100 Books Like Save the Cat! Strikes Back

I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.

Vogler’s book—heavily influenced by Joseph Campbell’s Hero with a Thousand Faces—showed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warrior’s journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.

I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it. 

Dedicated to two essentials that make me jump up and salute: how to write by getting in touch with your unconscious and an amazing way to outline. That's all. Two ideas. But they're two of the most important concepts to master to become a writer who gets paid. 

This book excites me because I know how much aspiring writers need it. From the year I first read it until I left university teaching, I required it in every writing class in my department. If, for decades I made students read it, you can bet I'm delighted for you to put it on your reading list.

I recently saw a clip of Rick Rubin talking about art and AI. To paraphrase, he explains that he’s interested in artists because of their point of view. AI has no point of view. I watched him speak so eloquently (and so simply) about something I have tried to put words to for months. 

Creativity is akin to magic. It’s what sparks joy. It’s what makes you remember the details you do. What makes creativity powerful isn’t polish, but presence. Part of that story is the ability to notice, to feel, to pay attention to what most people rush past and capture it, if only for a moment. 

In The Creative Act, Rick Rubin distills that instinct into a way of being. He reminds us that creativity is a birthright. A way of moving through the world with sensitivity and curiosity. Rubin’s words are art in and of themselves.… show more.

An instruction manual on nurturing a writing career's most difficult, most fragile, and most important relationship: the agent. When I read the first chapter, I cried because, had I had this book at the beginning of my career, I never would've made the mistakes that made my writing life more difficult and less profitable. 

Because it's so excruciatingly difficult to get an agent, you do not want to screw up that precious relationship. This book would've kept me out of so much trouble! A mentor-in-book-form, it's jammed with excellent career advice, writing advice, and handling your agent advice. If I could've invented a time machine when I started and plucked this from the future, I'd live in a much nicer house.

As a lifelong fan of Larry McMurtry's work, I found this biography to be a captivating journey through the life of one of America's most influential writers. I was particularly moved by Daugherty's exploration of McMurtry's complex relationships, especially with the women in his life.

The book's insights into McMurtry's creative process and his evolution as a writer resonated deeply with me. I loved learning about the impact of his heart surgery and how Diana Ossana played a crucial role in his later career. Daugherty's nuanced portrayal of McMurtry's strengths and weaknesses made me appreciate the author's humanity even more.

This book reignited my passion for McMurtry's works and left me with a profound sense of connection to the man behind the stories I've cherished for years.

Did you know that Ray Bradbury wrote mysteries? He wrote a few toward the end of his career, and they’re set in the deeply weird world of Southern California, which immediately makes them off-kilter. Death is a Lonely Business follows a nameless protagonist—a writer, by the way—who gets drawn into a mysterious series of…Disappearances? Murders? Perhaps just bad luck? Filled with noir-inspired settings but with that ineffable Bradbury twist of the fantastic, this is a book for late nights and nostalgia. Strange and puzzling, and always ready to twist your expectations.

Yes, this is technically a “celebrity memoir,” but Day is in a unique position of not only growing up in gaming culture but rising to fame because of it. While only two of the chapters in her book are about specific games she played, one of those games does become the basis for the show that launched her career. It’s interesting to read how she navigated the early days of YouTube and created and marketed the show with basically no budget. As someone who has frequently tried (and failed) to create game-related content of my own, it was nice to see what a self-made success story can look like.

Carroll is simply a great writer—more on the literature end of the book spectrum.

Nonetheless, this book gripped me as if it were a best-selling thriller. Sleeping in Flame confounded my expectations at every turn, and at times it seemed as though it couldn’t possibly end with any sort of resolution. But it does—in mind-expanding fashion.

I also try to take readers on the same sort of mysterious journey that Carroll’s protagonist hazards. Sometimes it’s challenging to imagine what would be a realistic reaction to a truly extraordinary event. Then I remember some of the stories I’ve heard in sessions as a psychotherapist.

Renowned cultural historian Thomas Doherty provides a granular, blow-by-blow retelling of the events that led to the Hollywood blacklist. He places particular emphasis on the hearings as a ‘media-political spectacle,’ seeing it as the first such media event of the postwar era. He reexamines the events through a close and careful reading of press and media responses of the time. Less cinema-centric than other accounts, and less mesmerized by key individuals, Doherty gives us a cool, skeptical perspective on what is often an emotive or partisan discourse. There is much detail on how filmmakers, activists, politicians, newspaper and radio figures acted, and for what reasons, and how and why the post-war hearings played out as they did. The result is a sophisticated cultural history of the blacklist era.

This is the kind of book I like to read in a day, curled up in my favorite chair or stretched out in a backyard hammock. From the moment I opened the cover, I was immersed in this funny, sweet story and captivated by the endearing characters.

I love a romance that has some shadows to balance out the lightness, and this finds that balance.