script Why your Hero must serve your Idea Mastering the…
I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
This book is single-handedly responsible for the first screenplay I ever wrote. Syd Field’s 1984 book Screenplay: The Foundations of Screenwriting revolutionized how Hollywood writes movies. It was also kind of boring to read. But the 1988 Screenwriter’s Workbook turned a theory-driven book into a practical step-by-step guide that helped a very young and ambitious neurodiverse filmmaker (me) write my first script.
I read each chapter and completed the “homework” assigned before moving on. By the end of the book, I had a screenplay! It wasn’t great, but it was there! Syd Field updated his Workbook in 2006 with new references and answers to frequently asked questions about non-traditional plot structures, but I found that version was more confusing and contradictory than the more concise original release.
Here is your very own hands-on workshop--the book that allows ou to participate in the processes that have made Syd Fields workshops invaluable to beginners and working professionals alike.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
Reading this book was a career-changing experience for me. Growing up and advancing through film school, I was convinced that if I had a good story, my screenplays would sell. Oh, how naïve I was! Because the truth is that there are thousands of good stories out there.
To sell a screenplay, it’s not just about the quality of the tale but the mastery of the screenplay format that matters. This book helped me to see what a “good” screenplay looks like from the reader's perspective. What’s amazing is that years after I first read this book, I became one of those Hollywood Readers myself–and this book helped me to learn the ropes of my job much faster than most. So, yeah, this book got promoted. Thank you, book.
If Your Screenplay Can't Get Past the Hollywood Reader, It Can't Get to Hollywood This ultimate insider's guide to screenwriting is designed to get you past the fiercest gatekeepers in Hollywood: the Hollywood script readers. This small army of freelancers will be among the first to read and evaluate your script and then to recommend it -- or not -- to the studios, directors, and stars. Designed for quick and easy access, these 500 points are a step-by-step recipe. They cannot guarantee success, but failure to follow them can almost certainly guarantee failure. Tips include: * Get your foot in…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This fantastic book is full of useful tips on the craft, contains many interviews and is thoroughly documented.
It’s especially relevant for streaming. I love to discuss theory, but one of the best ways to learn is from practitioners. That’s why I’m a big fan of interviews. Not only do they give you a chance to learn from the masters, but they’re also inspiring. I always go back to my own writing with more energy when I’ve listened to someone talk passionately about their work.
Neil Landau’s book is a great resource, and it was very hard to decide between this one and The TV Showrunner’s Roadmap, another excellent work of his featuring interviews.
TV Writing On Demand: Creating Great Content in the Digital Era takes a deep dive into writing for today's audiences, against the backdrop of a rapidly evolving TV ecosystem. Amazon, Hulu and Netflix were just the beginning. The proliferation of everything digital has led to an ever-expanding array of the most authentic and engaging programming that we've ever seen. No longer is there a distinction between broadcast, cable and streaming. It's all content. Regardless of what new platforms and channels will emerge in the coming years, for creators and writers, the future of entertainment has never looked brighter.
I grew up in the 1950s and loved getting the bejeezus scared out of me by monster movies my brother and I watched at a local theater or on TV. With a budding interest in writing, I began noting down monsters and scenes that caught my attention. In fact, it was from the TV series The Outer Limits, an episode entitled Zanti Misfits, that I later got the idea for the creatures in my book. I am currently reading books on the strange pelagic creatures that live at extreme ocean depths for a monster story with a nautical theme. I hope you find the books on my list as enjoyable and informative as I did.
There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.
It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series.
He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme.
There are numerous books on writing for TV but Yvonne’s book is eminently practical covering the basics and also the more complex and nuanced aspects like the relationship between writers and script editors. Given the importance of the streamers writing for TV is more important than ever.
A no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on:
Getting an agent
The type of writer television's looking for
The tool kit a television writer needs
The writer /script editor relationship
How to structure a storyline
How to write good treatments and outlines
Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how…
I've been telling stories forever. I've spent my creative and professional life writing scripts for network television, studios, and independent producers. I'm a Lifetime Writer's Guild member, which less than 10% of WGA writers achieve. Because I thrive on helping writers achieve their goals, I taught university-level screenwriting for nearly three decades. I know these books work because they've helped me and my students, some of whom are successful Hollywood writers and producers, partially due to the influence of these five amazing books, which continues to be felt through every corner of my website.
Save the Cat is nuts and bolts, but Strikes Back! is spiritual lightning. After STC, Blake went around the world, visiting writer's groups inspired by his book. Their input changed him and helped me. I thank them all! My copy is crazy highlighted, written in, and well-worn. Blake learned, and so did I, SO much about writing and its psychology, like how an "independent spirit" can wreck positive mojo or how clinging to a bad idea is because I was afraid I couldn't think of a better one.
Like STC, it's accessible, totally understandable, and wonderfully helpful, but it's... way deeper. I came away from this book with a more profound understanding of my particular writing (and teaching) process. Thank you, Blake.
Blake Snyder is back with the book countless readers and students have clamoured for. Inspired by questions from his workshops, lectures, and emails, Blake listened and provides new tips, tactics, and techniques to solve your writing problems and create stories that resonate: The 7 warning signs you might have a great idea or not; 2 sure-fire templates for can t-miss loglines; The difference between structure and formula; The Transformation Machine that allows you to track your hero s growth step-by-step; The 5 questions to keep your story s spine straight; The 5-Point Finale to finish any story; The Save the…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
Navigating the TV industry can be intimidating. Bob Levy does an amazing job of providing an overview of the U.S. TV development process, from a producer’s point of view.
He gives a very clear and detailed explanation of the industry, the processes, and the culture. I love how he explains the terminology, the timelines, the people involved, yet never makes it boring. Levy has worked in the TV industry for more than 30 years, and it shows.
Development is a large and central part of the American TV industry, and yet the details of how it works - who makes development decisions and why, where ideas for new shows come from, even basics like the differences between what TV studios and TV networks do - remain elusive to many.
In this book, lecturer and acclaimed television producer Bob Levy offers a detailed introduction to television development, the process by which the Hollywood TV industry creates new scripted series. Written both for students and industry professionals, Television Development serves as a comprehensive introduction to all facets of the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve
been a student of story structure for decades. As a novelist, this initially
started as a means to learn as much as I could from those with more experience
than myself, but quickly grew into a passion. I read everything on the subject
I could get my hands on and eventually began analyzing the plots of novels and
movies for myself, amalgamating what I had learned with my own theories and
insights which coalesced into a wholly new structural paradigm. Since then,
I’ve had the privilege of working with many talented screenwriters and
novelists to help them shape their stories using Six Act Structure.
Schechter
divides the traditional 3-act structure into four parts; Act 1, Act 2A, Act 2B,
and Act 3. While that’s not revolutionary in itself, he uses this four-part
breakdown to structure multiple story elements like theme and motivation. My
favorite element is his breakdown of the character’s story evolution into four
archetypes: Orphan, Wanderer, Warrior, and Martyr. Seeing how these archetypes
can be metaphorical such as Jason Bourne being “orphaned” from his previous
life at the beginning of The Bourne Identity, or literal, such as Rose
martyring herself by returning to the sinking Titanic to
rescue Jack, is worth the price of admission alone.
My Story Can Beat Up Your Story! is the same powerful, easy-to-learn system that industry insiders have used to generate millions of dollars in script sales and ?assignments. In a clear, step-by-step fashion, this book is a fun, eye-opening, ?brain-expanding, and often irreverent guide to writing stories that sell. Covering everything from Heroes to Villains, from Theme to Plot Points, from cooking up good ideas to a business plan for smart writers, this book forever eliminates that horrible feeling every writer goes through — staring at the blank page and wondering “what comes next?”
