Here are 100 books that Dissolution fans have personally recommended if you like
Dissolution.
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I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
In this book, you meet a rare person–a female heroine from the Tudor Times. Based on a true story about a woman aboard the Golden Hind, you are taken into the dark world of medieval ships and meet Maria.
As the book unfolded, I was moved to tears by her courage, strength, and ability to navigate a terrible world. I was inspired by her.
April 1579: When two ships meet off the Pacific coast of New Spain, an enslaved woman seizes the chance to escape. But Maria has unwittingly joined Francis Drake’s circumnavigation voyage as he sets sail on a secret detour into the far north. Sailing into the unknown on the Golden Hind, a lone woman among 80 men, Maria will be tested to the very limits of her endurance. It will take all her wits to survive—and courage to cut the ties that bind her to Drake to pursue her own journey. How far will Maria go to be truly free? Inspired…
Royal Academy, London 1919: Lily has put her student days in St. Ives, Cornwall, behind her—a time when her substitute mother, Mrs. Ramsay, seemingly disliked Lily’s portrait of her and Louis Grier, her tutor, never seduced her as she hoped he would. In the years since, she’s been a suffragette…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. I’ve won awards, and my books have been translated into many languages. I’m also an avid reader: have been for almost all of my life. I know a good series when it hooks me in!
I had my doubts about reading this because, well… Tudor history.
I love Mantel’s work but…another trot through Henry VIII’s marriages and murders? I wasn’t sure it was for me. But within moments of opening the book, I was away with Mantel and Thomas Cromwell.
Even the title, Wolf Hall, demonstrates her gift. It was the name of the Seymour family’s seat, and the book never takes us there—but it was Jane Seymour who replaced Anne Boleyn and gave monstrous Henry his heir. The title hangs over the action, echoing, Man is wolf to man.
Mantel’s Cromwell is complex, often kind as well as ruthless, but Mantel herself said that she presents only one possible view of him. Read it and make up your own mind!
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Set in Mexico in the 1930s when the revolutionary government engaged in an active campaign against the Catholic Church, Greene’s hero, the so-called Whiskey Priest, is a drunk who has also failed to adhere to his vow of chastity, but his kindness and commitment to worshippers make him an intensely sympathetic figure, as he is hunted by the local police chief determined to put him behind bars.
The book was a revelation to me when I first read it in college. I did not realize that the Mexican government had engaged in this war against the Church so recently. Nor did I realize that a novel so gripping could be told with such literary grace.
During an anti-clerical purge in Mexico, a priest is hunted like a hare. Too human for heroism, too humble for martyrdom, the little worldly priest is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.
It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Antiquarian Charlie Lovett’s The Bookman’s Tale is informed by his expertise. TBT is a paean to books, their production, archival, transmission, forgery. This book should appeal to readers who love books. The story of Peter, a present-day apprentice rare books dealer, alternates with that of Bartholomew Harbottle, a crooked Elizabethan book dealer, a friend of William Shakespeare.
The book follows a Shakespearean document as it passes from hand to hand over time. At first, the document appears real. Then forged. Then partially forged. Then perhaps real. Then a perfect copy shows up. Which one is real? Which one is fake? Are both fake? Therein lies a tale.
A mysterious portrait ignites an antiquarian bookseller's search through time and the works of Shakespeare for his lost love. Charlie Lovett's new book, The Lost Book of the Grail, is now available.
Guaranteed to capture the hearts of everyone who truly loves books, The Bookman's Tale is a former bookseller's sparkling novel and a delightful exploration of one of literature's most tantalizing mysteries with echoes of Shadow of the Wind and A.S. Byatt's Possession.
Nine months after the death of his beloved wife Amanda left him shattered, Peter Byerly, a young antiquarian bookseller, relocates from North Carolina to the English…
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
The Religion is a harrowing, jaw-dropping narrative I think everybody should read. That the 1565 Great Siege of Malta that stopped the Ottomans in the West is so unknown is unwarranted. Sultan Suleiman the Magnificent sends an army to conquer Malta, an island owned by the Knights Hospitaller, a Catholic military order.
Mattias Tannhauser, a former janissary, ends up fighting with the Maltese Knights, against former comrades, for a Hospitaller leader he must murder, while the Inquisition welcomes the Hospitallers’ downfall: a glorious mess of cross-purposes for those who like plot twists. The Religion delivers an overwhelming immersion in a momentous event described in colorful, dramatic prose.
Their god is War. And every god needs his Devil. THE RELIGION
Malta, 1565. The greatest war the world has ever seen is unleashed on the doomed island as the Turks do battle with the Knights. The Knights call themselves The Religion. The Turks call them the Hounds of Hell.
Back in Sicily, the beautiful, rich Carla pines for her bastard son, lost in the bloody inferno across the water.
Enter Mattias Tannhauser - warrior, hero and double agent. Under Carla's command, he embarks on a death-defying mission to save her son. But can he evade the Inquisition and escape…
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Q takes place in strife-ridden 1500s central Europe. At the center is an Anabaptist revolutionary, of many names, hunted by a Papal spy, Q. Identities mutate in Q. Thus, Q is an espionage novel, with disguises, code, counterfeiting. Commoners build egalitarian communities in Q. But rulers cannot tolerate egalitarianism. It might be catching. Thus, Q is also a war novel, with battles, skirmishes, narrow escapes.
Is Q an allegory for modern revolution? The take-away seems to be, “Use the new technology and dissimulate.” A seems self-evident. But B? Would I even know, if they’re dissimulating? An idea-filled, engrossing, wide-ranging, tragi-comic read.
In 1517, Martin Luther nails his ninety-five theses to the door of Wittenburg Cathedral, and a dance of death begins between a radical Anabaptist with many names and a loyal papal spy known mysteriously as "Q." In this brilliantly conceived literary thriller set in the chaos of the Reformation-an age devastated by wars of religion-a young theology student adopts the cause of heretics and the disinherited and finds himself pursued by a relentless papal informer and heretic hunter. What begins as a personal struggle to reveal each other's identity becomes a mission that can only end in death.
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Shakespeare’s Dogis the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”). Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.
Will Shakespeare's dog, named Hooker, reports on the young poet and playwright's tumultuous Stratford household and on his and his master's shared and growing desire to be away to London
I was born within sight of Pembroke Castle, the birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois to the death of Queen Elizabeth I.
Evocative and atmospheric, the second book in Natalia Richards' series on the life of Anne Boleyn covers her time in France. Often skimmed over by historians, understandably keen to move on to the tragedy of Anne's later life, this immersive, first-person narrative places the reader firmly in Anne's shoes. I particularly enjoyed Natalia's description of the sights (and smells) of medieval Paris, and to find myself at The Field of Cloth of Gold, where King Henry VIII met King François I of France.
Anne Boleyn's life is threatened, intrigue, gossip and treachery abound, and her destiny is finally revealed.
A young Anne Boleyn and her sister are sent to Paris to attend Mary Tudor, the new Queen of France. Unclear where her loyalties should lie, Anne soon makes an enemy of the queen. When the widowed Mary returns to England, Anne stays on in France to serve the new queen, Claude, but Anne's sister's actions put the girls' new court career at risk.
A dangerous love affair follows and Anne finds an unlikely ally in the French king's mistress.
