Here are 100 books that Bartram's Living Legacy fans have personally recommended if you like
Bartram's Living Legacy.
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I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
“The face that launched a thousand ships,” as Homer would say. Pollan’s witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century “critical plant studies” in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history – the old cottages and churches, local traditions and place names. It’s no accident I became a rural historian! I’m captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.
More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences.
The Chiltern beechwoods I’ve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.
From its earliest origins to the present day, this award-winning, beautifully written book describes the endlessly changing character of Britain's countryside.
'A classic' Richard Mabey
Exploring the natural and man-made features of the land - fields, highways, hedgerows, fens, marshes, rivers, heaths, coasts, woods and wood pastures - he shows conclusively and unforgettably how they have developed over the centuries. In doing so, he covers a wealth of related subjects to provide a fascinating account of the sometimes subtle and sometimes radical ways in which people, fauna, flora, climate, soils and other physical conditions have played their part in the…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
I love comics of all kinds, so found it impossible to resist Andrea Wulf’s idea of adapting her popular biography of ecological pioneer Von Humboldt to the graphic form. Illustrator Lillian Melcher combines her comic chops and inventive design sense with Von Humboldt’s own drawings, maps, and specimen papers to create a book that truly enhances Wulf’s scholarly investigations. Plus it’s so much fun.
From the New York Times bestselling author of The Invention of Nature, comes a breathtakingly illustrated and brilliantly evocative recounting of Alexander Von Humboldt's five year expedition in South America.
Alexander von Humboldt (1769-1859) was an intrepid explorer and the most famous scientist of his age. His restless life was packed with adventure and discovery, but his most revolutionary idea was a radical vision of nature as a complex and interconnected global force that does not exist for the use of humankind alone. His theories and ideas were profoundly influenced by a…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this classic account, the botanist William Bartram records his exploration of the southern wilderness just before the American Revolution. He portrays the wilderness and the flora and fauna and Indigenous people before white settlement. While researching and writing Boone I referred again and again to his poetic descriptions. Bartram is an inspiration.
This is the first inexpensive, illustrated edition of one of the most delightful books of the 18th century. A major source work in American geography, anthropology, and natural history, it contains accurate and entertaining descriptions of the area of the New World now embraced by Florida, Georgia and the Carolinas. From 1773 to 1778, William Bartram, a trained naturalist, traveled through southern North America, noting the characteristics of almost everything he encountered: the rivers of Florida, the groves of wild oranges, the swamps and lagoons, the fish, the tropical snakes and reptiles, the land and aquatic birds, the Cherokee Indians'…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of ""true"" native Americans.
Thomas Jefferson's pioneering archaeology concluded that the earthen mounds were…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
When I give talks about Jackson, audience members often bring up his “adoption” of Lyncoya, a Creek Indian boy, as an argument against his racist and violent treatment of Native Americans. Peterson delves into that episode, and similar events in the lives of Jackson and men like him, to explain what elite white “adoption” of Native children actually meant and how it reflected larger national themes of acquisition and subjugation.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an "unusual sympathy," Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building.
As the United States aggressively expanded into Indian…
I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
The greatest living travel writer? In my opinion, yes, and his books get better and better. After enjoying his adventures all over the world it was fascinating to see him turn to his own country. He originally intended to drive to the Deep South once in each season of the year, but the conditions and people he encountered kept him going back for much longer. It’s a raw portrait of a part of America that is poorer than many third-world countries but is also rich in history, in compassion, in music, in food, and in characters. Theroux’s gift, as with all the best travel writing, is that he listens to them. I’ve traveled a lot in the Deep South myself, but not to the places that Theroux uncovers.
Acclaimed and beloved travel writer Paul Theroux turns his attention to his own country - America - for the first time in Deep South
For the past fifty years, Paul Theroux has travelled to the far corners of the earth - to China, India, Africa, the Pacific Islands, South America, Russia, and elsewhere - and brought them to life in his cool, exacting prose. In Deep South he turns his gaze to a region much closer to his home.
Travelling through North and South Carolina, Georgia, Tennessee, Mississippi, Alabama and Arkansas, Paul Theroux writes of…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.
They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.
In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.
His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
After receiving my Ph.D. in history, I spent the next forty years teaching courses in Southern history and culture. Over that span, I somehow managed to publish roughly a dozen books and fifty articles focusing on the American South. All of this is to say that I have been involved in the "Making Sense of the South" business for quite a while now. This may help to account for the historic vintage of most of the books I list below, I suppose. Yet it should not imply that I am either ignorant or by any means dismissive of more recent additions, but rather that I am simply more interested in crediting the historic importance of books that have been critical to shaping its direction and expanding its parameters.
C. Vann Woodward easily ranks as the greatest historian of the American South to date, and his pre-eminence in the field was already established when this volume of his essays first appeared in 1960. Woodward's masterful sense of irony permeates this collection, in which he offers original alternative perspectives on the South's experience both within and apart from the nation's experience. The essays themselves were also marked by a literary grace rarely found in historical writing of any era. Though Flannery O'Connor was hardly given to praising southern writers not named Faulkner, after devouring the collection, she reported to a friend that she had "taken up reading C. Vann Woodward" because "this man knows how to write English."
C. Vann Woodward's The Burden of Southern History remains one of the essential history texts of our time. In it Woodward brilliantly addresses the interrelated themes of southern identity, southern distinctiveness, and the strains of irony that characterize much of the South's historical experience. First published in 1960, the book quickly became a touchstone for generations of students. This updated third edition contains a chapter, Look Away, Look Away, in which Woodward finds a plethora of additional ironies in the South's experience. It also includes previously uncollected appreciations of Robert Penn Warren, to whom the book was originally dedicated, and…
