Here are 100 books that Concise English-Scots Dictionary fans have personally recommended if you like
Concise English-Scots Dictionary.
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I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed…
'Left me scorched' Ali Smith 'Unforgettable' Guardian
Faced with a choice between a harsh farming life and the world of books and learning, Chris Guthrie chooses to remain in her rural community, bound by her intense love of the land. But everything changes with the arrival of the First World War and Chris finds her land altered beyond recognition.
One of the greatest and most heartbreaking love stories ever told,, Sunset Song offers a powerful portrait of a land and people in turmoil.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
This is a great anthology of contemporary Scots writing ranging from more classical Scots like my own short story Inrush at Nummer Fower to racy urban Scots like Irvine Welsh’s A Soft Touch. I love it because it showed me that our language is vital, contemporary, and alive today as well as being a brilliant historic literary language. It was like a revelation to me, and it stayed with me too.
I first discovered the author of Trainspotting in this book. James is also a brilliant Scots writer and shows that in novels like The Fanatic and The Land Lay Still. He and Matthew Fitt, also a fine poet and novelist in Scots, also produced the imprint Itchy Coo which has published excellent children's books in Scots, some from new authors, others with Scots translations of famous European collectors of Fairy Tales such as Hans Christian Andersen…
This anthology brings together 28 stories by living writers, from traditional folktales to stories dealing with domestic violence and poverty. The book's introduction defines Scots in the widest possible terms, and argues that this anthology is a sign of the vigour of the language.
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
I want to reveal to people the superb achievement of the medieval Scots Makars who produced arguably the greatest poetry anywhere in Europe or Britain between roughly 1450 to 1550. John Barbour, William Dunbar, Robert Henryson, Gavin Douglas, and Sir David Lyndsay are the greatest of them but there are more excellent exponents of Scots in this, one of its golden ages, and they are all represented here. I quote many of them in my book.
This anthology is intended to answer the need for a large-scale anthology of early Scottish Literature, which is felt particularly acutely in the academic field. It has been designed as a teaching text suitable for use by students and at advanced level in schools. Longer works are either presented complete - e.g. James I, 'Kingis Quair'; or by sections which sum up the main themes and concerns of the text - e.g Barbour's 'Bruce' Book I. There are full critical and linguistic introductions; brief biographical and bibliographic introductions for each author or subsection; the texts have all been re-edited; every…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
There is a lot to love about this book. The level of detail about every element of Scottish ethnicity under consideration is extraordinary. Bueltmann seems to leave no stone unturned in her examination of Scottish associations. I am always a big fan of historical databases, so the analysis based on the database compiled for this research of society members, based on extant sources, is a big selling point for me.
Many society membership lists have been lost to history, and the New Zealand census returns were systematically destroyed, so compiling such a database was no mean feat. What has always most strongly stuck with me, though, is how the stories of individual migrants are woven throughout, not just thrown in as examples but integral to understanding the phenomena she is exploring. John Jack and family, for example, turn up at different points in their lives at different points in the…
The Scots accounted for around a quarter of all UK-born immigrants to New Zealand between 1861 and 1945, but have only been accorded scant attention in New Zealand histories, specialist immigration histories and Scottish Diaspora Studies. This is all the more peculiar because the flow of Scots to New Zealand, although relatively unimportant to Scotland, constituted a sizable element to the country's much smaller population. Seen as adaptable, integrating relatively more quickly than other ethnic migrant groups in New Zealand, the Scots' presence was obscured by a fixation on the romanticised shortbread tin facade of Scottish identity overseas. Uncovering Scottish…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
Ah, were you ever going to shout the famous question, “Why’d you do it!?”, at a character, it would have to be at Morvern.
Another book that grabbed the filmic imagination, this time of Lynne Ramsay, Morvern has the quietest moment of madness on this list. She finds her boyfriend, whom she never names but gives him a Godlike uppercase H whenever He is mentioned, dead by his own hand on the floor of their flat and coolly accepts the fact.
Then, as a sort of civic duty and not to cause a fuss, she chops him up and buries the pieces of him in a suitably empty Scottish landscape. As you do. The draft novel she steals from him seems obviously hers, as all her actions seem obviously Morvern.
An utterly unforgettable novel that portrays a vast internal emptiness by using the cool, haunting voice of a young woman in Scotland lost in the profound anomie of her generation—from “one of the most talented, original and interesting voices around” (Irvine Welsh, author of Trainspotting).
Morvern Callar, a low-paid employee in the local supermarket in a desolate and beautiful port town in the west of Scotland, wakes one morning in late December to find her strange boyfriend has committed suicide and is dead on the kitchen floor. Morvern's reaction is both intriguing and immoral. What she does next is even…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’m a writer and a Spanish teacher. Creative and a little crazy. I love teaching people who arrive in my city (Madrid) to live for a while. I love writing fiction, specially novels, but also poetry and little stories. Sometimes I mix both skills and create texts as the one below. I dream about winning the lottery but I never buy tickets, and I also love to sing with my guitar when I’m alone. Pleased to meet you.
It says it’s “for dummies”, but the truth is, this book is for people with a high level of Spanish who want to complete their learning.
The book is an extensive review of the Spanish grammar, all explained in Spanish, with more than 400 pages. I see it as a fun and entertaining encyclopedia of this language, because you can find almost every aspect of Spanish grammar in it. If you are a beginner, you can also use it as a reference book which can accompany you through the journey of learning.
Una guía indispensable para todos aquellos interesados en aprender a escribir y hablar el castellano correctamente. A diferencia del resto de libros del mercado, Español correcto para Dummies presenta de forma amena y didáctica las reglas básicas de los tiempos verbales, los nombres y los pronombres. Asimismo, ayuda a resolver las dudas más comunes sobre la lengua castellana.
Japan is endlessly fascinating. Many foreigners who have spent a year or two engaging with Japanese culture have published memoirs. But there are also many who have lived here longer, perhaps marrying and raising families and retiring in Japan. The stories of long-term foreign residents dig deep into the culture and share unique challenges and triumphs. My own memoir, Squeaky Wheels is about my experience raising a biracial daughter who is deaf and has cerebral palsy in off-the-beaten-track Japan. It also details our mother-daughter travels around Japan, to the United States, and ultimately to Paris. It is ultimately a story of my attempt to open the world to my daughter.
In 2017, Scotsman Iain Maloney and his acerbic Japanese wife Minori decided to buy a house in rural Japan. This was no small decision, as Japan houses begin to depreciate almost as soon as they are built. Nevertheless, the author is resigned to spending the remainder of his days in Japan and is ready to commit. The book is ostensibly about one year in rural Japan, but Maloney veers frequently from the narrative path, flashing back and forth in time, riffing on, among other things, soccer, crowded trains, and tired tropes in memoirs written by foreigners.
While many have written about their experiences in Japan, few have taken readers quite so far off the beaten path – literally. Maloney’s understanding of the Japanese language and his immersion in Japanese culture (he’d first arrived in 2005) add credibility and depth, while his self-deprecation and humor make this an entirely enjoyable read.
In 2016 Scottish writer Iain Maloney and his Japanese wife Minori moved to a village in rural Japan. This is the story of his attempt to fit in, be accepted and fulfil his duties as a member of the community, despite being the only foreigner in the village.
Even after more than a decade living in Japan and learning the language, life in the countryside was a culture shock. Due to increasing numbers of young people moving to the cities in search of work, there are fewer rural residents under the retirement age - and they have two things in…
I started the Edge of Empire series which includes Beside Turning Water when I was a Park Guide at Boston’s National Historical Park. As a guide I gave tours on the Freedom Trail which preserves the buildings and stories from the era of the American Revolution. I wanted to create a book like the ones I love full of romance a bit of sex, and with historical accuracy. Books that would help readers fall in love with the characters and understand the history of the events in the Revolution without that dry history-class feeling.
I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love.
The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him.
BONUS: This edition contains a Blindspot discussion guide.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice.
Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
You can’t go wrong with any Rebekah Weatherspoon book frankly, but Xeni has a special place in my heart because of the leads: Xeni, a witchy bi lead with a very complicated family bumping into a favourite romantic trope: the marriage of convenience (only, it’s very much not convenient, thank you); and Mason, a burly, bearded, bi bear who, I cannot express this clearly enough, is so instantly cuddle-worthy. That these bisexual characters are thrown into this marriage by someone they both loved as part of her will just adds to the trope joy. Beyond that, there’s so much steamy sex-positivity in this book, alongside Weatherspoon’s always brilliant supportive friend groups and mix of chosen and biological family that I found myself taking the dog for extra walks just to keep listening.
FROM NEW YORK TIMES ACCLAIMED AUTHOR REBEKAH WEATHERSPOON, COMES THE SECOND INSTALLMENT IN A NEW SERIES THAT BRINGS TRUE HAPPILY EVER AFTERS TO SOME OF YOUR FAVORITE SUPPORTING CHARACTERS.
She just wanted to claim her inheritance. What she got was a husband…
Xeni Everly-Wilkins has ten days to clean out her recently departed aunt’s massive colonial in Upstate New York. With the feud between her mom and her sisters still raging even in death, she knows this will be no easy task, but when the will is read Xeni quickly discovers the decades old drama between the former R&B singers…