Here are 100 books that The Mouse That Roared fans have personally recommended if you like
The Mouse That Roared.
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I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When we speak in real life, much of what we say out loud doesn't have any real meaning. But when authors write, each word a character says must convey meaning to drive the scene forward. The words must exhibit some form of information—emotion, advancement of an idea, or even be the action itself—otherwise, they're just wasted words on the page. The true challenge of writing dialogue is to convey as much as possible with as few words as possible. I love a book in which I'm yearning for specific characters to return just so I can hear the carefully crafted, intelligent, and tight words they employ when speaking, especially when two characters are verbally dueling.
This is a unique and brilliant satirical work about the idea of paradoxical rules that trap people in impossible situations.
It's set during WWII and confuses the reader with circular attempts to convince the protagonist, Yosarian, that he must be sane if he is able to recognize that he is insane. It's less about characters contesting each other and more about them getting stuck in systems of language that deny resolution.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.
A bumper collection of the classic Life in Hell cartoon strips from the 80s and 90s which were the basis for The Simpsons. Painstakingly assembled and rigorously organized by that master of clutter, Matt Groening, this is not another mini-jumbo, hard-to-read, abreviated compendium in that seemingly endless series of discourses on hell bu a gargantuan historical extravaganza of ten years' worth of the ever-popular Life in Hell cartoon strip, which looks uncannily like The Simpsons if you keep your eyes closed and have a sufficiently fertile imagination. Includes: The birth of Bongo! Binky's arrival in Los Angeles! Akbar and Jeff's…
John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.
Okay, it’s a collection of stories rather than a novel. Yet no veteran of the Civil War wrote better fiction about the conflict and its terrors than Bierce. An Occurrence at Owl Creek Bridge is one of America’s greatest short stories: A staple of high-school English courses, it has a twist at the end that's worthy of The Twilight Zone and often inspires an immediate second reading. Chickamauga reveals the horror of war from the perspective of a child. Amid these fictions, What I Saw of Shiloh is Bierce’s nonfiction account of the 1862 battle in Tennessee.
Newspaperman, short-story writer, poet, and satirist, Ambrose Bierce (1842–1914) is one of the most striking and unusual literary figures America has produced. Dubbed "Bitter Bierce" for his vitriolic wit and biting satire, his fame rests largely on a celebrated compilation of barbed epigrams, The Devil's Dictionary, and a book of short stories (Tales of Soldiers and Civilians, 1891). Most of the 16 selections in this volume have been taken from the latter collection. The stories in this edition include: "What I Saw at Shiloh," "A Son of the Gods," "Four Days in Dixie," "One of the Missing," "A Horseman in…
I love most all genre fiction, but I’m a sucker for dark fiction—and I have a particular fondness for dark fiction that explores the hidden shadows of men and women as they make dubious choices that lead to consequences rife with fear, despair, and unflinching terror. Whether it’s young men meeting in a basement to engage in a secret barbaric club or a world gone mad following the literal death of God, my favorite dark fiction is woven with sly satire and subversive social commentary.
Max Barry’s satirical science-fiction novel, Machine Man, is a dark and funny mediation on contemporary society’s compulsive over-reliance on technology. The narrator, Charles Neumann, is a mechanical engineer who, while obsessively searching for his phone, loses his leg in an industrial accident. After building himself a new machine leg, Charles purposely loses his other leg, so he can replace it with another machine leg. After seeing how great his new legs work, Charles wonders if maybe he should replace more of his body parts with machine parts, begging the question: Where does humanity end and technology begin?
Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts.
Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon.
A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
A brilliant send-up of toxic work culture and self-optimization. This book has the dry, acid wit of *The Office* rewritten by Dorothy Parker.
Butler’s narrator is your worst millennial mood and best unreliable friend. She has contempt for her temp job but commits to the impermanence because she likes “slight atmospheric changes.” Butler is a wonderfully funny writer whose character, Millie, is all of us—who don’t have a trust fund; are forced to collect money doing mind-numbing work; when all we want to do is sit in bed, eat ice cream, and binge watch Netflix shows.
I taught teenagers and young adults for 40 years. During these years, I always thought about what I could use to make my classroom an exciting place for learning. I would hear a new song about loneliness that I wanted to share with my students. Or I would think of a prompt they would laugh about in notebook writing. Too often, we take the dedication teachers give to their students for granted. I hope you enjoy the books on this list as much as I have and make you remember again a special teacher in your life who gave his/her all, and if you’re a teacher, here’s to you!
I love this book, a classic from the 1960s, for its humanity and how much this young, inexperienced teacher cares about her students. She is pretty much thrown into the NYC public schools and struggles to stay afloat.
The book, written as a novel, is actually a collection of discarded scraps of paper from the classroom wastebasket—notes, doodles, memos, hall passes, student complaints. The young teacher expresses age-old dilemmas teachers face: “Am I making a difference? Do I get through? Do they care? Do they understand how much I care?”
Our reissue of Bel Kaufman's bestselling 1964 novel timelessly depicts the shambolic joys and myriad frustrations of a young teacher. With an introduction by Diane Ravitch.
Sylvia Barrett arrives at New York City's Calvin Coolidge High fresh from earning literature degrees at Hunter College and eager to shape young minds. Instead she encounters broken windows, a lack of supplies, a stifling bureaucracy, and students with no interest in Chaucer. Her bumpy yet ultimately rewarding journey is depicted through an extraordinary collection of correspondence: sternly worded yet nonsensical administrative memos, furtive notes of wisdom from teacher to teacher, 'polio consent…
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
This was the first book I’ve seen that re-oriented the United States within a cultural understanding of “the Americas,” a complete resituating of our usually conceived “unique” history. Doing this, Bolaño, a Chilean, puts our own fanatic, right-wing weirdos–religious fanatics, militarists, unhinged hyper-patriotic dictatorial aspirants–into a context where Americans can see ourselves in hemispheric context; these are political pathologies that have historically been seen as much throughout Central and South America as within our own borders.
I found this mind-blowing. This is a collection of fictional biographies, fantastically imagined and yet achingly familiar, and as relevant now as when it was first written more than two decades ago and translated and published in the US in 2009, such that our current politics seem almost pre-scripted by Bolaño’s vision.
Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.
Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My passions lean toward American history, Americana, and skepticism. My creed is that "Conventional wisdom is neither." I am a member of the Skeptics Society, and I often litigate and lecture on copyright and celebrity rights issues. I have been a trial lawyer for 45 years and try cases in front of flesh and blood judges and juries. My clientele runs from supermodels to celebrities, photographers, performers, directors, model agencies, photographers, and artists.
This book teaches us that hypocrisy is no impediment for a great salesman. Dreams sell in America and sell better when the salesman is charismatic, integrity be damned.
I love the book because it teaches us how persuadable folks are, whether they are being sold on religion or vacuum cleaners. As the Doobie Bros put it so well: "But what a fool believes he sees, No wise man has the power to reason away. What seems to be is always better than nothing."
Universally recognized as a landmark in American literature, Elmer Gantry scandalized the generation in which it was written, causing Sinclair Lewis to be "invited" to a jail cell in New Hampshire and to his own lynching in Virginia. His portrait of an evangelist who rises to power within his church - a saver of souls who lives a life of hypocrisy, sensuality, and ruthless self-indulgence - has been called the greatest, most vital, and most penetrating study of hypocrisy that has been written since Voltaire.
