Here are 87 books that Sparkling Cyanide fans have personally recommended if you like
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I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction.
This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.
Agatha Christie's world-famous mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.
Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide.
The tension escalates as the survivors realise the killer is not only among…
The second in the new series featuring amateur sleuth Imogene Durant, a retired professor of Comparative Literature. This time she’s in Ireland, and in the right place to help out when her friend’s daughter is implicated for murder.
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
Actually, I tell a lie. I had read crime before my honeymoon, but only Agatha Christie, whose whodunnits always feature murders that are tastefully described and over in a couple of lines.
With Christie, it’s all about the puzzle, and boy, is she good at that. Her characters are often a bit two-dimensional, but you forgive that for the sake of her plots, which always race along and convince, however unlikely in real life.
This is one of her most famous ones, and rightly so. No spoilers here, but if you read this as I did as a teenager (recommended by my father) you are in for a grand surprise. Hopefully.
The classic "The Murder of Roger Ackroyd", finally at a fair price!The Murder of Roger Ackroyd is a work of detective fiction by British writer Agatha Christie, first published in June 1926 in the United Kingdom. It is the third novel to feature Hercule Poirot as the lead detective.
In 2013, the British Crime Writers' Association voted it the best crime novel ever.
I read my first mystery in second grade, and the genre has captivated me ever since. My mother loves jigsaw puzzles—without the picture, so it’s a challenge—while I prefer to work through clues in books from Agatha Christie to Stephen King, to C. J. Box…no matter the author, my goal is to find the answer before the author reveals it. Seven of my books fall under the mystery, suspense, and thriller categories, and I want to pen many more as I enjoy the thrill of perfectly plotted prose. I hold a bachelor’s degree from TCU, and I’ve spent twenty-plus years immersed in psychology and behavioral science.
Ah, Miss Marple! She’s probably the most iconic amateur female sleuth and spawned an entire mystery genre (I love a good cozy!).
I chose this novel because the plotting is excellent, and I appreciate Agatha Christie’s subtleties. She respected her readers’ intelligence…and enjoyed playing with our observation skills. We get a slew of culprits, all with the motivation to murder the Fortescue patriarch.
So when Inspector Neele, whose perspective overtakes much of the book, needs help to understand why the bickering family is more interested in Mr. Fortescue’s fortune than his untimely death and pocketful of rye that seem to follow a nursery rhyme, of all things, well, only Miss Marple can solve this tangled web.
A classic Marple mystery, superbly read by Joan Hickson. Available for the first time on audio.
Rex Fortescue, king of a financial empire, was sipping tea in his 'counting house' when he suffered an agonising and sudden death. On later inspection, the pockets of the deceased were found to contain traces of cereals.
Yet, it was the incident in the parlour which confirmed Jane Marple's suspicion that here she was looking at a case of crime by rhyme...
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
I read my first mystery in second grade, and the genre has captivated me ever since. My mother loves jigsaw puzzles—without the picture, so it’s a challenge—while I prefer to work through clues in books from Agatha Christie to Stephen King, to C. J. Box…no matter the author, my goal is to find the answer before the author reveals it. Seven of my books fall under the mystery, suspense, and thriller categories, and I want to pen many more as I enjoy the thrill of perfectly plotted prose. I hold a bachelor’s degree from TCU, and I’ve spent twenty-plus years immersed in psychology and behavioral science.
This book is signature Christie: well-plotted and paced, full of exciting characters, all of whom had motive and potential to kill…and we meet her most beloved character, Poirot. What’s not to like?
I hadn’t read any Christie books in decades, and this was the one that rekindled my love affair with her craft.
Captain Hastings narrates these books (a la Watson’s retellings of Holmes’s brilliance) and points out Poirot’s eccentricity and fastidiousness from the initial introduction. Poirot seems so silly and stuffy…until those little gray cells kick in, and we get some keen insights.
Someone pointed out to me that Christie’s work is now considered historical. This book is also a classic mystery worth reading.
One morning at Styles Court, an Essex country manor, the elderly owner is found dead of strychnine poisoning. Arthur Hastings, a soldier staying there on sick leave from the Western Front, ventures out to the nearby village of Styles St. Mary to ask help from his friend Hercule Poirot, an eccentric Belgian inspector. Thus, in this classic whodunit, one of the most famous characters in detective fiction makes his debut on the world stage. With a half dozen suspects who all harbor secrets, it takes all of Poirot’s prodigious sleuthing skills to untangle the mystery—but not before the inquiry undergoes…
I have been absolutely entranced by complicated family dynamics and sibling relationships as long as I can remember. Particularly as they exist within the thriller space. I graduated with a degree in criminal justice which only fueled that fire as I learned so much more about psychology, the human mind, and the depths of human depravity. It was so natural for me to start exploring it in my own reading and writing.
I fell in love with this book from the very first page.
The premise captured my attention, but it was the writing that captivated me until the end. With gorgeous prose, Tate weaves her characters so deliberately all while slowly unearthing these shocking family relationships until the final puzzle piece slides into place. I absolutely loved it!
It takes one moment to call for help. So why did he wait? 'The rare gift that delivers it all' ASHLEY AUDRAIN 'Truly gripping and deeply satisfying' CHRIS WHITAKER 'I was hooked' JANE CORRY 'A new thriller writer to watch' ROBYN HARDING 'Left me in awe' JO LEEVERS ___________
THE QUESTION For the last ten years, the small town of West Wilmer has been struggling to answer one question: on the night of the crash that killed his sister, why did it take Grant Dean twenty-seven minutes to call for help? If he'd called sooner, Phoebe might still be alive.
I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.
James Lee Burke’s book presents the common trope of the cowboy detective out of time and place. The reader would assume the series-leading Texan would enjoy beautiful Montana; however, the setting is awash in corruption and evil.
The hero navigates this moral morass, revealing the harsh consequences of selfishness for humanity.
America's finest crime writer sends hero Billy Bob Holland deep into Montana - paradise to some, to others a savage wilderness...
'Still the greatest, bar none' LITERARY REVIEW
'Powerful stuff and confirms Burke's place in the forefront of contemporary American crime fiction' SUNDAY TELEGRAPH
'BITTERROOT is beautifully written and still stands head and shoulders above most other crime fiction' OBSERVER
When Billy Bob Holland visits his old friend Doc Voss, he finds himself caught up in a horrific tragedy. Doc's daughter has been brutally attacked by bikers, and the ringleader, Lamar Ellison, walks free when the DNA samples 'get lost'.…
A traditional mystery with a touch of cozy, The Alchemy Fire Murder is for those who like feisty women sleuths, Oxford Colleges, alchemy, strong characters, and real concerns like trafficking, wildfires, racism, and climate change. This book especially works for those fascinated by myth and witches in history. Read for…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I think that every teen in school today has experienced a lockdown, hopefully just as a drill, but as school shootings continue, it’s a worry for every day of school. That’s why I think teens are so horrified as Emily Bean, the main character, sees her boyfriend bring a gun to school and kill himself.
I believe that reading about the depths of Emily’s agony reveals how devasting suicide can be for those who have had to live through its aftermath. In my author visits, I have met a number of those left behind by suicide, and I think it’s so important that this book ends with some hope for them.
A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
I’m a professor and YA author. Books helped me navigate the difficult choices I faced growing up. I gravitated to characters that I could picture myself befriending and looking up to because they had the bravery and strength that I wanted to have. As an author, I believe we need more stories about people who leave a positive mark on the world. I try to write characters that I can both relate to and would want to be friends with: characters who, in facing difficulty, discover the strength of their humanity because they have a light and goodness that shines somewhere deep inside.
This is a story told from dual perspectives. Our male protagonist is Theodore Finch. He’s a rebel type, funny, and spontaneous. He goes after Violet Markey—our female first-person perspective—after discovering that she, too, is grappling with demons from her past. What I love about this book is how alive Theodore is as he walks the tightrope of death. While tragedy abounds in this story, you can sense a shaky joy in Theodore. His punk, fun-chasing exterior hides a vulnerable soul in search of love.
I knew a lot of teen boys like him when I was in high school. Jennifer Niven did a remarkable job capturing the raw energy that Theodore zaps into the lives of those around him. Sometimes, there are people like Theodore who crash through our lives—people with a magic to them—that we wish we could hold onto.
A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.
Cat Conway has recently returned to Port Ellis to work as a reporter at the Quill & Packet. She’s fled the tattered remains of her high-profile career…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
Voicing Suicide is a collection of poems about suicide and its impact on lives. When my stepdaughter killed herself, I desperately needed an anthology like this. Decades later, the poems here still resonate and console me. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those who have suicided. Although intense and sometimes painful, the book is honest, in moments delicate and tender. It offers an important exploration of suicide by writers who have…
Voicing Suicide is a collection of poems about suicide and its impact on lives. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those…