Here are 100 books that Biography of an Empire fans have personally recommended if you like
Biography of an Empire.
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The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved Kerr’s decision to view Berlin through the eyes of his PI Bernie Gunther because I’m seeing fascism through the eyes of a protagonist who cares little about an ideology he recognizes as flawed.
It creates an interesting tension for the character—a strategic loyalty, a quiet resistance to something he knows he can’t topple, so he remains himself—true to his own personality. I love the arc Kerr creates that had me locked into his noir world.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I've loved the past since I was a kid. I dug up ancient artifacts in Greece, followed paths to abandoned sites, and read a lot. By the time I went to university I knew I would do history. How did I know? When I wrote, the rest of the world disappeared, and so did time. At dawn, as a university student in Montreal, I would stub out my last cigarette and visit the nearby diner, where the owner gave me extra portions of Salisbury steak. And then, I just went on to three more universities on two continents and became a Russian specialist. Now I’m also a Greek specialist. It’s been hard to visit Russia and I needed a change.
I dove into this book because I wanted to know about the Napoleonic Wars and was surprised that a historian could write so well. The points are clear, and the anecdotes are appropriate, not just gimmicks. I liked how the small fact was connected to the big point about how mass mobilization changed the nature of war and made it more penetrating and inescapable.
I saw the French levée en masse and the massacres of the Vendée and Goya’s Spain in new light. It made me want to hear more about the colonial wars like Haiti.
World War I has been called 'the war to end all wars', the first time combatants were mobilized on a massive scale to ruthlessly destroy an enemy. But as David A. Bell argues in this tour de force of interpretive history, the Great War was not, in fact, the first total war. For this, we need to travel back to the era of muskets and sailing ships, the age of Napoleon. According to Bell, it was then that warfare was transformed into the hideous spectacle that seems ever present today. Indeed, nearly every modern aspect of war took root in…
I've loved the past since I was a kid. I dug up ancient artifacts in Greece, followed paths to abandoned sites, and read a lot. By the time I went to university I knew I would do history. How did I know? When I wrote, the rest of the world disappeared, and so did time. At dawn, as a university student in Montreal, I would stub out my last cigarette and visit the nearby diner, where the owner gave me extra portions of Salisbury steak. And then, I just went on to three more universities on two continents and became a Russian specialist. Now I’m also a Greek specialist. It’s been hard to visit Russia and I needed a change.
I love historical fiction, and this one is just great. It brings to life a past and a place, and I was engrossed by the revolutionary personalities, shocked by the callousness of the colonial masters, and bewildered by the scale and intensity of the violence.
They were all messy, and only the largest stakes could let me make a judgment about good and evil. It was, in the end, a fight for freedom. Toussaint Louverture was always one of my heroes, and here he is humanized, with all justice done to his leadership and foresight.
"A serious historical novel that reads like a dream." --The Washington Post Book World
"One of the most spohisticated fictional treatments of the enduring themes of class, color, and freedom." --San Francisco Chronicle
NATIONAL BOOK AWARD FINALIST PEN/FAULKNER AWARD FINALIST
This first installment of the epic Haitian trilogy brings to life a decisive moment in the history of race, class, and colonialism. The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I've loved the past since I was a kid. I dug up ancient artifacts in Greece, followed paths to abandoned sites, and read a lot. By the time I went to university I knew I would do history. How did I know? When I wrote, the rest of the world disappeared, and so did time. At dawn, as a university student in Montreal, I would stub out my last cigarette and visit the nearby diner, where the owner gave me extra portions of Salisbury steak. And then, I just went on to three more universities on two continents and became a Russian specialist. Now I’m also a Greek specialist. It’s been hard to visit Russia and I needed a change.
I’m interested in empires, Crusades, and Greeks and I found it all in this book. I admire the research and the way this past comes alive with detail. I was drawn to the detective’s sense of duty to his autocrat and yet duty to himself to find the truth. I also find it a novel way to look at religiosity because all the characters are Christians, mostly Orthodox.
Most of the Catholics are crusaders, and I’m tired of the usual heroic depiction, and after reading, I’m more satisfied with this gang of fortune-seekers who were capable of great destruction. It was believable.
Perfect for fans of Conn Iggulden, Lindsey Davis, Steven Pressfield, this breathtaking and captivating novel brings the Crusades to life in all their triumphant and tragic glory.
'Gripping from the first page, the reader is swept up in this colourful and convincing portrayal of an Emperor and his realm under siege.' - Ink 'Superb read. Thoroughly enjoyed it' -- ***** Reader review 'Highly enjoyable read' -- ***** Reader review 'Brilliant.' -- ***** Reader review 'Holds your interest from [the first] to the last page' -- ***** Reader review
******************************************************************** AN ASSASSIN IS ON THE LOOSE...AND AN EMPIRE STANDS IN PERIL
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Kafadar’s classic is a compelling prose unraveling the sources and fundamentals of the Ottoman state. It helps navigate the state’s existentialist search for order between Europe and the Orient. I like this book also because it comes from a culturally versed author well trained in multiple countries, disciplines, and traditions. Its focus on early conversations makes it one of my top picks in the Ottoman Empire and the Wider World.
This text analyzes medieval as well as modern historiography from the perspective of a cultural historian, demonstrating how ethnic, tribal, linguistic, religious and political affiliations were all at play in the struggle for power in Anatolia and the Balkans during the late Middle Ages. This examination of the rise of the Ottoman Empire - the longest-lived political entity in human history - shows the transformation of a tiny frontier enterprise into a centralized imperial state that saw itself as both leader of the world's Muslims and heir to the Eastern Roman Empire.
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
My primary field in history is Spain, over which I have published six books. However, I became interested in the Middle East when the US Army deployed me to Iraq in 2004. Although I had taught the history of the region, experiencing war and reconstruction for myself, and spending time in Iraq, Kuwait, and Qatar made the Middle East come alive to me. I wrote Undoing Saddam, my war diary, during my Iraq tour.I followed up that work with a textbook on Arabia, articles on the Ottoman Empire, and plans for future projects on the region, both on its own and in relation to early modern and modern Spain.
It may seem odd to recommend a book focused on a fifteen-year period, in the midst of a region that boasts many thousands of years of history. However, the collapse of the Ottoman Empire echoed across the Middle East in ways we are just beginning to understand. Having traveled to Turkey and many nations in this region, I’ve encountered historic sites, political quandaries, border conflicts, and ethnic troubles that can only be understood with the end of the Ottomans in mind. McMeekin does an exemplary job of viewing the Ottoman ending in the context of local challenges, global warfare, rising nationalism, and economic pressures in all directions. I had many “so that’s why that is the way it is” moments, and also enjoyed the gripping read.
'An outstanding history ... one of the best writers on the First World War' Simon Sebag Montefiore
Shortlisted for the Duke of Westminster Medal for Military Literature
The Ottoman Endgame is the first, and definitive, single-volume history of the Ottoman empire's agonising war for survival. Beginning with Italy's invasion of Ottoman Tripoli in September 1911, the Empire was in a permanent state of emergency, with hardly a frontier not under direct threat. Assailed by enemies on all sides, the Empire-which had for generations been assumed to be a rotten shell-proved to be strikingly resilient, beating off major attacks at Gallipoli…
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
This lavishly-illustrated volume takes a broad look at Ottoman culinary culture, holding up a mirror to the empire as reflected in the food and foodways of its people, from sultans to commoners. It offers a sweeping panorama of the evolution of culinary traditions that drew on the practices of the many societies inhabiting the Ottoman lands. The author lives in and travels widely in Turkey, encountering dishes that have ancient roots and finding food-related customs that survive until the present day. This is no book of recipes, but a compendium of richer food for thought.
The Ottoman Empire was one of the largest and longest-lasting empires in history. In this powerful and complex empire, the production and consumption of food reflected the lives of people from sultans to soldiers. Food bound people of different classes and background together, defining identity and serving symbolic functions in the social, religious, political and military spheres. Bountiful Empire: A History of Ottoman Cuisine examines the foodways of the Ottoman Empire as they changed and evolved over more than five centuries. The book starts with an overview of the earlier culinary traditions in which Ottoman cuisine was rooted, such as…
I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
Hot off the press, and building on the success of Aksan's earlier volume on the later Ottoman empire, this book charts the transformation of this once-formidable state into a colonial client of Britain, France, Germany, and Russia. It traces the lives of friends and foes of the Ottomans who witnessed the rise and fall of a constitutional experiment in an era of shrinking borders, global consciousness, ethno-religious nationalism, and revolutionary fervour. The narrative's primary focus is on those who negotiated with, fought for, defended, and finally challenged the sultan and the system in its final days just prior to WWI, resulting in a legacy of international relations and communal violence that continues into the present.
The chronology has been extended to 1918 to cover the end of the Ottoman Empire which provides students with the whole picture of the rise and fall of the Empire.
An introductory chapter giving an overview of the whole period, perfect for lecturers to assign as an introductory reading to their course, enabling students of all levels and understanding to be on the same level for their course.
More on society and how war and militarisation affected Ottoman society which provides students with the social as well as the military history giving a fuller picture of the period.
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Focusing on the period beginning with 1571’s epic battle of Lepanto and extending through the so-called “Northern Invasion” of the English and the Dutch into the Mediterranean, this book examines the central role piracy played in the emergence of an “Ottoman Mediterranean” as a legal space shaped by multiple, ever-shifting factors. In this wide-ranging and beautifully written study, archival sources spanning both religious and imperial spheres of law become windows onto the astonishing complexity of an early modern Mediterranean in which there were “no hard and fast lines separating Christian and Muslim spheres, but rather a culture of legal pluralism in which merchants, travelers, and seamen took advantage of multiple overlapping jurisdictions.” Evocatively written, blending narrative and analysis, White brings this exciting age to vivid life.
The 1570s marked the beginning of an age of pervasive piracy in the Mediterranean that persisted into the eighteenth century. Nowhere was more inviting to pirates than the Ottoman-dominated eastern Mediterranean. In this bustling maritime ecosystem, weak imperial defenses and permissive politics made piracy possible, while robust trade made it profitable. By 1700, the limits of the Ottoman Mediterranean were defined not by Ottoman territorial sovereignty or naval supremacy, but by the reach of imperial law, which had been indelibly shaped by the challenge of piracy.
Piracy and Law in the Ottoman Mediterranean is the first book to examine…