Here are 100 books that Writing for Television fans have personally recommended if you like
Writing for Television.
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Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series.
He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme.
A wonderful book that looks at the psychological bases for the development of sophisticated characters in screenplays. Don’t be afraid of writing complex characters: they are more effective in engaging the audience and this book will help you achieve that.
The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue.
Throughout The Science of Writing Characters, psychological theories and research are translated into…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series.
He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme.
Lucy is a screenwriter and script consultant and has created a whole eco-system around supporting writers, with frequent blogs, courses, newsletters, and consistently good advice. It is almost like having a writing partner.
It may be drama features that win the most awards and kudos from critics, but in the current marketplace you're unlikely to sell a drama screenplay in the way you would a genre script.
Breaking down the nuts and bolts of what differentiates drama from genre, Writing and Selling Drama Screenplays will consider questions such as:
What is 'emotional truth'?
What separates stereotypical and authentic characters?
What are the different types of drama feature screenplay?
How do we make these films, when there's 'no money'?
What are the distribution opportunities for dramas?
Exploring the ways in which drama and authenticity…
Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series.
He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme.
Aimed at filmmakers, this guide is also invaluable to screenwriters, who can use it as a reference book covering all the contracts that are involved in making a film or TV drama. It will certainly help writers appear more professional if they know their way around this essential area of the business.
There is an infinite number of legal matters on which producers seek advice. Nevertheless, certain questions frequently arise: is permission required to use material from a book? Does a contract have to be in writing? May classical music be used in the background of a scene? The Filmmakers' Legal Guide addresses the practical legal requirements of those making movies, documentaries, shorts, television programmes and other audio-visual content. Key issues are analysed and explained in a clear and logical manner concentrating on the practical needs of producers.
'Tony Morris’ guide is unique. It's clear, practical, and comprehensive. If only it had…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
I love Michael Hauge’s groundbreaking thoughts on what makes an audience bond with a main character. And on the idea of “identity” vs. “essence” and what that means for character arc. And so many other things.
A standard and a classic that is foundational reading, I think, for understanding and working with story.
“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” —Will Smith
“Michael Hauge is a story master, and this book is an absolute must have for anyone serious about telling great stories for the screen.” —DeVon Franklin, Vice-President of Production, Columbia Pictures
Concise, authoritative, and comprehensive, Writing Screenplays that Sell is the most complete guide available on the art, craft, and business of screenwriting for movies and television. Renowned Hollywood story consultant Michael Hauge—considered “one of the most sought after lecturers and script consultants in the U.S.” by Scriptwriter magazine—covers…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
Navigating the TV industry can be intimidating. Bob Levy does an amazing job of providing an overview of the U.S. TV development process, from a producer’s point of view.
He gives a very clear and detailed explanation of the industry, the processes, and the culture. I love how he explains the terminology, the timelines, the people involved, yet never makes it boring. Levy has worked in the TV industry for more than 30 years, and it shows.
Development is a large and central part of the American TV industry, and yet the details of how it works - who makes development decisions and why, where ideas for new shows come from, even basics like the differences between what TV studios and TV networks do - remain elusive to many.
In this book, lecturer and acclaimed television producer Bob Levy offers a detailed introduction to television development, the process by which the Hollywood TV industry creates new scripted series. Written both for students and industry professionals, Television Development serves as a comprehensive introduction to all facets of the…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This is the companion book for Des Doyle's acclaimed documentary with
the same title (also highly recommended).
Described as “the first ever
feature-length documentary to explore the world of U.S. television
showrunners and the creative
forces they employ”, the documentary is an insightful overview of the
TV creative process, featuring interviews with some of the best
showrunners in the business.
There is simply nothing that beats this if
you want to get a sense of how the industry works
and measure the stakes, the energy, the pressure, the creativity, the
professionalism, and the humor experienced or displayed by these
awe-inspiring storytellers.
The book features a foreword by Hart Hanson
(Showrunner of
Bones, The Finder, Backstrom), an introduction by Doyle, and expands on the interviews featured in the documentary.
Showrunners is an insider's guide to creating and maintaining a hit show in today's golden age of television. The official companion to the documentary Showrunners, this highly informative book features exclusive interviews with such acclaimed and popular showrunners as Joss Whedon, Damon Lindelof, Ronald D.Moore, Terence Winter, Bill Prady, and Jane Espenson.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
Another insightful overview of the TV development process, this time from a writer’s point of view.
This is primarily from a U.S. perspective, but one chapter gives a view of fifteen other countries, which is rare. Pamela Douglas offers the TV equivalent of Syd Field’s Screenplay. She lays out with great clarity the way TV episode structure is taught today – although I believe that talented and successful creators often use other tools to design their series.
From a practical point of view, this book is more useful if you’re developing a network procedural than if you’re developing a serial on ad-free streaming or premium channels, but it’s one of the best books out there if you’d like to explore what I call story format (rather than structure) in TV.
This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration. The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This is a short but excellent volume, dedicated to the design of a TV series.
It contains a brief history of U.S. Television, which in itself is enough to justify reading the book. As the title suggests, it focuses particularly on writing a pilot, a key part of any series project. William Rabkin is a veteran showrunner with hundreds of hours of produced shows under his belt, yet I really enjoyed the conversational tone in his book.
Make sure you get the most recent version, as the first edition of this classic dates back to 2011 and Rabkin has updated his book since.
When I finished Writing the Pilot a few years back, I figured I’d managed to cram everything I had to say on the subject in that little 90-page package. But that was 2011, and in the years that have passed, a lot has changed about the television business.And when I say “a lot,” I mean everything. The way series are bought. The way series are conceived. The way stories are told. The way series are consumed. The kinds of stories that can be told. The limitations on content at every level. The limitations on form at every level. And maybe…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This fantastic book is full of useful tips on the craft, contains many interviews and is thoroughly documented.
It’s especially relevant for streaming. I love to discuss theory, but one of the best ways to learn is from practitioners. That’s why I’m a big fan of interviews. Not only do they give you a chance to learn from the masters, but they’re also inspiring. I always go back to my own writing with more energy when I’ve listened to someone talk passionately about their work.
Neil Landau’s book is a great resource, and it was very hard to decide between this one and The TV Showrunner’s Roadmap, another excellent work of his featuring interviews.
TV Writing On Demand: Creating Great Content in the Digital Era takes a deep dive into writing for today's audiences, against the backdrop of a rapidly evolving TV ecosystem. Amazon, Hulu and Netflix were just the beginning. The proliferation of everything digital has led to an ever-expanding array of the most authentic and engaging programming that we've ever seen. No longer is there a distinction between broadcast, cable and streaming. It's all content. Regardless of what new platforms and channels will emerge in the coming years, for creators and writers, the future of entertainment has never looked brighter.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in the 1950s and loved getting the bejeezus scared out of me by monster movies my brother and I watched at a local theater or on TV. With a budding interest in writing, I began noting down monsters and scenes that caught my attention. In fact, it was from the TV series The Outer Limits, an episode entitled Zanti Misfits, that I later got the idea for the creatures in my book. I am currently reading books on the strange pelagic creatures that live at extreme ocean depths for a monster story with a nautical theme. I hope you find the books on my list as enjoyable and informative as I did.
There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.
It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
