100 Books Like The Mind of the South

It’s hard to know quite where to begin with this book–there is so much to love.

This book tells the story of the Great Migration of African American people out of the South across the United States to Chicago, New York, California, and beyond; it transforms and fills in a crucial part of American history that every American should know to understand our present day. But for me, what I love most starts with the way Isabel Wilkerson cares for people’s stories. 

Wilkerson tells this decades-long, sweeping, under-told story through individual stories that are so detailed and compelling, so thoroughly contextualized with historical research, that I was completely enmeshed in these people’s lives, their struggles, their loves, and their feelings. I cared. In the years since I read it, stories from the book often come to my mind, teaching and guiding me like the words of a beloved relative. 

I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.

This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?

Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.

C. Vann Woodward easily ranks as the greatest historian of the American South to date, and his pre-eminence in the field was already established when this volume of his essays first appeared in 1960. Woodward's masterful sense of irony permeates this collection, in which he offers original alternative perspectives on the South's experience both within and apart from the nation's experience. The essays themselves were also marked by a literary grace rarely found in historical writing of any era. Though Flannery O'Connor was hardly given to praising southern writers not named Faulkner, after devouring the collection, she reported to a friend that she had "taken up reading C. Vann Woodward" because "this man knows how to write English."

In this intriguing and highly readable book, Gavin Wright essentially explores both the immediate and long-term economic consequences of slavery for the South. In doing so, he makes a persuasive case that, for the greatest part of its history, much of what passed for a distinctive southern culture and mindset can also be understood as a function of the persistence of its distinctive low-wage regional economy.

Smith, professor of communications at the University of Arkansas, examines the stories that Southerners have told about themselves—the “myths” of the South. The Old South/Lost Cause/New South myths “controlled Southern culture and Southern rhetoric for one hundred fifty years,” he argues, but by the mid-twentieth century, the strain between myth and reality finally became too great and “a period of mythic confusion,” ensued. By the 1970s, however, Southern artists, scholars, journalists, politicians, and preachers—both Black and white—had forged a new myth, based on the themes of distinctiveness, racial civility, and community. When Smith wrote, he was confident that there will always be some myth of the South, that it won’t become a mere quadrant of the U.S. with a "dysfunctional amythic culture." We shall see.

No book was more fundamental in shaping and revolutionizing our understanding of the mores and values of the Antebellum South than Bertram Wyatt-Brown’s Southern Honor. Using legal documents, letters, diaries, and newspaper columns, this book reveals how the South’s honor system shaped and influenced how southerners lived, worked, and fought with one another. “Primal Honor” also influenced the way that Southerners made, enforced, or did not enforce the law.  Southern men adopted an ancient honor code that shaped their society from top to bottom. By claiming honor and dreading shame, they controlled their slaves, ruled their households, established the social rankings of themselves, kinfolk, and neighbors, and responded ferociously against perceived threats. Honor required men to demonstrate their prowess and engage in fierce defense of the individual, family, community, and regional reputation by duel, physical encounter, or war. Subordination of African-Americans was uppermost in this Southern ethic. Any threat, whether… show more.

Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.

I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.

Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”? 

Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartram’s Travels in American literature.

This novel by one of my favorite writers, the late, great Paul Hemphill – an icon of journalism and storytelling in the American South – is a hilarious, vaguely autobiographical story of life in the low minor leagues. Hemphill perfectly captures the language, grit, rhythm, and flow of minor league baseball in the mid-1950s, touching on issues of worker’s rights, segregation, sex, love, teamwork, and courage, without preaching or being sentimental.

My favorite moment in the book (and the terrific HBO movie version, starring William Peterson and Virginia Madsen) is when a Klan roadblock stops the Stogies’ team bus because they want to lynch the team’s star catcher, Joe Louis Brown, the only black player in the league – one the Stogies suggests, “let ‘em hang Whisenant, he’s only batting .179.”

Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.

Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.

But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.

This beautiful and cheap edition is a godsend and everyone should buy it.