Here are 100 books that And Then There Were None fans have personally recommended if you like
And Then There Were None.
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I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
O'Connor was an uncomfortable contradiction: she isolated herself as much as possible from the world she so beautifully described, writing about ordinary Southern lives with real human feeling and understanding - while holding personal views that were deeply ugly.
I am not going to pretend otherwise. What I will say is that her stories have a cast of people who seem strange until you recognise them, and then they are suddenly far too familiar. She wrote that anything out of the South would be called grotesque by the Northern reader, unless it actually was grotesque, in which case it would be called realistic.
A number of my characters owe their existence to her assortment of murderers, false prophets, hypocrites, malevolent strangers, and good old Southern weirdos.
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction.
There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.
O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death―is a…
Readers describe Krenik's writing style as “fast-paced, engaging, making complex plotlines easy to follow.”
Set in a dystopian world where dragons exist, this series offers readers layers of mysteries to unfold. Romance flares between a viscount and the nanny of his five-year-old twins. But not everyone is as they seem,…
I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
After thirty years in corporate America, I retired to learn the craft of writing literary fiction—publishing my first novel at sixty-two. I write about characters faced with seemingly impossible situations whose choices ultimately reveal who they truly are. Through mindful self-awareness, I want readers to search within themselves to think about what they would do in a similar situation. These are five books that shaped my understanding of what literary fiction can do through deep characterization.
A brilliant example of finding meaning in who you are meant to be and finding dignity in it when others may not see it the same way.
When Stevens, the butler, realized his true worth and value, he was able to approach the world from a better place. I think about this every time I write about a character who needs to believe more in himself.
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
Shetland sailing sleuth Cass Lynch is definitely out of her comfort zone when she helps round up a prize-winning stallion escaped from the renowned Klaufister stud. She's even less impressed by its owner, Keith Arthurson, a returned city slicker who's already made enemies in his community.
Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
This is a meta-fictional novel about the fragile state of memory and interpretation.
Stories can save us, and in the case of 13-year-old Briony Tallis, stories can ruin us. A single accusation is enough to destroy her sister, a young man’s life, and their future together. It shows us that the art of writing can be both sacred and profane.
It is a novel inhabited by ghosts, one that taught me the importance of absence in storytelling, of the silences and liminal spaces when writing about epic events. The style obfuscates the plot, then later renders it in vivid detail.
What lives between the lines is critical. It asks if forgiveness and acts of retribution can counter the death that eventually comes for all of us.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I’ve been hooked on crime fiction since I was old enough to heft around the collected adventures of Sherlock Holmes, and the older I get, the more I appreciate funny books about the excruciating ways that people interact with each other. I also love a book that does two things well, so a crime novel/comedy of manners is about the best reading experience I can imagine.
I love the opening of this novel: an offhand-feeling anecdote about Chili Palmer, the central character, getting his jacket stolen from a restaurant in Miami Beach. It feels breezy and inconsequential, but it does so much work to set the tone, establish the stakes, and introduce key characters.
I’m also a sucker for a fish-out-of-water comedy, although maybe this book is the opposite of that: tough-guy loan shark Chili Palmer falls in with a group of hapless Hollywood types and ends up thriving through the novel’s sometimes violent, sometimes funny twists and turns.
A thriller filled with Leonard's signatures - scathing wit, crackling dialogue, twisted plot, mad scams - and set in the drug sodden world of Hollywood.
A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.
Cat Conway has recently returned to Port Ellis to work as a reporter at the Quill & Packet. She’s fled the tattered remains of her high-profile career…
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
What does it mean to be human, and what happens to us when we don’t receive unconditional love?
The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.
Shelly’s use of a frame story pulled me in from the first page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
I loved this book for its dissection of the human relationships formed against a background of wilderness.
With survival comes tension, and though this throws discord into the lives of the characters, it makes for a compelling plot. This is one of those books that will form an indelible bond with the reader, who cannot help but imagine his/her interaction with the cast, should he/she have been part of the story.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
Railroad Ties: The Marmion Grove Murders is the first of my novels set in my hometown, and in the house I grew up in.
The town was founded as a retreat from DC summers. Filled with hundred-year-old trees, including the majestic swamp magnolias, there are no sidewalks and no…
I’ve loved everything that has to do with writing all my life. My mother was a best-selling children’s book author, my father wrote a best-selling book about the music business, and writing was central to how I grew up. All the books on my list have to do with writers, whether they’re writing memoirs, novels, interviews, or keeping a diary. My passion for books about writers extends to having written Great Adaptations: Screenwriting and Global Storytelling (Routledge – 2nd place winner, 2019 International Writers Awards), but these books all had me hooked regardless of whether they made good movies. I love books – especially these!
What I loved about Bridget Jones’s Diary was the fun that its author had in writing a book that plays with the themes, characters, and some of the plot points of Jane Austen’s Pride and Prejudice.
It’s wonderful when a writer knows her literary history and is comfortable enough to let us enjoy its evolution and laugh at it. Having lost 30 pounds in the last couple of years, I can honestly say that I appreciate a writer who not only references Jane Austen, but can write with wit and candor.
This was such an entertaining read, especially in its casual format – diary entries kept by a working woman who wants to lose weight. I also enjoyed the 2001 movie.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
