Here are 100 books that More Than You'll Ever Know fans have personally recommended if you like
More Than You'll Ever Know.
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I started reading thrillers when I was twelve—Grisham, Patterson, anything I could get my hands on. I learned quickly that in those stories, men were the ones doing the saving. They had the adventures; women were either the obstacle or the one being rescued. That’s why I love where the genre is now. I get to read stories where women take control—sometimes saving the day, sometimes going further than they probably should. It’s changed how I read, and honestly, it’s shaped how I think about storytelling. These are the kinds of books that made me want more—and made me want to be part of that shift.
I have a sister—a twin, actually—and I would do anything for her.
But if she murdered someone… would I cover it up? I couldn’t stop asking myself that while reading this, even as I found myself laughing at how effortlessly funny it is. Ayoola’s total indifference is what hooked me—she doesn’t question herself, doesn’t spiral, she just acts, and there’s something unsettlingly magnetic about that.
And Korede, fully aware and still complicit, pushed me to think about how far love can stretch before it turns into something else entirely. It’s bright, biting, and way more layered than it first appears, and I couldn’t get enough of that tension between devotion and control.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a tumbleweed writer—one who moves from town to town every few years—and I have learned to adapt to new communities and break into new friend groups. In a sense, one could say I reinvented parts of myself as I moved from place to place, and I changed hats regarding what job I would get. Although challenging at times, the scope of this atypical lifestyle has provided me with a wealth of experiences to draw on when drafting a story, not only in setting and career, but also the psychological rollercoaster that comes with blowing with the wind.
This is such a beautiful novel from so many angles.
Although not specifically a suspense story, this book has many suspenseful elements. The character work in it is lovely, and the backstory of the girl, Ursa, is doled out in fragments to a final heart-wrenching reveal.
I love books where characters face their demons and push through challenges. Every character in this book is struggling with something significant, yet their individual challenges round out the story rather than overwhelm it.
An Amazon Charts, Wall Street Journal, and Washington Post bestseller, and a Goodreads Choice Award finalist.
In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.
After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).
This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch.
By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
This book is bonkers, and I mean that in the best possible way. I loved it when I first read it, and my love for it has only grown throughout the years. I re-read it every few years, trying to pick apart why it works so well for me.
I love Hendrick’s prose, the sharp, noir rhythm of it, and the protagonist, Sherri, is my favorite type of noir heroine to read: crooked but with her own moral code. But mostly, I’m obsessed with how fearless this book is: there’s no taboo left uncrossed. I re-read this book when I need to be braver as a writer.
Sherri Parlay gives up her life of depravity, and with best intentions, finds a respectable job as a dry cleaner in hopes for a decent future. But nature and nurture plot against her when she meets the beautiful, tortured, and rich young Payne, who tempts her with the love and life she never thought possible. Even Brenda, Payne's domineering mother, can't keep the lovers apart when Sherri's animal passions take control. Unfortunately, Payne is not only a different kind of man from those in Sherri's past, he's worse than any on her list of sordid affairs. Twisted psychology and a…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
I loved the voice of Tiffany, the murderous head sorority girl of this novel, so much so that I was very willing to overlook the fact that she was a serial killer. (We all contain multitudes, right?!) Like My Sister, the Serial Killer, this book manages to be tense, dark, and funny all at once, which truly ticks so many of my reader boxes.
This book is also set in Los Angeles, where I live, and I guffawed at its satiric portrayal of a certain type of Angeleno: perma-blonde pumped full of glamorous toxins and is willing to take anyone down a notch if it means “manifesting her highest self.” I thought this book was a truly dark, murderous blast.
The boys on the row are only after one thing, but that bullshit’s for pledges. Tiffany’s on the hunt for something more.
Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses—and haunting nightmares of fire and destruction—at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.
As Tiffany’s bloodlust deepens and the bodies pile up, she must contend with mounting legal scrutiny, social media-fueled competing murders, and…
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
This is a story about adoption. But not the story of the poor child no one wants. Instead, it is the story of the joy of growing up knowing that the child is blessed to have been chosen by their adoptive family.
Laurie Frankel’s main character, India Altwood, wants people to know that family is complicated. Love is complicated. And maybe people shouldn’t be too quick to judge.
This book is an excellent example of why I love this author. She is brave and honest, tackling stories that need to be told.
India Allwood grew up wanting to be an actress. Armed with a stack of index cards (which, torn into pieces, also function as make-shift confetti) and a hell of a lot of talent, she goes from awkward 16-year-old to Broadway ingenue to tv star.
But while promoting her most recent project, a film about adoption, India does what you should never do - she tells a journalist the truth: it's a bad movie. Like so many movies about adoption, it tells only one story, a tragic one. But India's an adoptive mum herself and knows there's so much more to…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
This book describes the intensity of new motherhood so accurately that I was surprised to realize it was written by a man! It brought back memories of the newborn days with my own three kids, when I was drowning in exhaustion, anxiety, and breastmilk but also felt overwhelmed with joy and love.
When the main character decides to step in and adopt a second baby—the child of her nanny, who dies in childbirth—we get to see how mothering is both the same and different when your baby doesn’t share your genes or even your skin color. I loved how the book doesn’t give easy answers to the sticky questions around transracial adoption but instead leaves the reader pondering. I read this one years ago, and I’m still thinking about it!
NAMED A RECOMMENDED BOOK OF 2018 BY: Buzzfeed • The Boston Globe • The Millions • InStyle • Southern Living • Vogue • Popsugar • Kirkus • The Washington Post • Library Journal • Real Simple • NPR
“With his unerring eye for nuance and unsparing sense of irony, Rumaan Alam’s second novel is both heartfelt and thought-provoking.” — Celeste Ng, author of Little Fires Everywhere
From the bestselling author of Leave the World Behind, a novel about the families we fight to build and those we fight to keep
Like many first-time mothers, Rebecca Stone finds herself both deeply…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
I couldn’t put this one down! I kept asking myself what I would have done if I was in the same situation as Sarah, who found herself accidentally kidnapping a child to protect her from an abusive mom. The story made me think deeply about whether biology or bonding should matter more when deciding who deserves to raise a child.
I love it when authors aren’t afraid to dive into the perspective of unlikeable characters, and I appreciated that Frey gives us chapters from the perspective of the biological mom, whose misery and overwhelm I found relatable even as her parenting choices made me cringe.
Emma Grace Townsend. Five years old. Gray eyes. Brown hair. Missing since June.
Emma Townsend is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.
Sarah Walker. Successful entrepreneur. Broken-hearted. Abandoned by her mother. Kidnapper.
Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal - and when a second-chance encounter with Emma presents itself, Sarah takes her, far away from home. But if it's to rescue a little girl from her damaging mother, is kidnapping wrong?
I’m a backpacker at heart, a high school English teacher, and a bestselling author with an eye on what’s really happening under the surface and what people are really thinking. My mum taught me early to "watch the quiet ones," and I’ve always been fascinated by the way people can promote a very public self while maintaining something totally different on the inside. Perhaps that’s why I love a good twist! I also think that in the current climate of extremely savvy thriller readers, it’s impressive to wrongfoot readers and stay true to the clues hidden in the pages.
I loved this thriller set high in the hills of a Greek villa, where all the women have secrets up their sleeves.
Told in multiple perspectives, it holds its tension so well, and I wasn’t sure which of the women in the group might turn murderous or which of the secrets might explode. The final twist, however, was so satisfying because I hadn’t spotted it, even when it had been there all along…
The scorching, escapist new thriller from the Sunday Times bestselling author of The Castaways
'An addictive sun-soaked thriller'MARIE CLAIRE 'The perfect holiday read' CLAIRE DOUGLAS 'Brimming with tension' CLARE MACKINTOSH 'Talk about twists and turns' EMMA STONEX 'Utterly addictive . . . her best yet' ERIN KELLY
WE WERE DYING FOR A HOLIDAY
The six of us arrived on that beautiful Greek island dreaming of sun-drenched beaches and blood orange sunsets, ready to lose ourselves in the wild freedom of a weekend away with friends.
On the first night we swam under a blanket of stars.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I was in fifth grade when I brought home my first paranormal thriller from the library. It was love at first read. Since then, I’ve broadened my reading horizons to many fiction genres, but fast-paced stories grounded in our world with a dash of magic continue to be my favorite. The same can be said of my viewing habits—give me shows like Severance or Black Mirror, and I’ll be glued to the screen all day long. It probably doesn’t surprise anyone that it is my favorite entertainment genre and writing genre. Many of the books on this list have served as inspiration—I hope you love them too!
This book had everything I love in a paranormal thriller—magic, secrets, twists, turns—but with an amazing setting that reads almost like a character itself.
Sain does such a good job of describing La Cachette, Louisiana, that I could feel the swamp heat humming from the pages. The fictional town also boasts the title of self-proclaimed psychic capital of the world, which makes secret-keeping nearly impossible—a perfect tension-builder for a fast-paced plot riddled with secrets, psychics, and unreliable characters.
'AN INTENSE AND BROODING THRILLER ' - THE OBSERVER
A intensely romantic and atmospheric thriller for young adults, full of twists and turns with a simmering supernatural undercurrent. Perfect for fans of Holly Jackson, Karen McManus and Delia Owens' Where the Crawdads Sing
When seventeen-year-old Grey makes her annual visit to La Cachette, Louisiana - the tiny bayou town that proclaims to be the "Psychic Capital of the World" - she knows it will be different from past years: her childhood best friend Elora went missing several months earlier and no one is telling…
