45 Books Like The Night Whistler

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

My interest in gaslighting began when I watched the movie, Gaslight, starring Ingrid Bergman. Until then, I hadn’t understood how someone who appears charming and caring can use someone’s love to control, manipulate and undermine them, to such an extent that the victim doubts their own perception of reality. I started to read accounts of victims of gaslighting. I then realized that someone I knew was going through this. Fiction is a powerful means of creating awareness of issues and injustices, and I hope my new series character, Sally Fairburn, will inspire women to seize back their lives. 

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

I write mysteries and I love to read them. The mysteries I write are traditional and cozy. The focus is on my sleuth as she solves murders, her relationships, and on the local setting. These past few years I've enjoyed reading mysteries quite a bit edgier than the ones I write. These books are filled with characters that are often unstable or emotionally damaged. The murders are more brutal; the plots are more complex. Psychological thrillers veer off in many directions, and the person narrating the story is not always reliable. You can't take for granted that what a character says is true. Your best bet is to observe the action and enjoy the ride!

I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.

When writing about true crime it is important for me to write about the victim’s lives before, during, and even after the crime happened. Unlike the rest of us, after the trial ends, their life continues dealing with the after-effects including parole hearings for the murderer. I've written 12 true crime books and I am the host and producer of the popular true crime history radio show House of Mystery on NBC news talk radio network throughout the U.S. & Canada. I am autistic and I have a master’s degree in Music from the University of Washington in Seattle, and a bachelor of Arts in Criminology from the University of British Columbia in Vancouver, B.C. Canada. 

When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)  

As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.

As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.