100 Books Like Long Gone

This book was the first (many followed since this book’s publication in the early 1970s) that broke the sacred rule of major league baseball to whit: “What happens in the locker room stays in the locker room.” Major league pitcher Jim Bouton wrote about his descent from a coveted, fireballing starting pitcher on champion New York Yankees’ teams and his attempt to regain a place in MLB by transitioning to a knuckleball pitcher.

Along the way, he talks about what he saw and heard from and about his teammates and opposing players. His revelations about Mickey Mantle, in particular, made major headlines and caused him to be excluded from Yankee Old Timers Day celebrations until the last years of his life.

In the 1960s, Ritter interviewed a bunch of guys who played major league ball in the early days, from the 1890s through the 1930s (or so), with lots of stuff from the Deadball Era. The result is this marvelous book filled with priceless tales told by the men who knew, played with (and occasionally fought with) Ty Cobb, Cy Young, Nap Lajoie, and the immortals from that era. Anyone who wants to understand what baseball was like in 1903, or there-and-then-about, must read this book. Reading this book is like sitting on a porch in a rocking chair next to grandpa while he tells stories that you actually want to hear.

This has some of my favorite stuff in it: old-time baseball and time travel. A really clever, adventurous, and fun novel, with a great cast of characters, including some fictional and some from history, like the Cincinnati Red Stockings of 1869 (when the story takes place) and Mark Twain, and why not – this is, in some ways, a baseball version of Twain’s A Connecticut Yankee In King Arthur’s Court. The book’s protagonist, a 20th-century journalist, Sam Fowler, lands in 1869 Cincinnati and winds up helping the city’s legendary professional ball club. Brock wrote a sequel some years later and it was good, too, but this one about the 1869 season is one I intend to read again.

This is one of those non-fiction books that reads like a novel. I wanted to keep turning the pages to follow the action and learn what it revealed about the characters. Technically the book covers more than a single season, but its nexus in the Brooklyn Dodgers’s 1955 season justified it as a selection for this category.

Roger Kahn gave us a classic that reads with the same urgency today as it did decades ago.

As a fiction author who investigates the Southern Jewish Experience as it transects with the African American one, I’ve found the work of Eli Evans indispensible. This collection of essays highlights Evans’ Civil Rights Era bona fides, his work in the LBJ administration as speech writer, his trip with Henry Kissinger to the Middle East. But it is also a book at its most personal and insightful when it celebrates small-town Southern life and the Southern Jew’s place in it. In the title essay Christian neighbors, both Black and white, are at church or enjoying Sunday supper after church, which leaves the often isolated Jewish children with little to do. An experimental fishing trip with his father on one such Sunday warms the heart and brings a smile. It’s worth the price of the book entire.

Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartram’s Travels in American literature.

This book paints a vivid picture of the symbiotic relationship between 19th-century Southern slave masters and the people they enslaved. It also underscores the fact that for oppressed Black people, allies and enemies came in all colors.

The protagonist, Hiram Walker, is a child prodigy whose intellect and ambition make him poorly suited for a life of servitude. Significantly, Coates speaks to the obligation to “reach back” which those who have achieved a measure of physical, spiritual, or intellectual freedom owe to those who are still enslaved.

Harriet Tubman plays an important role in his narrative because she embodies that ideal.

Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.

Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.

But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.

This beautiful and cheap edition is a godsend and everyone should buy it. 

This classic short story by Flannery O'Connor follows a family on a road trip through the South.

Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.

Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”

Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.

I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.

Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”?