Books like Sparkling Cyanide — picked by fans

This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction. 

This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.

Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.

With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.

This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.

Ah, Miss Marple! She’s probably the most iconic amateur female sleuth and spawned an entire mystery genre (I love a good cozy!).

I chose this novel because the plotting is excellent, and I appreciate Agatha Christie’s subtleties. She respected her readers’ intelligence…and enjoyed playing with our observation skills. We get a slew of culprits, all with the motivation to murder the Fortescue patriarch.

So when Inspector Neele, whose perspective overtakes much of the book, needs help to understand why the bickering family is more interested in Mr. Fortescue’s fortune than his untimely death and pocketful of rye that seem to follow a nursery rhyme, of all things, well, only Miss Marple can solve this tangled web.

This book is signature Christie: well-plotted and paced, full of exciting characters, all of whom had motive and potential to kill…and we meet her most beloved character, Poirot. What’s not to like?

I hadn’t read any Christie books in decades, and this was the one that rekindled my love affair with her craft.

Captain Hastings narrates these books (a la Watson’s retellings of Holmes’s brilliance) and points out Poirot’s eccentricity and fastidiousness from the initial introduction. Poirot seems so silly and stuffy…until those little gray cells kick in, and we get some keen insights.

Someone pointed out to me that Christie’s work is now considered historical. This book is also a classic mystery worth reading.

I fell in love with this book from the very first page.

The premise captured my attention, but it was the writing that captivated me until the end. With gorgeous prose, Tate weaves her characters so deliberately all while slowly unearthing these shocking family relationships until the final puzzle piece slides into place. I absolutely loved it!

James Lee Burke’s book presents the common trope of the cowboy detective out of time and place. The reader would assume the series-leading Texan would enjoy beautiful Montana; however, the setting is awash in corruption and evil.

The hero navigates this moral morass, revealing the harsh consequences of selfishness for humanity. 

You Don’t Have to Die in the End is just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.

Have you ever traveled somewhere, and something doesn’t feel right? There is a world of travelers, nomads, and homeless who live lives none of us can explain or understand. Their world includes strange disappearances or accidents, and authorities who ignore or hide the truth. If you start digging for answers, it might make some people uncomfortable. This is a riveting yarn of a sister who refuses to just let it go and move on with her life. Her fierce determination for answers leads her into her own fight for survival. A can’t put it down thrill ride.

Impossible to fathom how Carson McCullers could have distilled such wisdom into her soul by age twenty-three, and then produced this book. The passions and losses, violence and ambition, guilts and loves, of her cast of small-town 1930s Americana characters, wander across the pages like spectres disrupted by a shifting wind. 

The lost, struggling to hear each other's songs above their own pain, but continuing to try through the long night, no matter the chance of success. 

I first bought a copy of this in Sandusky, Ohio, in 1993, on a day off from working at Cedar Point Amusement Park, entranced as I read the first pages standing up in a mall bookshop, the after-echoes of rumbling roller-coasters pummelling my ears and spirit.

This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinking was secure in its position at the top of my “best memoirs” list.