Here are 100 books that The Replacement Wife fans have personally recommended if you like
The Replacement Wife.
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I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.
I love anything that Lisa Jewell writes, and this is the perfect mystery, albeit a little predictable.
A 15-year-old girl has gone missing and her family is frantic. The characters were so well drawn, I felt as though I knew them. And for me, that is often what keeps me reading.
From the New York Times bestselling author of Invisible Girl and The Truth About Melody Browne comes a “riveting” (PopSugar) and “acutely observed family drama” (People) that delves into the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. Beloved by her parents, friends, and teachers, and half of a teenaged golden couple. Ellie was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I’ve always loved books about the bad choices good people make, or the good choices bad people make. I like twists and turns and ugly crying and serious “wtf” moments. Books that are like punches to the gut make me swoon. Dig up the dirt. Find the worms. Gnash your teeth, rend your garments, regret your choices and find new ways to love. Those are my favorite stories to read, but also to write. I write romance (Megan Hart), thrillers (Mina Hardy), and horror (Megan E. Hart), but to me, those different genres are all similar. Lots of screaming!
Strong women don’t get that way because their lives have been easy, and I’m a sucker for stories about women facing the worst and getting through it. It doesn’t even have to be with grace and dignity! Half Past has a shattering premise – the utter rejection of a mother to her daughter. The book is a family mystery heavy with heartache, and I devoured it. While there’s grief and angst, the book also describes the journey of a woman who thinks she’s faced her lowest point – and how she manages to rise above it all. The book also had a really clever use of actual, simple science that I appreciated because it was so real and yet led to a horrifying reveal!
At forty-five, Hannah Smith is at a crossroads. That's her spin on it. The reality is she's divorced, jobless, and moving back to her family home in Iowa to keep an eye on her mother, who's slipping into dementia. Her return stirs up the same unnerving sense of disconnect Hannah has felt since childhood-always the odd girl out, the loner outshone by her two older sisters. Hannah knew the feelings of hurt would come back. But she never expected fear. Because when her mother looks into her eyes and whispers, "You're not my daughter," Hannah is beginning to believe it's…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
I have adored everything I’ve read by Nicole Baart, and they all fit this theme. I chose this one because all the characters in it are so real. It features two women who are both punishing themselves for a tragedy they believe to be their fault. In this book, the main characters are so true, you almost can’t believe they’re made up. They’re complex people whose struggles and brokenness end up making ripples that bump into other people’s struggles and brokenness. Just a bunch of people doing the best they can and messing it all up and having to start again. This is a book that makes you feel like maybe all hope isn’t lost, after all.
From the author of Little Broken Things, a "race-to-the-finish family drama" (People) following a mother who must confront the dark summer that changed her life forever in order to reclaim the daughter she left behind.
Juniper Baker had just graduated from high school and was deep in the throes of a summer romance when Cal and Beth Murphy, a childless couple who lived on a neighboring farm, were brutally murdered. When her younger brother became the prime suspect, June's world collapsed and everything she loved that summer fell away. She left, promising never to return to tiny Jericho, Iowa.
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
I’d categorise it as a dark thriller that created some of the tightest knots in my stomach. The concept alone was enough to generate terror, anxiety, and anger from the first page onward. But anything that involves the endangerment of children does that to me.
A gripping tale that puts the victims, both the kidnapped and the kidnappers, in peril from an unseen syndicate who controls their actions with a phone call.
When a mother is targeted by a dangerous group of masterminds, she must commit a crime to save her kidnapped daughter—or risk losing her forever—in this "propulsive and original" award-winning thriller (Stephen King).
It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites.
The narration is completely devoted to the worldview of main character Harry White. A man who climbs the ladder of corporate and social America thanks to unnatural drives inside him both dedicated to achieving his success and predicated ultimately to securing his eventual self-destruction. The demon is inside Harry White and it is the American dream. An extraordinary novel from an extraordinary writer who had already written himself into the annals of American literature with such classics as Last Exit to Brooklyn andThe Room. The Demon in my view is Selby Jr.’s most personal and impersonal work.
A womanizer’s struggle for self-control spirals into crime, madness, and murder Harry White grew up in blue-collar Brooklyn, but the young man’s charm, smarts, and good looks have helped him earn a place as an uptown junior executive. White’s gifts have also made his love life easy, and he takes special pleasure in seducing married women. But when “Harry the Lover” is ready to grow up and leave his womanizing behind, White finds that suppressing his libido has dangerous consequences. His attempts at restraint awaken something sinister, causing White to seek excitement in a new form of violence and depravity.…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
I was hooked by the unexpected opening sentence: "The first time I saw my granddaughters, I was standing across the street, didn't dare go any closer."
What had gone wrong? Why was a grandmother so estranged from her own grandchildren?
As the novel unspooled, it double-backed into other surprise twists, and the characters and motivations weren't as clear-cut as they'd seemed. Leah, the mother of the two granddaughters, wasn't being juvenile, impulsive, or heartless when she broke off contact with her parents. Yoella, the grandmother, wasn't as loving and innocent as she thinks she was—and how much does she realize, in fact?
I loved the way the book sometimes said more between the lines than in the actual words.
WINNER OF THE SAPIR PRIZE 2022
'A mesmerising, disquieting tale of family estrangement ... Unforgettable' OBSERVER
'A striking and memorable novel' MEG WOLITZER
'A stone-cold masterwork of psychological tension. Its final pages had me holding my breath' NEW YORK TIMES
'Hila Blum is my new favourite writer' LOUISE KENNEDY
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What damage do we do in the blindness of love?
Thousands of miles from her home, a woman stands on a dark street, peeking through well-lit windows at two little girls. They are the daughters of her only daughter, the grandchildren she's never met.
At the centre of this mesmerising…
I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites.
In the comic books (and films) Batman and Joker are locked together in the eternal battle between good and evil. Except, as The Killing Joke so brilliantly explores, that’s not quite how Joker sees it. For Joker, they are both sides of the same coin. If Joker is seen as evil incarnate, then why, he asks, is Batman considered the opposite? The story has since been disowned by writer Moore, possibly because of the interminable number of nihilistic-styled super-hero stories that followed in its wake. But sometimes I think the writer’s dissonance from the subject matter adds to the sense of unease and chaos at play. And there is undeniable power at the root of the story, taken entirely from Joker’s impeccably flawed point of view. That it only takes ‘one bad day’ to turn an ordinary joe into one or the other, Joker or Batman.
Critically acclaimed author Alan Moore redefined graphic novel story-telling with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker, and changes Batman's world forever.
ONE BAD DAY.
According to the grinning engine of madness and mayhem known as the Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and his brilliant and beautiful daughter Barbara to do it.
I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.
I love this book because nothing is as it seems, especially Autumn, the unreliable narrator, who is searching for her missing twin sister, Summer, who disappeared in a way that defies all reason.
It kept me guessing until the very end. And even though the answer Autumn uncovers about what happened to Summer is completely unexpected, given the circumstances of Autumn’s life experiences, it made perfect sense. I thought about this book for a long time after reading it.
This book expertly navigates the topics of mental health and sexual violence, as well as the plight of missing black women, which largely go unnoticed and underreported by the media.
A “powerful song about what it means to survive as a woman in America” (Jesmyn Ward), this “fiercely astute” novel follows a sister determined to uncover the truth about her twin’s disappearance (Tayari Jones).
On a cold December evening, Autumn Spencer’s twin sister, Summer, walks to the roof of their shared Harlem brownstone and is never seen again. The door to the roof is locked, and the snow holds only one set of footprints. Faced with authorities indifferent to another missing Black woman, Autumn must pursue the search for her sister all on her own.
