47 Books Like Bloodline

This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.

The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.

It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.   

The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.

Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.

I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature. 

One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.

Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!

I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”

I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.

It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.    

Chevy Stevens is one of my favorite go-to authors and Never Let You Go, the story of a woman and her child who escape an abusive relationship and eleven years later the threat returns, is a book that has lingered with me for years. In the very first chapter Stevens manages to capture such intense fear and helplessness in Lindsey and her daughter Sophie as well as a sense of determination and a will to survive. But Lindsey can’t do it alone. At her side is Angus – a lug of a German shepherd mix, whom Lindsey found at the local animal shelter. Angus doesn’t make an appearance until about halfway in the novel, but what an appearance he makes. He instantly becomes a beloved family member, providing a sense of comfort and security to Lindsey and Sophie. As Lindsey’s ruthless ex-husband draws ever closer, Lindsey, Sophie, and Angus… show more.

This is a relatively new book, but not only does it take you through the case of serial killer Don Miller it explains how difficult it can be for the survivors to move on with their lives. In general, most people think that once the trial is over  that everyone can move on with their lives, but that’s not always the case. Killers like don Miller come up for parole, and that’s when the second part of the journey continues for these survivors. It becomes really hard to move forward with their lives when they have to relive the murders at every parole hearing until either the killer is released or dies.

Freitas wrote one of the first memoirs documenting gender-based violence in higher education. One of only three I've found.

Reading how she tried to avoid the problem for so long to protect her career resonated deeply with me. The stalking and triangulation she described felt all too familiar.

I went through my own version of this, and the subsequent university failures and career derailment she recounts. All of this hinges on the troubling power dynamics embedded in academia's gatekeeping and letter-of-recommendation system, where a predator's endorsement can make or break a career.

Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.

Five total strangers trapped in a car together, during a blizzard trying to get home against mounting impossible odds – what’s not to like? I love believable situations which you know as a reader have so much potential to take a deadly turn! 

When a storm strands Mira at the airport with no way to get home, she welcomes the kind offer of sharing a rental car with a woman from her flight. But when this also involves another three people, who all seem to have their own personal baggage and agendas, you know this is not going to be a smooth ride. As if driving in a storm isn’t enough of a problem, personal items keep going missing, and it soon becomes obvious that one of the five is trying to make sure they don’t all make it back alive! This is a fast-paced fun, twisty read, a perfect… show more.

I loved how conflicted I felt about Emmy and her life choices as a highly successful influencer mom of two little ones! I couldn’t help but root for her even as I struggled to make sense of the crazy things she was putting her family through.

The story gripped me from beginning to end.