Here are 100 books that The Purloined Letter fans have personally recommended if you like
The Purloined Letter.
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I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
I recommend this book because of its evident understanding of the psychology of fear.
From the very first, there is an ominous atmosphere—evil characters, and above all, misunderstanding. Everything in this novel is pointed toward a ambience of fright. The characters are, aside from Rebecca, who is quite innocent, mysterious and dark.
Everything in the novel, the house, the furnishings therein, the weather, everything is portrayed as sinister. This is a tour de force of maintaining a consistent and frightening atmosphere.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
From farm to urban, from World War II to the Digital Age, UFOs and God spotlights the underbelly of the human condition in all its glory and despair on life’s varied stages.
I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
Elmore Leonard has a pitch-perfect literary style combined with an uncanny understanding of the underworld of crime.
Obviously, the author is influenced by Hemingway’s stylistic approaches, but with none of the self-consciousness and pretense that sometimes mars that author’s work.
I also admire his picture of a modern American city and the low-life denizens that most people ignore or shun, but whom he makes quite believable.
A thriller filled with Leonard's signatures - scathing wit, crackling dialogue, twisted plot, mad scams - and set in the drug sodden world of Hollywood.
I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
The great novelist, Henry James, created a mystery story that has been enormously influential in a genre of novels that followed, such as the works of Agatha Christie.
I have always been a fan of Henry James’s style. It’s not for everyone, of course, but for those who love complex, interesting sentences loaded with lots of insights into human behavior, this is a perfect example. And a great ghost story too.
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
From farm to urban, from World War II to the Digital Age, UFOs and God spotlights the underbelly of the human condition in all its glory and despair on life’s varied stages.
I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
Dashiell Hammett is one of the great stylists in American literature.
His characters are absolutely real, and the plot is a wonderful tour of the seamy side of 20th-century America. What I absolutely love about this story is that it ends, not with the apprehension of a killer, but with the sense that the pursuit of mystery in the first place was not worth it.
To pull this off—to undercut the idea of a mystery at all, is a great achievement. The book, then, is stunning for its characters, descriptions, and serpentine plot.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.
Documents the life of the French Enlightenment-era intellectual, from her aristocratic youth and controversial choice to become the mistress of Voltaire to her mathematical and scientific achievements and work as a translator of Newton.
I went to college in Portland, Oregon when the Pacific northwest’s coffee boom was just getting started. My love of coffee turned academic as I began to research and write what would turn out to be a prize-winning book on the early history of coffee and coffeehouses in Great Britain: The Social Life of Coffee: The Emergence of the British Coffeehouse (2005). I’ve continued to publish articles on coffee history and the history of sociability ever since, and I regularly teach a research seminar on the history of coffee at McGill University. Now I serve as president of the board of directors for an international research group on the history of sociability.
Haine provides his readers with a solid social history of the French café in the long nineteenth century. While coffee was introduced to France earlier in the seventeenth century and cafés became a notable aspect of the social scene in Enlightenment Paris, it is only after the French Revolution that the café became a crucial place for working-class people to gather, socialize, and to drink (alcohol more often than coffee, as it happened) together. This is the book to turn to when you want to know how many cafés could be found in Balzac’s Paris, who got arrested for what in those cafés, and who could be found drinking and hanging out there.
"[Haine] invites the reader of The World of the Paris Cafe to step up to the serving counter of a nineteenth-century Parisian cafe to eavesdrop on the conversations and to observe the dynamics of this unique working-class establishment ...These cafes were far more than places to eat and drink to the great majority of working-class Parisians, who also frequented such establishments seeking shelter from authorities, exchanging and developing and sometimes enacting their ideas."-Jack B. Ridley, History: Review of New Books In The World of the Paris Cafe, W. Scott Haine investigates what the working-class cafe reveals about the formation of…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
I loved this book. It is the biography of one of my favorite cities, tracing its trajectory from the 17th century to becoming the world’s first modern city. Jean Dejean points out the critical moves, the urban innovations, that were game changers, from the broad boulevards and the social life they supported to bridges over the Seine to the introduction of streetlights, making the city safer at night.
I was particularly taken by how, through these innovations, the city came to foster a vibrant social and civic life in a newly conceived public sphere, making Paris a model for how, through design, my profession, urban beauty, functionality, and culture could fuse to create one of the world’s great cities.
At the beginning of the seventeenth century, Paris was known for isolated monuments but had not yet put its brand on urban space. Like other European cities, it was still emerging from its medieval past. But in a mere century Paris would be transformed into the modern and mythic city we know today.
Though most people associate the signature characteristics of Paris with the public works of the nineteenth century, Joan DeJean demonstrates that the Parisian model for urban space was in fact invented two centuries earlier, when the first complete design for the French capital was drawn up and…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
Who doesn't want to be Posey Parker? She’s smart, she eats loads, and never gets tubby. She’s always gorgeous, though she’s not at all arrogant about it. Give Posey a compliment or a sandwich; she’ll take the sandwich every time.
On the negative side, she lives in the 1920s with the world still reeling from the first world war, and women’s rights decidedly sketchy. Also, she’s trapped on the Night Train to Paris with a sense of impending doom. (I totally identify with that, having traveled on the Glasgow to London sleeper.)
L.B. Hatheway has crafted a book that offers the best kind of mystery and a great understanding of the time's history, and Clare Wille voices it flawlessly.
What if the City of Light holds nothing but darkness?
January, 1926
Invited aboard the glamourous Night Train to Paris, and tasked with investigating the disappearance of her best friend, Dolly Cardigeon, Posie Parker suddenly finds herself right in the middle of a murder!
Controversial society beauty, Lady Caroline Greenlow, is on her way to Paris Fashion Week. She always has a habit of rubbing people up the wrong way, but things take a dreadful turn when she is poisoned at dinner, and then another murder occurs soon after.
Just who exactly are their fellow passengers? Why is the Night…
