68 Books Like The Mysterious Affair at Styles

As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.

It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises. 

When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.

It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page. 

This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction. 

This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.

Colin Dexter immediately pulls me into what reads as a real world.

The writing is so beautiful, I’m not aware of anything but the story. The chapters are delightfully short and tight, so much so that the pages absolutely flow past.

I prefer reading books that, even though they are clearly fiction, read as true crime stories. When I read a Colin Dexter Morse mystery, I am unaware of pages, chapters, sentences, punctuation. I am allowed to be totally immersed in the story. The casts of perfectly drawn characters in each story always intrigue me.

Morse is flawed, a quality he shares with the camera. He doesn’t mind being wrong, a rare quality in a human. 

As a multi-genre author, I was interested to see how the creator of a world-famous boy wizard was going to change her name and turn her hand to crime writing. I relished the result: the first outing for a new private investigator, a character called Cormoran Strike.

Known simply as Strike, he is a P.I. with a handicap (aren’t they all?). Not just the common ones; excessive drinking, difficult relationships, and so on, Strike lost half his right leg whilst serving in Afghanistan. Retiring from service, the ex-MP becomes a private investigator. He has few clients, no money, and is scruffy and unkempt because he sleeps in his office. But he does have a motto, "Do the job and do it well."

In social relationships, Strike isn’t a likable character; demanding and sometimes just plain rude. He has lost his last assistant. I warmed to him the more his traits… show more.

Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.

With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.

This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.

Ah, Miss Marple! She’s probably the most iconic amateur female sleuth and spawned an entire mystery genre (I love a good cozy!).

I chose this novel because the plotting is excellent, and I appreciate Agatha Christie’s subtleties. She respected her readers’ intelligence…and enjoyed playing with our observation skills. We get a slew of culprits, all with the motivation to murder the Fortescue patriarch.

So when Inspector Neele, whose perspective overtakes much of the book, needs help to understand why the bickering family is more interested in Mr. Fortescue’s fortune than his untimely death and pocketful of rye that seem to follow a nursery rhyme, of all things, well, only Miss Marple can solve this tangled web.

This book is not a typical sleuth novel. The story is from each suspect’s point of view, all unreliable.

I loved that my perspective of Rosemary Barton shifted with each retelling of the night that she supposedly committed suicide by drinking a glass full of cyanide-laced champagne. Was Rosemary actually a doting sister? Perhaps she was a happy, lovely younger wife. Maybe she was a rival or a schemer.

I read the novel because of its irresistible title and intriguing questions. Although I’m familiar with most Poirot and Marple books, I wasn’t as familiar with the Colonel Race mysteries. By this, Ms. Christie’s thirty-sixth book, she’d honed her craft to such a degree that I still think about it often. 

A page-turned, a Gilded Age whodunit, and a case study in how to dig and dig and dig into the historical record. This Stanford professor’s brilliant expose of the Stanford family and the university two of them founded is at its best when it reveals two things: how the public and private worlds of the rich and powerful (then and now) are utterly at odds with one another, and just how strange those private realms could (and can) be. Oh, and a murderer revealed, if but for a moment.

Written and set in the 1950s, this is the 4th in the Felse detective series.

Peters is more famous for the Cadfael mysteries, with their wonderful depiction of England at the time of the civil war between Stephen and Maud. However, the Cadfael books need to be read in order and the first is far more successful in the BBC adaptation.

Dated in some ways, and with prose that’s functional rather than beautiful, Peters has a brilliant eye for capturing a period. The clever trail of clues means it’s possible to work out the mystery so the reveal is satisfying and doesn’t cheat the reader.

If you like Agatha Christie’s Murder on the Orient Express (the 1974 film is dated but still brilliant), you’ll probably enjoy this too.