Books like The Overnight Guest — picked by fans

I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.

The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.

I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!

I write mysteries and I love to read them. The mysteries I write are traditional and cozy. The focus is on my sleuth as she solves murders, her relationships, and on the local setting. These past few years I've enjoyed reading mysteries quite a bit edgier than the ones I write. These books are filled with characters that are often unstable or emotionally damaged. The murders are more brutal; the plots are more complex. Psychological thrillers veer off in many directions, and the person narrating the story is not always reliable. You can't take for granted that what a character says is true. Your best bet is to observe the action and enjoy the ride!

Growing up, I devoured books from two authors, the grande dame of mystery, Agatha Christie, and the science fiction great, Isaac Asimov. Luckily for me, both were prolific. That combination explains what I write, best described as the sleuth story meets speculative fiction. As a reader, when it comes to mysteries I’m always on the lookout for the out of this world. Which doesn't necessarily mean murder on a spaceship, though it can! What breaks the mold could be an unlikely detective, an inventive premise, an unusual setting, a narrative that surprises… Here are five such tales.

I am a writer of psychological thrillers. I have a keen interest in psychology and how events and experiences in our childhood shape who we become. When I work on a new book, I always build a detailed profile of my characters’ childhoods – and as I write thrillers, these are often challenging ones with issues like narcissistic parents or siblings, coping with grief, mental illness, or bullying. My plot will always be at least partly driven by the secrets my characters form in their childhood or early life, and so I also really value this depth in the psychological thrillers I read.

Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.

I’m a full-time novelist now, but for twenty-plus years, I was a practicing attorney. I was a business litigator, representing companies that were suing or being sued by other companies. I toiled away in high-rise office buildings, danced around office politics, and got up close and personal views of how people of every stripe navigate their work and lives in the office. I witnessed sexual harassment, bloodless coups, financial scandals, and professional disgrace—but I also enjoyed the support and encouragement and lifelong friendships that can come from collaborative work experiences. I like to think of the office environment as a petri dish to examine the full range of human behavior.

I was born on Halloween, so I’m officially a card-carrying member of all things creepy, right? However, I’m definitely drawn to books with mood and atmosphere over outright horror and gore. I find the subtle aspects of fear so much more interesting—how is it that one person’s reality can be so different than another’s? I write domestic suspense because I think the people we are closest to and the places we think are safest are often the ones that can hurt us the most. Where a story takes place is so very important. I need to know the geography, the feel, the history of a place—then I can put people in it and make bad things happen.

As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.