Books like Every Rising Sun

In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.

Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist. 

Today’s book-banning efforts replicate the dynamics of past political and religious upheavals when books were destroyed, including thousands of medieval manuscripts, many written by women.

Among those that survived were two mystical treatises: The Book of Margery Kempe discovered by chance in the 1930s in a dusty cupboard on an English country estate, and Julian of Norwich’s Revelations of Divine Love, given its first complete printing in 1901.

Victoria MacKenzie’s delicate, meditative novel evokes the lives of the two female mystics who authored these texts. In exquisite, spare prose, she conjures the distinctive voices of Margery and Julian, two souls seeking solace from the crushing orthodoxy threatening to envelop them.

Read this book slowly, in a quiet place.

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

This book fueled my feminist rage and left me thinking about it for months after I put it down.

Unapologetically pro-women, Marmery challenges some of the patriarchy’s most sacred foundations. I love the courage of this book. It’s an intimate read but somehow also feels large and distant. For me, this one is a ca n’t-miss read that makes you think, wonder, and fume.

Warriors of God is an up-close and very personal deep dive with two legendary players during the Third Crusade, Richard the Lionheart and Saladin as they battle for the Holy Land. We dive headfirst into each ruler’s accession to power and how they clashed over the sands of the Levant. The novel is as gripping as it is profound, and I would highly recommend it to anyone seeking to further their knowledge and understanding of the crusades and their impact on our world today. However, it should be noted that while “history” tends to cross the line into fiction at times. Warriors of God is the only non-fiction history novel on this list. I feel that the narrative and story are strong enough to be read for knowledge and entertainment.

This remarkable ‘novel’ opens (and closes) with the author being given a journal written by Roger, Duke of Lunel, ‘l’Escrivel’, from whom he claims to be descended. This diary forms the bulk of the novel, and it seems to be a translation of a real diary, an intimate and detailed account of the penitent Roger’s journey to Jerusalem in company with other pilgrims on the First Crusade. At times poetic and beautiful, Roger lays bare his innermost reflections on his faith, his sexuality, his guilty love for his friend’s wife, and his search for his soul and for redemption. In excruciating detail, we also learn of the venality, ambition, and greed of those in charge of the various crusader armies who seek power and position in their conquered territories, and the absolute brutality of the conquering crusaders who, in the name of Christ, slaughter, behead and burn all those men,… show more.

I remember picking this book up at a conference when I was a doctoral student, and it ignited a passion that has come to define my career. I had previously seen the crusades as dry, tedious lists of battles and military campaigns, but Adrian’s book opened new doors to understanding the societies created by the crusading movement in the Levant. Now in its second edition, this impressive volume remains the go-to work for the flourishing archaeology of the crusader states. Everything from ceramics and coins, to tombs, houses, churches, monasteries, castles, towns, farms, and industrial installations is covered. I have taught the archaeology of crusading for many years, and this book has always been at the top of my reading lists. It also inspired me to write my own book on Prussia.

The subtitle gives it away—this is my (and, I’m guessing, most other medieval military historians’) go-to book for that most famous of crusades. France masterfully combines a captivating narrative with abundant historical detail, keen tactical/operational/strategic analyses, and expert interpretation. Each chapter is a delight, but not to be missed is France’s discussion of medieval generalship, his close study of army sizes, and especially the three full chapters on the fighting in and around Antioch in 1097-1098—which still constitute the best scholarly treatment of the events there. Despite a rash of newer works on the First Crusade over the last three decades, this remains the standard treatment for those interested in the war’s martial contours.

Study of the ins and outs, the steps and missteps of a particular crusade allow us to move from the general to the particular and to view closeup the choices and actions of participants who lacked our 20-20 hindsight. No crusade was more beset by unforeseen circumstances and miscalculations than the Fourth Crusade (1202-04), which left Venice headed for an amphibious assault on Muslim-held Egypt but wound up capturing Christian Constantinople not once but twice and establishing the Latin Empire of Constantinople (1204-61). This classic in-depth but never dull book puts a human face on that crusade and brings alive its numerous twists and turns. History is intrinsically exciting, and Queller and Madden’s enthusiasm does full justice to that fact. 

Hillenbrand does for counter-crusading Islam what Tyerman does for crusading Latin Christianity. This book is chock full of images of objects illustrating the rich variety of cultures embraced by medieval Islam. But beyond that, it is the single best book in English on Islam in the Age of the Crusades. Topics covered in detail, but always in a reader-friendly style, range from Muslim ethnic and religious stereotypes of Westerners to the evolution of jihad as a principle and a reality before and during the crusading era. No serious student of the crusades should overlook this important contribution to crusade studies.