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I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
I’m cheating a bit here because this one isn’t a novel but a collection of short stories by Argentina’s greatest writer.
Beautifully translated, it shows Borges at the height of his powers. I also got a sense throughout of the extraordinary range of his intellect – he certainly liked to show off.
Among my favourite stories are "The Garden of Forking Paths," which anticipates the many worlds interpretation of quantum mechanics, "The Lottery of Babylon," a meditation on luck, "Three Versions of Judas," which comes to a shocking conclusion about who Judas was and why he betrayed Jesus, and "The Immortal," which shows us what a curse immortality would be. And I thought his description of a dream in Ragnarok was spot on.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
Early in this book, a character uses his kitchen oven to dry out some psychedelic mushrooms harvested from the rooftop garden at his flat in World War II London. Dosing the characters (and somehow the reader) with Amanita Muscaria is an appropriate way to set the tone of this book.
Mushroom experiences are fun and giggly and clever, at times, but they can also open the mind to the evils mankind is capable of and the intricate conspiracies seemingly hiding in plain sight. Which is what I love about Gravity’s Rainbow – Pynchon’s writing is hilarious, but then he’ll hit you with a gut punch so poignant it will linger in your mind for decades.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
What I loved most about Night Boat to Tangier is the same thing I love about all of Kevin Barry’s books – the delivery.
Whether it’s City of Bohane, The Heart in Winter, Beatlebone, or this book, the best part of a Kevin Barry novel is always the writing and the voice. The story is almost secondary.
You might expect the story of a seasoned drug importer reuniting with his estranged daughter to be a spectacle, but what I loved about this book was the way many of the tendrils of the story were allowed to uncurl slowly, and some not at all.
I like to imagine Kevin Barry was at the ferry station one day and looked at a couple of aging, shaved-head, tattooed Irish thugs leaning against a wall waiting, and asked, “What’s their story?” Then he wrote it.
LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter 'Beautifully written' Guardian
It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
I imagine just being in the same room as Shane MacGowan would have given me a contact high, and that’s the effect this book had on me.
It’s a series of conversations (one imagines over many, many drinks) with the woman who was his longtime partner and who would become his eventual wife, writer Victoria Mary Clarke.
Besides the absolutely unbelievable stories from this genius of Irish music’s childhood (which I loved), some of the best parts of the book are when Victoria is trying to get into his head around his unparalleled levels of drug and alcohol consumption. When he tells her he started drinking at 5, standing on the kitchen table and singing for bottles of stout, it’s understandable.
I loved hearing the real stories behind his public, on-stage persona, which were as real, drunk, and gritty as his music and voice.
Funny, honest, brilliant and opinionated, A Drink with Shane MacGowan is the highly-acclaimed memoir of a true music icon.
'One of the freshest, most original biographies I've ever read' - Lynne Barber, Observer
'His candour, coupled with an acerbic wit, makes him an ideal guide through an unmistakably colourful life' - Time Out
Shane MacGowan was an intensely talented songwriter whose band, The Pogues, merged punk with Irish folk music to create a sound uniquely their own. An anarchic hellraiser with the soul of a poet, he is forever associated with Christmas after the chart-topping success of 'Fairytale of New…
I am a very realistic person, curious by nature, who loves a good thrill. A good twist—no matter the genre—that has all the above recommendations captures my attention. A feel-good chick flick or book does nothing for my curious side but adds a twist or two and you have me hooked. Love at war is that kind of book. It has a few twists that touch on important topics and leave you with a few thoughts to think about afterward. Life is not only marshmallows and sprinklers. Life is real and I like my books like that, too. Therefore, I call myself a multi-genre author. I don’t want to be bound by one genre.
I absolutely loved this book based on true events. Don’t be fooled by the name either. This is intense as it gets. A historical thriller slash romance that made you wonder how much the heroin can endure. Believe me, you are in for a ride.
So much heartache poured from the pages, and you keep on reading in the hopes that love will conquer, and the evil will be stopped. Every character's persona was well developed and got under your skin as you became part of their lives and struggles. One of my favorites and a book I would read again.
Meara isn’t thinking about Death when she kisses her mother good-bye, but hours later she is as her fingers slide into the back of Mother’s shattered skull. Meara thinks her world has ended. She has no idea… Ebullient and feisty, Meara MacDonald lives an idyllic life on the mist-enfolded Isle of Skye, dreaming of the day she will wed her heart, the gallant Duncan MacLeod. Fate, however, has other plans and when Aunt Deirdre and Uncle Sloan arrive, Meara’s family is taken, one-by-one, for reasons she discovers are both personal and nefarious. Unable to rein in her spirit or her…
I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.
This is another series: The Blackstone Dragon series. I've loved Dragons since: forever! If you enter my house, you'll see just how much I love them (I have statues all over, including in the bedroom!) so this series, was a given. There are many others written by Alicia and I have a few books of hers waiting to be enjoyed.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.
Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.
Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi's narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman's corpse floating in the canal, and tensions increase further in cramped confines with the narrator's highly charged seduction of the skipper's wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.
As the author of more than 50 works of warm, witty historical romance, I love seeking out stories that will make me smile. I’m a firm believer in happy endings, in the books I write, and the books I read. I’m also a bit obsessed with history, having driven a carriage four-in-hand, learned to fence, and sailed on a tall ship, all in the name of research.
A lady trying to reform a gentleman takes a delightful twist in this story about a perfectly civilized Scotsman who inherits a British title and the family and estates that go along with it, only to find they all expect him to need lessons in etiquette. Nichole Van knows just the right tone to take to make you fall in love with them all.
Lady Jane Everard cannot abide the new Earl of Hadley. The unmannered Scot is a menace to genteel ladies everywhere, what with his booming laugh and swishing kilt and endless supply of ‘ochs’ and ‘ayes.’ Jane wishes Lord Hadley would behave as an earl should and adhere to English rules of polite conduct.
Andrew Langston, the new Earl of Hadley, knows that the English aristocracy think poorly of his lowly Scottish upbringing. This is hardly new. History is littered with the English assuming the worst about Scotland. By living up to their lowest expectations, he is simply fulfilling his civic…
I’ve been writing my DCI Warren Jones series for more than ten years now. In addition to trying my best to craft a compelling story, with relatable characters, I love the challenge of balancing this with authentic police procedure. All the books and authors recommended here are excellent exponents of this craft. I thoroughly enjoyed reading all of them, and believe that they have helped me improve as a writer. I deliberately chose the first in each series, in the hope that you will continue reading to see how the characters evolve.
Dead Man's Grave introduces DS Max Craigie and DC Janie Calder, along with the wonderfully irascible DI Ross Fraser.
This book combines not only an extremely good detective yarn with excellent procedure, in a beautiful location, it also does a very good job of setting up the premise for the rest of the series.
The author is a former Metropolitan Police detective, and although the location is Scotland, it is full of authentic police procedure. This book (and the series as a whole) has a well-balanced mixture of crime, police procedure, and well-developed characters with a generous splash of humour.
'The best police procedural I've read in years' Jane Casey
LONGLISTED FOR THE 2021 McILVANNEY PRIZE FOR SCOTTISH CRIME BOOK OF THE YEAR
'Grabbed me from the first page' Ian Rankin
This grave can never be opened. The head of Scotland's most powerful crime family is brutally murdered, his body dumped inside an ancient grave in a remote cemetery.
This murder can never be forgotten. Detectives Max Craigie and Janie Calder arrive at the scene, a small town where everyone has secrets to hide. They soon realise this murder is part of a blood feud between two…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
Reading this book is like sheer escapism to the Highlands of Scotland. Beautifully illustrated, the author has an engaging style that carries you along as she tells the story of Highland lodges and how Scotland became the place to go to find rest and escapism as well as great sport. You come away seeing Scotland in a new light and wanting to spend August amongst the heather and hills.
Featuring breathtaking photographs of some of Scotland s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornees and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain s wildest and…