Books like The Mosaic of Shadows — picked by fans

I loved Kerr’s decision to view Berlin through the eyes of his PI Bernie Gunther because I’m seeing fascism through the eyes of a protagonist who cares little about an ideology he recognizes as flawed.

It creates an interesting tension for the character—a strategic loyalty, a quiet resistance to something he knows he can’t topple, so he remains himself—true to his own personality. I love the arc Kerr creates that had me locked into his noir world.

I dove into this book because I wanted to know about the Napoleonic Wars and was surprised that a historian could write so well. The points are clear, and the anecdotes are appropriate, not just gimmicks. I liked how the small fact was connected to the big point about how mass mobilization changed the nature of war and made it more penetrating and inescapable.

I saw the French levée en masse and the massacres of the Vendée and Goya’s Spain in new light. It made me want to hear more about the colonial wars like Haiti.

I love historical fiction, and this one is just great. It brings to life a past and a place, and I was engrossed by the revolutionary personalities, shocked by the callousness of the colonial masters, and bewildered by the scale and intensity of the violence.

They were all messy, and only the largest stakes could let me make a judgment about good and evil. It was, in the end, a fight for freedom. Toussaint Louverture was always one of my heroes, and here he is humanized, with all justice done to his leadership and foresight.

I was impressed by how she used one life to tell the story of a whole Empire. I learned and I also relaxed as she took me through the Ottoman Empire and showed me how people could be cosmopolitan and tolerant.

I had grown up with stories of violent Turks, and here I had people doing what they could to keep the peace and keep the empire together. It was a different world. We know that they failed, and we should wonder why.

A solid grasp of crusading geography is essential for anyone who wishes to understand these complex holy wars, and this book is unsurpassed in providing such information in a clear and comprehensible manner. Its many maps and charts, each beautifully drawn and accompanied by insightful commentary and, in most cases, relevant illustrations and excerpts from primary sources, make this an indispensable resource that belongs in every crusade historian’s library. If you can find a used copy of this out-of-print treasure, buy it without hesitation. Be careful, there is another so-called atlas of the crusades out there by someone who is not a crusade historian, and it is filled with numerous errors.   

I have always been fascinated by medieval history, but I became interested in this particular era after reading this book and learning about the German Order of Swordbrothers (Schwertbrüderorden). 

What intrigued me was that they were a small Order, not very pious or saintly. They were unorthodox and argued constantly with Bishop Albert, the leader of the Christian mission. They were a rough and ready lot, acting more like brigands than warrior monks. One of the brothers murdered the first master, and they locked up their second master when he tried to exert more control over their behavior. Over time, they were accused of almost every crime.

I loved Christiansen’s book, which opened a new world of discovery. He writes in a witty, easy-to-read style that hooked me from the beginning.

Not many books set in the Middle Ages manage to incorporate “contemporary” concerns within their narrative such as racism and identity – but I like this book for doing just that!

With the action moving from England to the Holy Land, this book tells the story of two very different boys – one in the service of an English knight who joins a crusading army to recapture Jerusalem from Muslim armies, the other a doctor’s apprentice who works in the camp of the Muslim commander, Saladin.

A long but absorbing read that I enjoyed for its vivid recreation of the era, and for its investigation of how the Crusades are viewed from a non-European perspective.

Readers may be familiar with The Arabian Nights, the source material behind this fascinating novel. Yet, what distinguishes Jamila Ahmed’s retelling is her focus on the famed storyteller, Shaherazade, whose exposure of the Seljuk king’s wife’s infidelity sets in motion a violent chain of events in twelfth-century Persia.

In lush, sensuous prose, Ahmed fills this vividly imagined, action-packed novel with compelling characters and labyrinthine tales within tales populated with mythical adventurers and creatures with magical powers.

The elaborate, psychologically complex portrait of Shaherazade at the heart of the novel celebrates the power of storytelling while paying homage to the agency of the storyteller.

This lavishly illustrated book focuses on the crusades’ material objects: sculptures, paintings, manuscripts, architecture, coinage, and even jewelry. As historical evidence, artifacts are as important as documents, and these carefully chosen items provide privileged insights into the largely-shared crusader worldview and sense of mission. They further illuminate the complex relationships that developed between crusaders and the many foreign cultures with which they came into contact.  

This remarkable ‘novel’ opens (and closes) with the author being given a journal written by Roger, Duke of Lunel, ‘l’Escrivel’, from whom he claims to be descended. This diary forms the bulk of the novel, and it seems to be a translation of a real diary, an intimate and detailed account of the penitent Roger’s journey to Jerusalem in company with other pilgrims on the First Crusade. At times poetic and beautiful, Roger lays bare his innermost reflections on his faith, his sexuality, his guilty love for his friend’s wife, and his search for his soul and for redemption. In excruciating detail, we also learn of the venality, ambition, and greed of those in charge of the various crusader armies who seek power and position in their conquered territories, and the absolute brutality of the conquering crusaders who, in the name of Christ, slaughter, behead and burn all those men,… show more.