Here are 100 books that Save the Cat! The Last Book on Screenwriting You'll Ever Need fans have personally recommended if you like
Save the Cat! The Last Book on Screenwriting You'll Ever Need.
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I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
I can’t recommend books about storytelling without including this masterwork. Anyone who works in storytelling will face times when their creative well is dry, and this book is the solution. I’ve run into quite a few moments in my life when tragedy and trauma prevented me from being my most creative self.
Whether I was dealing with personal or professional struggles, this book has always been able to bring me back to my authentic, creative self. I’ve done this “program of artist recovery” both alone and with a group (which Cameron calls a “creative cluster”), and it’s been just as successful each time. I even force my MFA writing students to do the “Artist Dates” explained in this book, and they always thank me later.
The Artist's Way provides a twelve-week course that guides you through the process of recovering your creative self. It aims to dispel the 'I'm not talented enough' conditioning that holds many people back and helps you to unleash your own inner artist. Its step-by-step approach enables you to transform your life, overcome any artistic blocks you may suffer from, including limiting beliefs, fear, sabotage, jealousy and guilt, and replace them with self confidence and productivity. It helps demystify the creative process by making it a part of your daily life. Whatever your artistic leanings, this book will give you the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
This classic is my go-to for the challenges of living the creative life and how to push through them.
In short, punchy chapters, it identifies the main source of blocks writers and artists have and how to push through them.
I love its approach to the workmanlike attitude one needs to have to create consistently and move toward a goal, and how to be clear-eyed about the inner “resistence” we all have that seems to want to stop us.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
I love Michael Hauge’s groundbreaking thoughts on what makes an audience bond with a main character. And on the idea of “identity” vs. “essence” and what that means for character arc. And so many other things.
A standard and a classic that is foundational reading, I think, for understanding and working with story.
“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” —Will Smith
“Michael Hauge is a story master, and this book is an absolute must have for anyone serious about telling great stories for the screen.” —DeVon Franklin, Vice-President of Production, Columbia Pictures
Concise, authoritative, and comprehensive, Writing Screenplays that Sell is the most complete guide available on the art, craft, and business of screenwriting for movies and television. Renowned Hollywood story consultant Michael Hauge—considered “one of the most sought after lecturers and script consultants in the U.S.” by Scriptwriter magazine—covers…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love language and its power to inform, inspire, and influence. As I wrote Seven Cs: The Elements of Effective Writing,I researched what others have said about writing well and honed it down to these resources, which I quote. During my decades as a journalist and marketer, I developed and edited scores of publications, books, and websites. I also co-wrote two travel guides—100 Secrets of the Smokiesand 100 Secrets of the Carolina Coast.I’ve written for such publications as National Geographic Travelerand AARP: The Magazine. A father of three women, I live in Springfield, Pennsylvania, outside Philadelphia, with my wife, daughter, son-in-law, and granddaughter.
This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.
You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, they’ll do the same for you.
I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.
Vogler’s book—heavily influenced by Joseph Campbell’s Hero with a Thousand Faces—showed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warrior’s journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.
I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
I’ve long been inspired by this manual for fiction writers on what makes good writing.
“Be a lion, a pirate when you write” is one of the chapter headings, dealing with the boldness a writer needs. It also gets into how detailed specificity on character and emotion taken from real-life observation makes a good piece of writing shine.
Originally published in 1938, this classic by Brenda Ueland is considered by many to be one of the best books ever written on how to be a writer. Part a lesson on writing and part a philosophy on life, Ueland believed that anyone could be a writer and everyone had something important to say. Heavily influenced by the ideas of William Blake, Ueland outlines 12 points to keep in mind while writing and encourages writers to find their true, authentic selves and write from there. Born in Minneapolis in 1891 to a progressive household, Ueland’s father was a lawyer and…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I’m a lawyer. One thing effective trial attorneys learn to do is become “pretend experts” in any area necessary for a case. It might be orthopedic medicine, commercial building design, auto accident reconstruction, or a thousand other subjects. In 1996, when I started writing my first novel, The List, I decided to become a “pretend expert” in the field of story-telling. Twenty books later, I’ve worked hard to make the transition to actual expert, someone who’s studied the craft of writing so I can create a story with professionalism and skill. These books aren’t the only ones I’ve read on this topic, but they’re some of the best.
This is the book that enabled me to make the transition from legal writer to novelist. I purchased it at an aspiring writer’s conference without knowing it was well-respected in the publishing industry. I quickly liked the clearly stated, practical guidelines: show not tell, resist the urge to explain, what is point of view, dialogue that works, easy beats. And the book contains humorous illustrations by George Booth. Every writer needs a laugh in the midst of giving birth.
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.
In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point…
I’m a lawyer. One thing effective trial attorneys learn to do is become “pretend experts” in any area necessary for a case. It might be orthopedic medicine, commercial building design, auto accident reconstruction, or a thousand other subjects. In 1996, when I started writing my first novel, The List, I decided to become a “pretend expert” in the field of story-telling. Twenty books later, I’ve worked hard to make the transition to actual expert, someone who’s studied the craft of writing so I can create a story with professionalism and skill. These books aren’t the only ones I’ve read on this topic, but they’re some of the best.
No writer’s library is complete without a shelf (that’s right – shelf) dedicated to grammar books. Breaking the rules is allowed, but only by design and for a reason, not due to ignorance. This is my favorite grammar book because it’s witty. Medicine tastes better with a few drops of honey. The important rules are explained with great examples. Learn how to put verbs in their place, find help for pronoun anxiety, and experience the joy of punctuation. What could be more fun than that?!
A revised and updated edition of the iconic grammar guide for the 21st century.
In this expanded and updated edition of Woe Is I, former editor at The New York Times Book Review Patricia T. O'Conner unties the knottiest grammar tangles with the same insight and humor that have charmed and enlightened readers of previous editions for years. With fresh insights into the rights, wrongs, and maybes of English grammar and usage, O'Conner offers in Woe Is I down-to-earth explanations and plain-English solutions to the language mysteries that bedevil all of us.
"Books about English grammar and usage are... never…
I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
This book is single-handedly responsible for the first screenplay I ever wrote. Syd Field’s 1984 book Screenplay: The Foundations of Screenwriting revolutionized how Hollywood writes movies. It was also kind of boring to read. But the 1988 Screenwriter’s Workbook turned a theory-driven book into a practical step-by-step guide that helped a very young and ambitious neurodiverse filmmaker (me) write my first script.
I read each chapter and completed the “homework” assigned before moving on. By the end of the book, I had a screenplay! It wasn’t great, but it was there! Syd Field updated his Workbook in 2006 with new references and answers to frequently asked questions about non-traditional plot structures, but I found that version was more confusing and contradictory than the more concise original release.
Here is your very own hands-on workshop--the book that allows ou to participate in the processes that have made Syd Fields workshops invaluable to beginners and working professionals alike.
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I’ve worked in the wonderful world of storytelling for the last thirty years. I’m an award-winning writer, Telly Award-winning screenwriter, acclaimed short filmmaker, educator, and creator suffering from occasional self-doubt. One of the greatest honors of my life is that I’ve been invited to judge the work of other writers in major competitions around the world. As a result, I’ve come into direct contact with thousands of writers. Many of them have stories trapped inside their minds that they think would make an excellent movie or television series. But screenwriting is incredibly structured, and the expectations of what a script should be can catch many newcomers off guard.
As the title suggests, this textbook covers a lot of what it takes to get into the screenwriting game. What I really love about this book, however, is how compartmentalized it is. If you don’t want to know about the business side, skip that section. Don’t care about character? Flip somewhere else. This makes it a valuable resource no matter where a writer is in the process. I’ll be honest: I’ve been writing scripts long enough that my favorite section of the book is the Formatting Guide.
There are so many nuances in how various scenes should be formatted that I sometimes need to go back and use this reference guide to make sure I’m not screwing anything up. New editions come out for this book regularly because the industry is constantly changing and incorporating new technologies. I’m betting money the next edition will include formatting for text messages.
The Screenwriter s Bible's 7th edition marks the 25th anniversary of one of the most popular, authoritative, and useful books on screenwriting. A standard by which other screenwriting books are measured, it has sold over 340,000 copies in its 25-year life. Always up-to-date and reliable, it contains everything that both the budding and working screenwriter need under one cover five books in one!
A Screenwriting Primer that provides a concise course in screenwriting basics
A Screenwriting Workbook that walks you through the complete writing process, from nascent ideas through final revisions
A Formatting Guide that thoroughly covers today's correct formats…
