100 Books Like The Castle of Crossed Destinies

What truly is there left to say about this masterpiece of classic fantasy that hasn’t been said a million times already?

After devouring the light appetizer that is The Hobbit, my teenage imagination was utterly blown away by what I only later understood to be the quintessential blueprint for nearly everything that’s followed throughout the years in this genre.

The sheer level of minute detail and painstakingly developed mythos is nothing short of a masterclass in world-building—a must-have skill for writing this kind of epic tale—but it was the story itself, with its core principles of friendship, loyalty, and sacrifice, that resonated so deeply with me.

A tropical forest in Africa is the epicentre of a bizarre and very troubling phenomenon. Through a sort of “leak” in space-time, everything is slowly turning to crystal, and this “disease” will eventually seep out into the rest of the world. An English doctor goes on an Apocalypse Now-style journey into the forest to try and understand. Ballard’s sci-fi classic is as weird and thought-provoking as always, and the forest itself is a palpable presence throughout. 

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Essentially two parts of one book, Secret History and The Final Dossier see Mark Frost – co-writer, with the legendary David Lynch, of the equally legendary TV series – returning to the dark, dark woods which cast a baleful shadow on the troubled logging town. The woods are the source of all evil in Twin Peaks: malevolence, mystery, mayhem, murder. In real-life Lynch once described the forest as being “everything those old fairy-tales made you feel”.

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

Because I love understanding the roots of my present by looking at my past, I loved using Nancy Hendrickson’s Ancestral Tarot exercises to begin a relationship with my own ancestors. Hendrickson defines types of ancestors (blood, place, and time) and suggests practical ways to connect. Journaling prompts encourage you to create a paper trail of your journey. Hendrickson gives us layouts and delves into tools (sigils, moon energy, pendulums runes, oracles). You can dive deep to look at patterns surrounding addiction, generational incarnations, DNA, and more. As soon as I brought this book into my home (while preparing to teach a class with it) I had a powerful and moving dream that connected me to a loving ancestor.

Writer, photographer, and journalist William Cook Haigwood selected his own photos to create Journeying the Sixties: A Counterculture Tarot. The book helped me understand the context for my early childhood when my parents had an apartment in the Haight. Haigwood practically offers a graduate-level course in the Sixties by examining the major players, the opposing forces, and the gifts and wages of the unbridled idealism and enthusiasm characteristic for the times (love, religion, art, music, politics, law enforcement, war, drugs, feminism, poetry, revolution, and more). The Eight of Cups chapter looks at People’s Park in Berkeley; Mick Jagger represents the King of Pentacles; the Death card discussion explores Martin Luther King, Jr., Kennedy, and Vietnam. Haigwood’s interpretations make tarot’s archetypal energies relevant to the lessons of an entire generation. 

Jessa Crispin’s Creative Tarot suggests ways to connect to one’s muse through tarot. Crispin’s chapters match each tarot card’s essence to artists, thinkers, philosophers, and writers, looking at challenges and gifts each personality encountered over the course of their lifetime (and how they manifested in detriment or bloom). One of my favorite lines makes tarot card exploration forever relevant: Crispin writes, “It is about retelling the present.” And it is about how to ground tarot energy in specifics: what does it mean to be a King of Cups? Who has lived such an incarnation? Her “living examples” make tarot tangible for my students; I love her specific suggestions for how to explore the energy of each tarot card through music, film, paintings, art, and literature. 

Today’s Tarot decks tend to be clones of one of the three main “models”: The Rider-Waite-Smith, the Marseille, and the Thoth Deck.

Most books on reading Tarot reference the former, the Rider-Waite-Smith. But if you’re going to get serious about reading, it’s useful to have an understanding of the Marseille deck.

When I first picked up a Marseille deck, however, I put it down pretty quickly. No symbols on the Minor Arcana? How was I supposed to read the cards without rote memorization (which I hate)?

But the Marseille style is based on the original Tarot decks from Renaissance Italy, and they’re more typically used in Europe. This deck is important. So when I found this book, despite my misgivings about ever understanding the deck, I decided to give it a read. 

What a revelation. There actually are symbols on the Minor Arcana—they’re just subtle. Using numerology and an explanation… show more.

Along with vivid characters, this book gives great house–a gorgeous and notorious Italian villa, which was the site of an infamous murder in the 1970s.

One friend, now hyper-successful, invites her old buddy to join her in the villa. The invitee becomes obsessed with solving the long-unsolved murder, and is increasingly sketched out by her old friend’s motives for asking her to come.

The story jumps back and forth from the swinging ‘70s to the present day, with tensions building in both past and present. The ending jump-scared me.