As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
I found myself fascinated by the development of the friendship between two Italian girls in Naples. They have known each other almost from birth but have held tight to each other as they have grown into very different lives, careers, and marriages in a city plagued by economic chaos and a local mafia.
Every detail is rich and pertinent; I could see and feel the city as they grew into adulthood, and I could agonize over the choices presented to them and cheer when they found their own paths to fulfillment. The story evolves over three more volumes, but this first one can be read on its own.
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From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
I loved this odd and audacious book, which is written in a single stream-of-consciousness sentence over a thousand pages long and follows a mother's struggles with economic duress, raising a daughter, running a small baking business, and dealing with a major flood.
There is a parallel story involving a mother mountain lion searching for her lost cubs that periodically interrupts the main narrative. I loved the interjections of the narrator’s humorous views of the life around her, and I admired the subtle ways the author wove the two stories together so they enhanced each other. I enjoyed it so much I could barely stop reading it to go to bed!
WINNER OF THE 2019 GOLDSMITHS PRIZE • SHORTLISTED FOR THE 2019 BOOKER PRIZE • A NEW YORKER BEST BOOK OF 2019 • A NEW YORK TIMES NOTABLE BOOK OF 2019 • A TIME MUST-READ BOOK OF 2019
"This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."―Parul Sehgal, New York Times
Memory's Eyes: A New York Oedipus Novel
by
Cordelia Schmidt-Hellerau,
Memory's Eyes is a contemporary New York Oedipus novel. It is written for readers who enjoy playing with concepts and storylines, here namely the classical Oedipus myth, Sophocles' three Theban plays, the psychoanalytic concept of the Oedipus complex, and its pop-cultural adaptations in movies, cartoons, and jokes.
This was my favorite book the year I read it, and I will read it again, with no doubt the same result. The narrator is an anonymous 18-year-old woman navigating family, community, and romantic relationships in the midst of the Irish Troubles.
Almost every character is identified by a local nickname, part town culture and part a way to keep both authorities and rebels off track. I loved the strong writing and the surprising but always plausible twists. I’ve recommended it to every reader I know.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
Like Milkman above, this was my favorite book the year I read it, and I plan to re-read it soon. It’s a quietly intense and lonely story, in first person, with an unnamed female narrator whose “family” is the community she lives in by a river in England.
She rarely deals directly with these people, though her interactions are generally described in retrospect, and, in a way, her constant observation and evaluation of her surroundings make the urban/industrial landscape part of her family, too.
Urban landscapes have been an important part of my life, too; they have shaped much of who I am. There are hints of a lost child and earlier immersions in other, distant river landscapes. Quiet, elegiac, and powerful.
1
author picked
River
as one of their favorite books, and they share
why you should read it.
This book is for kids age
16, and
17.
What is this book about?
"A magnificent novel."—The New Yorker
"This is a book to relish."—The Guardian
A woman moves to a London suburb near the River Lea, without knowing quite why or for how long. Over a series of long, solitary walks she reminisces about the rivers she has encountered during her life, from the Rhine, her childhood river, to the Saint Lawrence, and a stream in Tel Aviv. Filled with poignancy and poetic observation, River is an ode to nature, edgelands, and the transience of all things human.
Ophelia, a professor of Dante, is stricken when she discovers that her husband Andy has been cheating on her with a winsome colleague. What follows is Ophelia’s figurative descent into hell as she obsessively tracks her subjects, performs surveillance in her beat-up Volvo, and moves into the property next door…
I’ve read this twice so far. It’s an odd, lonely book whose protagonist walks the knife-edge of sanity but is harmless and likable, though she is so timid that she has no friends. Her immediate family has also passed on. She finally advertises for a friend who must answer to the name ”Penelope” and develops a confusing friendship with the woman who responds to the ad.
I loved the book’s compassionate exploration of the varieties of oddity afflicting modern souls, as well as the story’s steady but subtle progression to a horrifying revelation. The resulting catharsis helps move the protagonist towards a more satisfying, if still deeply peculiar, life. All the characters are well-drawn.
Vivian is an oddball. An unemployed orphan living in the house of her recently deceased great aunt in North Dublin, Vivian boldly goes through life doing things in her own peculiar way, whether that be eating blue food, cultivating 'her smell', wishing people happy Christmas in April, or putting an ad up for a friend called…
My book explores the webs of love and hate that can make strangers family and family strangers. A kidnapping of a family elder leads to the revelation of a hidden trauma and is resolved thanks to the intervention of two very different unconventional “family groups.”
When a weekend getaway goes very wrong, Lenny is forced into a filial role that could put him in very real danger, as he calls in the help of his uncle-in-law, who is a crime syndicate boss, and a group of gay outlaw bikers to help save his landlord and close friend, retired cop Red Henshaw.
Ophelia, a professor of Dante, is stricken when she discovers that her husband Andy has been cheating on her with a winsome colleague. What follows is Ophelia’s figurative descent into hell as she obsessively tracks her subjects, performs surveillance in her beat-up Volvo, and moves into the property next door…
The All-Girl, No Man Little Darlin's
by
Mary Albanese,
Unwanted Anabel finds an unexpected ally in her "crazy" Grandma Maisy who isn't crazy at all but harbors a secret past. Anabel coaxes her story out, thrilled to discover that Grandma Maisy had been a famous cowgirl in the American Wild West.