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While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Robert Sheckley was a major influence on me as he mixed SF and humor, sometimes broadly and sometimes darkly. This “best of” collection – on which I got to offer my suggestions as to what should be included – really is the cream of the crop. I will always be grateful that I had the chance to meet him while he was still with us… and that before I could say a word, he thanked me for a blurb I did on another collection of his works. It was the perfect fanboy moment.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Laumer’s satirical books about Jame Retief, a functionary in Corps Diplomatique Terrestrienne, were inspired by his real-life career in the U.S. Foreign Service. They don’t have to be read in any order and mix short stories (as in this collection) and novels. Much of the humor comes from Retief ignoring the diplomatic niceties in dealing with the problems involving Earth and various alien races.
The first-ever collection of Retief stories by Keith Laumer. Includes "Protocol," "Sealed Orders," "Cultural Exchange," "Aide Memoire," "Policy," and "Palace Revolution."
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Brown was another author who mixed SF and humor. Here he stood the alien invasion premise on its head. Instead of spaceships from an advanced civilization laying waste to our great cities, Brown wonders how we’d react if the invaders weren’t interested in mass murder or enslaving humanity but simply annoying the hell out of us. His little green men from Mars enjoy insulting and pestering Earthlings. After a while, “War of the Worlds” might be a preferable encounter.
THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!
Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last.
It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I grew up in a secular Jewish household where Yiddish culture, history, and politics were a part of daily life. As a result, when I began reading (and eventually writing) science fiction and fantasy, I would take note if I found a novel or short story collection that reflected any of the many flavors of Judaism and Jewish culture. While it is not all I read or write about (I make my living as a tech journalist and I have very eclectic tastes in literature), I find that my curiosity is particularly piqued when confronted with a new book that covers both those genres.
Wandering Stars is a landmark anthology that should be the starting point for anyone interested in Jewish science fiction and fantasy. It contains a collection of incredible short stories; it’s nearly impossible to pick out the best. My own favorites include William Tenn’s “On Venus, Have We Got a Rabbi,” Avram Davidson’s “The Golem,” Harlan Ellison’s “I’m Looking for Kadak,” and Isaac Bashevitz Singer’s heartbreaking, “Jachid and Jechidah.”
Jewish science fiction and fantasy? Yes! The distinguished list of contributors includes: Bernard Malamud, Isaac Bashevis Singer, Isaac Asimov, Robert Silverberg, Harlan Ellison, Pamela Sargent, Avram Davidson, Geo. Alec Effinger, Horace L. Gold, Robert Sheckley, William Tenn, and Carol Carr.
William Tenn's futuristic story "On Venus, Have We Got A Rabbi" takes on the volatile issue of "Who is a Jew?"--a question certainly as timely in 1998 as he imagines it will be in 2533. Asimov's "Unto the Fourth Generation" takes on the issue of Jews as endangered species in America, a theme that is even more apparent today than…
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
Told as a series of movie reviews, A Short Film About Disappointment unfurls its dystopia gradually. A hacker attack kicks off a global multi-decade economic depression, and to prevent this from ever happening again the Internet is abolished and replaced with the “Betternet,” a neutered and highly censored version of the Internet. Personal screens are also banned in this nanny state, leading to a robust cinema culture that the unread reviewer wants to contribute to with a dense art film of his own. The hilarious capsule descriptions of eighty (fictional) films serve as an oblique way of introducing the world, while the numerous tangents of the writer “Noah Body” tell a personal story of love, filmmaking, and a literal haunting by an ex-friend.
An ingenious novel about art and revenge, insisting on your dreams and hitting on your doctor, told in the form of 80 movie reviews
In near-future America, film critic Noah Body uploads his reviews to an underread content aggregator. His job is dreary routine: watch, seethe, pan. He dreams of making his own film, free of the hackery of commercial cinema. Faced with writing on lousy movies for a website that no one reads, Noah smuggles into his reviews depictions of his troubled life on the margins.
Amid his movie reviews, we learn that his apartment in the vintage slum…
I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.
George Orwell is rightly famous for 1984 and Animal Farm. But I heartily recommend this book for its witty, gritty trudge through the social treacle of 1930s Britain. Orwell’s tale of Gordon Comstock, a young writer who embraces poverty in order to defeat the ‘money-god’, also foreshadows key themes of his later work.
Comstock has chucked in a well-paid job as a copywriter so he can write poetry. His disdain for the copywriter’s art allows Orwell to explore the emptiness of words yoked to advertising. ‘Vitamalt’, ‘Truweet’ and ‘Bovex’ are my favourites! Orwell, the journalist-novelist, is reliably strong on those under-the-skin details, from cheap cigarettes to the cost of lodgings in seedier parts of London.
A pre-cursor to his more famous works of Animal Farm and 1984, Keep the Aspidistra Flying is Orwell's social commentary on capitalism's constraints. Orwell captures the struggles of an aspiring writer with almost pitch-perfect attention to psychological detail, exploring the gulf between art and life. Gordon Comstock is a poor young man who works in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. He is determined to stay free of the "money world" of lucrative jobs, family responsibilities, and the kind of security symbolized by the homely aspidistra plant that sits in…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
This classic satire gripped me even though I only half-understood it. Whatever disaster befell my family, my mother used to assert it was surely for the best; so when, as an eye-rolling teenager, I found this on the reading list—Mum’s philosophy, tested in the real world—I was hooked.
Voltaire drags his dopey characters, led by the philosopher Pangloss, through every type of horror, war, famine, and earthquake. World events now keep driving me back to his conclusion: in an age of folly and random misfortune, the best you can do is to dig your garden. Tend your own patch.
OK, the eighteenth century was racist, sexist, and colonial… but perspective is what Voltaire is all about. Didn’t quite cure me of optimism, btw.
In Candide, Voltaire threw down an audacious challenge to the philosophical views of the Enlightenment to create one of the most glorious satires of the eighteenth century. His eponymous hero is an innocent young man whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the Baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own fortune. As he and his various companions roam over the world, an outrageous series of disasters - earthquakes, syphilis, the Inquisition - sorely test…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
While I grew up at the tail end of the Cold War, there was something in The Mouse that Roared that really spoke to me. The way that it takes an already absurd reality to an extreme really spoke to my own sensibilities and humor. History books tell the facts, but stories like this reflect how absurd the geopolitical culture must have felt to most people. It’s akin to Dr. Strangelove, not only in being a Cold War satire, but in the absurd and extreme nature of the farce. It influenced my own political satire heavily.
In Leonard Wibberley's classic political satire, a tiny backwards country decides the only way to survive a sudden economic downturn is to declare war on the United States and lose to get foreign aid - but things don't go according to plan.
The Mouse That Roared was made into a successful feature film starring Peter Sellers.
Books in The Grand Fenwick Series:
Books 2 through 5 are best read after The Mouse That Roared, but all of the books can be read and enjoyed at any point in the series.
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
Vonnegut has been one of my favorite authors for a long time, and this might be the first collection I read that wasn’t specifically for young readers. Some of the future-set stories like “Harrison Bergeron” and “Tomorrow and Tomorrow and Tomorrow” changed how I saw science fiction.
Welcome to the Monkey House introduced me to Vonnegut and to a love of short-story collections as a form, and it holds up remarkably well.
A MASTERFUL COLLECTION OF TWENTY-FIVE SHORT STORIES FROM THE INIMITABLE AUTHOR OF SLAUGHTERHOUSE 5, KURT VONNEGUT
'Vonnegut is George Orwell, Dr Caligari and Flash Gordon compounded into one writer...a zany but moral mad scientist' Time
A diabolical government asserts control by eliminating orgasms. A scientist discovers the secret to unlocking instant happiness, with unexpected consequences. In an America where everyone is equal every which way, a tennage boy plans to overthrow the system.
Welcome to the Monkey House gathers together twenty-five of Kurt Vonnegut's short stories from the 1950s and 1960s. Shot through with Vonnegut's singular humour, wit and bewilderment…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
This was the first book I’ve seen that re-oriented the United States within a cultural understanding of “the Americas,” a complete resituating of our usually conceived “unique” history. Doing this, Bolaño, a Chilean, puts our own fanatic, right-wing weirdos–religious fanatics, militarists, unhinged hyper-patriotic dictatorial aspirants–into a context where Americans can see ourselves in hemispheric context; these are political pathologies that have historically been seen as much throughout Central and South America as within our own borders.
I found this mind-blowing. This is a collection of fictional biographies, fantastically imagined and yet achingly familiar, and as relevant now as when it was first written more than two decades ago and translated and published in the US in 2009, such that our current politics seem almost pre-scripted by Bolaño’s vision.
Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.
Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which…