Here are 88 books that The Mercat Anthology of Early Scottish Literature, 1375-1707 fans have personally recommended if you like
The Mercat Anthology of Early Scottish Literature, 1375-1707.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed…
'Left me scorched' Ali Smith 'Unforgettable' Guardian
Faced with a choice between a harsh farming life and the world of books and learning, Chris Guthrie chooses to remain in her rural community, bound by her intense love of the land. But everything changes with the arrival of the First World War and Chris finds her land altered beyond recognition.
One of the greatest and most heartbreaking love stories ever told,, Sunset Song offers a powerful portrait of a land and people in turmoil.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
The various Scots dictionaries produced by Scottish Language Dictionaries and also available online are a veritable treasure trove of Scottish culture and the go-to place for anyone who writes Scots or wants to know about Scots. With quotations going back hundreds of years it gives you instant access to the rich literature and prose in a language still spoken by over 1.5 million Scots.
What do you call a paper bag in Scots? How would you describe a dull day in Scots? This comprehensive dictionary of words and phrases is for all who want to use the Scots language. * A unique dictionary, with 15,000 English-Scots entries * Many examples showing Scots in use * Clear layout, easily understood entries
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
This is a great anthology of contemporary Scots writing ranging from more classical Scots like my own short story Inrush at Nummer Fower to racy urban Scots like Irvine Welsh’s A Soft Touch. I love it because it showed me that our language is vital, contemporary, and alive today as well as being a brilliant historic literary language. It was like a revelation to me, and it stayed with me too.
I first discovered the author of Trainspotting in this book. James is also a brilliant Scots writer and shows that in novels like The Fanatic and The Land Lay Still. He and Matthew Fitt, also a fine poet and novelist in Scots, also produced the imprint Itchy Coo which has published excellent children's books in Scots, some from new authors, others with Scots translations of famous European collectors of Fairy Tales such as Hans Christian Andersen…
This anthology brings together 28 stories by living writers, from traditional folktales to stories dealing with domestic violence and poverty. The book's introduction defines Scots in the widest possible terms, and argues that this anthology is a sign of the vigour of the language.
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
The testament of Cresseid, written in Old Scots in the fifteenth century, was framed as a response to Chaucer’s earlier telling of the Troilus story—the ill-fated love between Troilus and Cressida. Henryson imagines what becomes of Cressida where Chaucer’s version ends. I read this poem at school, together with the fables, and loved it straight away. It was a revelation to find a view of Cresseid sympathetically disposed, in language that was vivid and direct; a telling that was startlingly humane. There is humour, heart and feeling in the fables too. It blew away my preconceptions that Scotland in the past was dour and inaccessible, and the language difficult, and replaced them with a fondness and a familiarity lasting to this day.
This is the first serious attempt to produce a critical text for all Henryson's poems. The text is based on all available material. There is a commentary and a glossary, and an introduction discusses Henryson's life and the sources of his poems.
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
This is an extensive biography of Scotland’s celebrated bard, Robert Burns, and includes a collection of unpublished letters. Scotland’s own “heaven taught ploughman,” gave life a run for its money, giving us in his few but fruitful years lines of poetry that match Shakespeare himself.
Oh, would some
Power the giftie
gie us
To see ourselves as
Others see us!
McIntyre gives Burns a good shot. No Scottish writer, including myself, could think of their career trajectory without Robert Burns standing out prominently along that line. He gave us the gift of hubris and the gift of the poetic gab.
This biography illuminates and explores the complexities and contradictions of Burns's character and personality, untangling the myth from the legend. Based on new evidence from 700 letters Burns wrote during his life, McIntyre concentrates on the circumstances of the writing of poetry itself, and paints a vivid picture of Burns's emotional and impulsive political views, the cruelty and gentleness of which he was capable, stressing the importance and the quality of the satirical poetry as well as the unforgettable love poetry immediately associated with his name.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
When I moved to Scotland for my postgrad year studying writing at the University of Edinburgh, the apartment I rented had one book in it – this collection of short stories, set in the same city.
I was pretty sure Trainspotting was the best novel I’d ever read, but I wasn’t aware of this collection of three works of Irvine Welsh’s short fiction. My first night in the apartment, I sat on the one chair and read the one book. And what a buzz!
I loved the mix of grittiness, euphoria, and dark-as-night humour. The focus on club drugs was more relatable than the heroin culture of Trainspotting (although to my delight, Spud Murphy makes a cameo appearance – twice!).
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
I am an award-winning author and journalist, specialising in social history and gardening. I have an M.A. in Modern History from Cambridge University and a Diploma of Horticulture from the Royal Botanic Gardens, Kew. I have written for many British newspapers and magazines, most notablyThe Spectator, The Observer, The Independent, The Sunday Telegraph, The Daily Telegraph, and The Garden.
Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.
Buchan's favourite of all his novels, Witch Wood deals with the hypocrisy that can lie beneath god-fearing respectability.
The book is set in the terrifying times of the first half of the seventeenth century when the Church of Scotland unleashed a wave of cruelty and intolerance. Minister Sempill witnesses devil worship in the 'Witch Wood' and is persecuted. It comes with an introduction by Allan Massie.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
This is the story of a woman who is having a hard time personally, and she swims to heal herself. She swims to reconnect with her wild nature. And she is brave. She swims in all seasons, all weathers, all conditions. Once she was almost pushed against craggy rocks.
I swim too. I love seals, and know this act of taking to the water - our small bit of wild - to reconnect with my wild nature.
I loved the vulnerability that shines through in this book and I like to read of strong women who dare connect with nature to empower themselves. I feel I do that (a bit) and people like Victoria inspire me to push those wild boundaries a little more.
A book about intense physical and personal experience, narrating how Victoria Whitworth began swimming in the cold waters of Orkney as a means of escaping a failing marriage. This is a memoir of intense physical and personal experience, exploring how swimming with seals, gulls and orcas in the cold waters off Orkney provided Victoria Whitworth with an escape from a series of life crises and helped her to deal with intolerable loss. It is also a treasure chest of history and myth, local folklore and archaeological clues, giving us tantalising glimpses of Pictish and Viking men and women, those people…