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While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Robert Sheckley was a major influence on me as he mixed SF and humor, sometimes broadly and sometimes darkly. This “best of” collection – on which I got to offer my suggestions as to what should be included – really is the cream of the crop. I will always be grateful that I had the chance to meet him while he was still with us… and that before I could say a word, he thanked me for a blurb I did on another collection of his works. It was the perfect fanboy moment.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Laumer’s satirical books about Jame Retief, a functionary in Corps Diplomatique Terrestrienne, were inspired by his real-life career in the U.S. Foreign Service. They don’t have to be read in any order and mix short stories (as in this collection) and novels. Much of the humor comes from Retief ignoring the diplomatic niceties in dealing with the problems involving Earth and various alien races.
The first-ever collection of Retief stories by Keith Laumer. Includes "Protocol," "Sealed Orders," "Cultural Exchange," "Aide Memoire," "Policy," and "Palace Revolution."
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Brown was another author who mixed SF and humor. Here he stood the alien invasion premise on its head. Instead of spaceships from an advanced civilization laying waste to our great cities, Brown wonders how we’d react if the invaders weren’t interested in mass murder or enslaving humanity but simply annoying the hell out of us. His little green men from Mars enjoy insulting and pestering Earthlings. After a while, “War of the Worlds” might be a preferable encounter.
THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!
Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last.
It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I grew up in a secular Jewish household where Yiddish culture, history, and politics were a part of daily life. As a result, when I began reading (and eventually writing) science fiction and fantasy, I would take note if I found a novel or short story collection that reflected any of the many flavors of Judaism and Jewish culture. While it is not all I read or write about (I make my living as a tech journalist and I have very eclectic tastes in literature), I find that my curiosity is particularly piqued when confronted with a new book that covers both those genres.
Wandering Stars is a landmark anthology that should be the starting point for anyone interested in Jewish science fiction and fantasy. It contains a collection of incredible short stories; it’s nearly impossible to pick out the best. My own favorites include William Tenn’s “On Venus, Have We Got a Rabbi,” Avram Davidson’s “The Golem,” Harlan Ellison’s “I’m Looking for Kadak,” and Isaac Bashevitz Singer’s heartbreaking, “Jachid and Jechidah.”
Jewish science fiction and fantasy? Yes! The distinguished list of contributors includes: Bernard Malamud, Isaac Bashevis Singer, Isaac Asimov, Robert Silverberg, Harlan Ellison, Pamela Sargent, Avram Davidson, Geo. Alec Effinger, Horace L. Gold, Robert Sheckley, William Tenn, and Carol Carr.
William Tenn's futuristic story "On Venus, Have We Got A Rabbi" takes on the volatile issue of "Who is a Jew?"--a question certainly as timely in 1998 as he imagines it will be in 2533. Asimov's "Unto the Fourth Generation" takes on the issue of Jews as endangered species in America, a theme that is even more apparent today than…
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
This was the first book I’ve seen that re-oriented the United States within a cultural understanding of “the Americas,” a complete resituating of our usually conceived “unique” history. Doing this, Bolaño, a Chilean, puts our own fanatic, right-wing weirdos–religious fanatics, militarists, unhinged hyper-patriotic dictatorial aspirants–into a context where Americans can see ourselves in hemispheric context; these are political pathologies that have historically been seen as much throughout Central and South America as within our own borders.
I found this mind-blowing. This is a collection of fictional biographies, fantastically imagined and yet achingly familiar, and as relevant now as when it was first written more than two decades ago and translated and published in the US in 2009, such that our current politics seem almost pre-scripted by Bolaño’s vision.
Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.
Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes…
I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.
The Short and Incredibly Happy Life of Riley is a book that, well, the first time I read it my mind was blown. This is a self-help book for all humans in a picture book. It takes our thirst to live forever, to always want more, be more, see more, do more, look better, and compares that with the wonderful Riley, who is happy with some fruit and maybe a couple of slugs on Tuesday or Friday.
He likes a little stick that can scratch his back.
He looks like Riley. Why would he want to look like anything else?
This is a beautifully written and illustrated book on being grateful for what we have.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
Francis Plug is a drunken fictional author crashing literary festivals, manufacturing chaos in whichever space he steps into, collecting autographs of “real writers,” and offering absurd wisdom on how to behave like a proper prize-winning novelist.
It’s satire for writers and readers who love the literary world... and love to roast it, too.
How To Be A Public Author is a novel all about the Man Booker, using the prize as a springboard to explore what it means to be an author - and a human being - in the 21st century. It documents a series of fictitious happenings at real author events, as visited by the wonderful anti-hero Francis Plug - a troubled and often drunk misfit who causes chaos and confusion wherever he goes. Inventive, funny and moving, How To Be A Public Author is both a brilliant slapstick comedy and a surprising and touching meditation on loneliness.
As an independent traveller, and throughout a career supporting international nature conservation, I’ve been fortunate to see many far-flung places of the world. Over the years, technology (eg. smartphones, internet, social media) has radically changed the way we travel, and indeed our expectations. Nowadays we want instant access, instant answers, instant results; we hate waiting for anything. However, long-haul travel still demands us to wait... in airport lounges, at train stations, bus stops, and onboard our transport while we endure long hours before reaching our destination. While some aspects have changed, patience, humour, and a good book still remain the best companions for any long journey.
For any long-haul flight, Tom Sharpe is one of my go-to authors; he encapsulates British wit at its finest. Of the many that I’ve read, I probably feel the greatest connection to Porterhouse Blue. Having experienced Oxbridge undergraduate life for myself, this book revives so many memories. The main characters are so beautifully crafted and relatable. The resemblance of lead character Skullion to a porter at my old college is uncanny. As for Zipser the undergrad... well, having also been ‘romantically frustrated’ in my own college days, I have great empathy for him... including his fixation for the buxom bedder on his staircase.
______________________________ The 'endlessly funny' novel widely regarded as a classic of comic English literature
Porterhouse College is world renowned for its gastronomic excellence, the arrogance of its Fellows, its academic mediocrity and the social cache it confers on the athletic sons of country families.
Sir Godber Evans, ex-Cabinet Minister and the new Master, is determined to change all this. Spurred on by his politically angular wife, Lady Mary, he challenges the established order and provokes the wrath of the Dean, the Senior Tutor, the Bursar and, most intransigent of all, Skullion the Head Porter - with hilarious and catastrophic results.
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Once again, I’d never read anything like it before. He was having a conversation with me. I was now a character in an Amsterdam bar with him, the war had just ended, we were smoking cigarettes and drinking gin.
He would respond to my silent questions, and wax and wane philosophically, metaphysically, morally, ethically, and occasionally comically.
And the beauty was that it had happened so randomly—a roommate had thrown the book in the trash, declaring it to be “bullshit.” I knew the lad to be an imbecile (an acceptable term at the time), so I fished the book out of the trash, read the first sentence, and loved it.
It was the quantumly entangled counter particle to Candide: one particle from the age of reason, the other particle from the age of existentialism.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book taught me that you can surf the line between realism and the incredible (even the ridiculous). The main character, Oedipa Maas, is my favorite heroine because of her openness to every tantalizing possibility (and the possibilities keep ramifying infinitely).
Everything in this book is both fully a symbol and fully itself.
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.