Books like How to Love Your Daughter

For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.

And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.

But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.

I couldn't read another word; no, I couldn't put it down.

As the seemingly idyllic marriage between Eleanor and Cam unraveled, I kept wanting to scream at Eleanor.

Didn't she see what she was doing to her relationship with her kids, by either saying the wrong thing or doing nothing? Yes, it was because of Cam's carelessness that their son, Toby, was horribly injured in an accident, but why didn't she accept Cam's gestures of apology?

And when divorce became inevitable, why did she let Cam keep the farm that their three children loved? Why did she have to fight over every little thing with their elder daughter?

These characters were vividly real to me, and I felt like I was watching helplessly while the wrong person unfairly won the whole prize. 

I had to shut this book about halfway through, and I couldn't pick it up again until my daughter was safely home from her weekend visitation with her father—because it was too real.

Too powerful, in the way it captured my (and many mothers') constant fear that my ex-husband would find some excuse not to bring my daughter back after each visit.

I've rarely read anything that grabbed me so personally. The overall plot itself was also enthralling, though less directly realistic for me.

Anna and her ex-husband, Brian, seem to have an amiable divorce, and Anna finds new romance with a sexy lover. But then things go too far: Will Anna lose custody of her young daughter, Molly? What did her lover, Leo, actually do? 

At the heart of this novel is a brave and scary question that (luckily) I and most parents never need to consider: What if your child does something too awful for you to forgive?

The story is told through alternating timelines and points of view—through the voices of Maya, an English professor and mother, and of Ellie, her teenage daughter.

We know from the start that Ellie has done something unforgivable, and that Maya needs to forgive her. But first, Maya needs to reach her, and Ellie refuses to accept that outreach.

I loved the way this book intertwines so many threads while keeping me on the edge of my seat for the answers.

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

In Doing What Comes Spiritually, Drescher walks the reader through detailed descriptions of each of the fruits of the spirit and explains how they are the fruit of a proper surrender to God’s will and can not be obtained any other way.

This contains many worthy points and is a great addition to any Christian bookshelf.

In the comic books (and films) Batman and Joker are locked together in the eternal battle between good and evil. Except, as The Killing Joke so brilliantly explores, that’s not quite how Joker sees it. For Joker, they are both sides of the same coin. If Joker is seen as evil incarnate, then why, he asks, is Batman considered the opposite? The story has since been disowned by writer Moore, possibly because of the interminable number of nihilistic-styled super-hero stories that followed in its wake. But sometimes I think the writer’s dissonance from the subject matter adds to the sense of unease and chaos at play. And there is undeniable power at the root of the story, taken entirely from Joker’s impeccably flawed point of view. That it only takes ‘one bad day’ to turn an ordinary joe into one or the other, Joker or Batman.

The narration is completely devoted to the worldview of main character Harry White. A man who climbs the ladder of corporate and social America thanks to unnatural drives inside him both dedicated to achieving his success and predicated ultimately to securing his eventual self-destruction. The demon is inside Harry White and it is the American dream. An extraordinary novel from an extraordinary writer who had already written himself into the annals of American literature with such classics as Last Exit to Brooklyn and The Room. The Demon in my view is Selby Jr.’s most personal and impersonal work.

I love that the main character, journalist Whitney Chase, is not only an unreliable narrator but also unreliable herself. She confesses she has problems with the “creep.” She adds fake information and lies to get more eyeballs on her writing. I was totally engaged in watching Whitney make poor choices and try to wiggle out of her responsibilities and the consequences of her actions.

It’s like being a voyeur to the train wreck of her life. Yet Whitney is funny, hard-working, tough, and a champion of the vulnerable. She is such an incomplete, contradictory, and frustrating character that I was compelled to turn the page to see if she somehow landed on top. 

From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.