100 Books Like The New Beacon Book of Quotations by Women

I love this pre-social-media collection of moral quandaries and relationship-based solutions presented in story form. Much of it is about addiction to substances, but it applies to all kinds of addictions, undermining our ability to deal with dangerous subjects.

I’ve told stories from these pages, and most of my ideas come from reading stories that inevitably remind me of a perfect story from my own life. Stories about release, gratitude, humility, tolerance, and forgiveness offer antidotes to the kind of problems that linear mechanical reasoning can’t solve.

For me, investing in a constant stream of moral stories supports the vital behavioral norms we need as groundwork for developing trusting relationships.

Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.

Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.

Before Lakoff wrote about politics, he compiled this treasure trove of the metaphors humans recruit to grapple with moral concerns. For instance, early in the book I learned how to take a listener “in front” of a problem, “behind it” “inside it” as well as “outside it” so they might vicariously experience four points of view instead of one.

Engaging the body embeds regular intelligence with sensory wisdom.

Reading about posture, tone, and timing does not train your body to know when and where to shift. What I do is stimulate my creative muscles by reading aloud any of the two hundred speeches as I imagine standing in the shoes of the orator who delivered it. It’s like an adventure in time travel.

The first time is usually a mechanical recitation but once you figure out the context, and what is meaningful to you, personally, you will experience a powerful difference in delivery. Experiment with posture changes, tone varies, pauses, and pacing to make the words more memorable. Expand your repertoire of posture, tone, and timing options by standing in the shoes of the greats.

I grew up in a family of all brothers and male cousins and with a second-wave feminist mother who marched with Gloria Steinem and Bella Abzug. So while my role models of feminine badassery were clear growing up, they were also few. Feeling like I was missing out, I often sought them out in my professional life and in my reading for fun. 

Lillian Hellman was as bad ass as they came. The author of a dozen plays, three memoirs, holder of six or so honorary degrees, blacklisted during McCarthyism who, to my amazement came roaring back with this book, among others to wow little me, who grow up rather ordinary in a rather ordinary midwestern college town. I was not romantically partnered with the greatest detective novelist in American history like Ms. Hellman was with Dashiel Hammett. I did stare down a hostile government trying to ruin my life… show more.

I feel deeply connected to this book because it helped me navigate the break-up of my marriage.

It puts into beautifully poetic words what I was feeling on an intuitive level about the transformative power of telling our own stories and the importance of ‘storying out’ unarticulated experiences.

Becoming a "storycatcher" and taking ownership of my story pulled me through a dark time and set me on the path toward a more empowering narrative. 

If you feel inhibited about making up stories and telling them to children, this is the book for you. Encouraging you to spin golden tales, Nancy Mellon shows how you can become a confident storyteller and enrich your family with the power of story. Children love the unique and human quality of storytelling, and parents and teachers alike can learn this practical, magical art with Nancy’s methods, tips and resources. This book may help give you storytelling wings - even if you didn’t think you could fly this way! It is a must for any adult who seeks to enrich and deepen communications with the young ones in their life.

Stories come alive when people tell them to each other.

In my mid-20s, I happened upon a weekly gathering in Toronto, “1001 Friday Nights of Storytelling.” In a former synagogue turned art school – with candlelight shining on works in progress – people told old tales, by heart and with heart. This was the beginning of many things in my life, and this is the community that folklorist Kay Stone has written about.

She shows that the Toronto storytelling circle is part of a worldwide movement. She talks with great storytellers and explores favourite stories with them. And she shares her own struggle with a witch story from Grimms’ Fairy Tales, and how, as she told it again and again, she changed the story and the story changed her.

While we would love to think we are always rational, we are hard-wired for story not the rational data (albeit key data can be a strong anchor in a story). I started my career far more in the assumption of rational data trumps all, but recognised, through bumps and bruises, how stories can overtake decision-making. When I learned how to tell a better story, I learned how to get the results I needed. Gabrielle is such a down-to-earth, energising speaker and writer, and this book provided me with such a practical, relatable framework for always having a good story or two in my back pocket.  

As the title suggests, Williams’ book focuses on identifying the Moral Premise at the heart of your story idea and building around it. It’s a very thematic approach to storytelling. This Moral Premise essentially breaks the story into four components: a positive “virtue”, a negative “vice”, desirable consequences (success), and undesirable consequences (defeat). You can use this to create a simple structure of “Vice leads to undesirable consequences (defeat), while Virtue leads to desirable consequences (success)”. I'm admittedly oversimplifying it, but it's a great tactic to get to the heart of your story's theme and strengthen your narrative.