Here are 87 books that Harlot's Ghost fans have personally recommended if you like
Harlot's Ghost.
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I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
“Creditable 1st novel” – Margaret Atwood (on Twitter/X )
“The product of an amazing new talent” – Quill & Quire
Italy, September, 1944.
As Allied armies close in on the retreating armies of the Third Reich, Captain Jim McFarlane, a Canadian infantry officer, is coming apart at the seams. He…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
O’Connor’s stories reveal good and evil as clearly as if viewed by a jeweler—through the loupe.
What she observed in the world around her, she expressed with clarity, and such reflections are not easily absorbed. They are deep and sometimes horrifying. Sometimes she actually made me uncomfortable by forcing me to feel slight touches of... perhaps not evil, but malicious or malevolent impulses residing in much of mankind.
Strange, too, is her ability to show irony and amusement in the great human comedy. I find her stories impossible to turn away from.
An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction—now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life—infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
Peace’s gutsy novel is an epic literary treatment of The British Miners Strike of the mid-eighties and reads like one long brutal poem to that ugly time. From it I learned that you could be biased, partisan, and full-blooded in a political novel, providing your treatment of your characters and the world they inhabit is consistently honest. Following him I have tried to do justice to a neglected part of rural England in the build up to the Brexit Referendum, politics less a matter of choice, as the very air the characters breathe, informing their outlook and choices like a vast atmospheric bubble none of them are able to live outside.
A major new novel from one of Granta's Best of Young British Novelists 2003. Famous for his visceral sequence of novels, The Red Riding Quartet, and acclaimed as the most gifted and original crime writer to have emerged since James Ellroy, in GB84 David Peace turns his talents to the most wrenching, socially devastating and unhappy struggle of the past half century in Britain: the 1984 miner's strike. In his signature clipped prose and through a kaleidoscopic whirl of characters and perspectives, Peace describes the boardroom and coalfield battles; the struggle for influence in government and the dwindling powers of…
“Creditable 1st novel” – Margaret Atwood (on Twitter/X )
“The product of an amazing new talent” – Quill & Quire
Italy, September, 1944.
As Allied armies close in on the retreating armies of the Third Reich, Captain Jim McFarlane, a Canadian infantry officer, is coming apart at the seams. He…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own.
Blue Light of the Screen is about what it means to be afraid - about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose…
I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about.
Schecter, a journalist, and Deriabin, a KGB officer who defected to the U.S., tell the inside story of Oleg Penkovsky, the history-changing Soviet GRU colonel who delivered critical information that helped the CIA and President John F. Kennedy avoid nuclear disaster during the Cuban Missile Crisis. The inside account delivers fascinating details about Penkovsky’s motivations, actions, and tragic demise, as well as a gripping narration of how the CIA handled one of the Cold War’s most important intelligence operations.
My interest in the topic is both professional and personal. I spent four decades teaching about modern American history and the Kennedy presidency at Yale, Oxford, and the University of Oklahoma. A chance encounter with John F. Kennedy, Jr., at Brown University in the spring of 1981 led to a friendship that lasted until his tragic death in 1999.
Few people know more about the Kennedy family and are as fair-minded in telling their story as Leamer. (He also wrote a companion book on The Kennedy Women.)
What I really like about Leamer’s work is that he does his homework. Not only are his books deeply researched, but he has also clearly earned the trust of family members who share personal stories not found in other published accounts.
In this triumphant new work already hailed as a powerful American epic, Laurence Leamer chronicles the Kennedy men and their struggle to create the most powerful family in the United States. The Kennedy Men is the first volume in a multi-generational history that will forever change the way America views its most famous family. Beginning in 1901 with twelve-year-old Joseph P. Kennedy Sr. delivering hats to Boston's social elite and ending in 1963 with the assassination of his son, President John F. Kennedy, Leamer seamlessly unites the complex strands of their economic, political, and social rise.
In early 1981, the JFK Library began the process of declassifying the Cuban missile crisis ExComm tapes; as the Library’s Historian, the responsibility for reviewing these recordings was mine—and it changed my life. I spent most of the next two years listening to the tapes from the legendary 13 Days (and subsequently from the November “post-crisis”). I was the first non-ExComm participant and professional historian to hear and evaluate these unique and definitive historical recordings. After the tapes were declassified in the late 1990s, I wrote three books (published by Stanford University Press) about their historical importance.
In 1960, a planned summit meeting in Paris between the US, the USSR, England, and France was suddenly jeopardized when an American U-2 spy plane was shot down over Russia and the pilot captured. Khrushchev demanded an end to the flights and an apology. President Eisenhower agreed to suspend flights until the end of his term (nine months later), but the Soviet leader angrily denounced the offer and returned to Moscow. Ironically, President Kennedy’s concern in 1962 about “another U-2 crisis” convinced him to suspend U-2 flights over Cuba—a pause that lasted from late August to early October. JFK did agree to authorize one flight over western Cuba in response to pressure from CIA director John McCone—and the missiles were luckily discovered just before they had become operational.
In the aftermath of the Cuban Missile Crisis, questions persisted about how the potential cataclysm had been allowed to develop. A subsequent congressional investigation focused on what came to be known as the "photo gap": five weeks during which intelligence-gathering flights over Cuba had been attenuated.
In Blind over Cuba, David M. Barrett and Max Holland challenge the popular perception of the Kennedy administration's handling of the Soviet Union's surreptitious deployment of missiles in the Western Hemisphere. Rather than epitomizing it as a masterpiece of crisis management by policy makers and the administration, Barrett and Holland make the case that…
I am a native Bostonian and I have been working in the field of negotiation for over 25 years. I have been very fortunate to have been a member of the Program on Negotiation at Harvard Law School for all that time. As a result, I have had the privilege to work with some amazing colleagues and have been given the opportunity to engage in many fascinating negotiations in the international, governmental, corporate, and nonprofit worlds. I truly love the field because it has the potential to do so much good in the world and because it is exceedingly challenging. For me, the more I learn the more I want to know. That quest continues to this day…
I am recommending this book because Malhotra et al take on a series of very difficult negotiations that look like they are impossible to solve and they show you how it was done. The book is very practical and demonstrates to the reader that many negotiations can be solved with the right frame of mind, creativity, and persistence.
Some negotiations are easy. Others are more difficult. And then there are situations that seem completely hopeless. Conflict is escalating, people are getting aggressive, and no one is willing to back down. And to top it off, you have little power or other resources to work with. Harvard professor and negotiation adviser Deepak Malhotra shows how to defuse even the most potentially explosive situations and to find success when things seem impossible.
Malhotra identifies three broad approaches for breaking deadlocks and resolving conflicts, and draws out scores of actionable lessons using behind-the-scenes stories of fascinating real-life negotiations, including drafting of…
Born in London at the height of the Blitz I am a retired NHS Director with a lifelong interest in military aviation. My first journal article, on the Suez Campaign, was published in 1965 since when I have written some 90 articles and eight books and have contributed chapters to several more. Most of my books are triggered by a challenge and I always try to cover ground hitherto ignored so that my books become a unique reference. Works in progress include a history of the RAF involvement in Greece from 1940 to 1950 and the work of the RAF between the wars. I live in Sherborne, Dorset, England.
Max Hastings is a journalist and author of several dozen books mainly on warfare. Being well-connected he is able to draw on a wide circle of friends and acquaintances to contribute their experiences, research, and ideas to his own analysis of one of the most potentially dangerous events in post-war history.
His books draw on a very wide range of sources and are invariably highly readable but also reliable. Much has been written about the Cuban Missile Crisis and Abyss pulls facts together in a digestible way with references throughout and a useful but far from complete bibliography.
What is remarkable is that the work was undertaken within the constraints of the Covid-19 pandemic that effectively closed off archives and libraries for up to two years.
A Times History Book of the Year 2022 From the #1 bestselling historian Max Hastings 'the heart-stopping story of the missile crisis' Daily Telegraph
The 1962 Cuban Missile Crisis was the most perilous event in history, when mankind faced a looming nuclear collision between the United States and Soviet Union. During those weeks, the world gazed into the abyss of potential annihilation.
Max Hastings's graphic new history tells the story from the viewpoints of national leaders, Russian officers, Cuban peasants, American pilots and British disarmers. Max Hastings deploys his accustomed blend of eye-witness interviews, archive documents and diaries, White…
In early 1981, the JFK Library began the process of declassifying the Cuban missile crisis ExComm tapes; as the Library’s Historian, the responsibility for reviewing these recordings was mine—and it changed my life. I spent most of the next two years listening to the tapes from the legendary 13 Days (and subsequently from the November “post-crisis”). I was the first non-ExComm participant and professional historian to hear and evaluate these unique and definitive historical recordings. After the tapes were declassified in the late 1990s, I wrote three books (published by Stanford University Press) about their historical importance.
Voorhees' assessment of John F. Kennedy's leadership during the Cuban missile crisis is strikingly different from most books on the subject. He examines JFK's decision-making through the lens of the president's domestic political concerns and use of back-channel diplomacy with Soviet leader Nikita Khrushchev rather than through the conventional workings of his foreign and national security policy establishments. He also challenges the prevailing view that Kennedy's ultimate strategy for resolving the crisis was primarily shaped by the “ExComm” or by the top officials at the Pentagon, State Department, and CIA.Voorhees insists, supported by an impressive array of evidence, that the Cuban missile crisis did not bring the world to the brink of nuclear Armageddon and his book promises to become an integral part of the historical conversation.
The Silent Guns of Two Octobers uses new as well as previously under-appreciated documentary evidence to link the Cuban Missile Crisis to the Checkpoint Charlie tank standoff to achieve the impossible-craft a new, thoughtful, original analysis of a political showdown everyone thought they knew everything about. Ultimately the book concludes that much of the Cold War rhetoric the leaders employed was mere posturing; in reality neither had any intention of starting a nuclear war. Theodore Voorhees reexamines Khrushchev's and Kennedy's leadership, decision, and rhetoric in light of the new documentary evidence available. Voorhees examines the impact of John F. Kennedy's…
