Books like The Mark of the Damned — picked by fans

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.

I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.

I write romance novels that are as much about the characters learning to love themselves as they are about people falling in love with each other. While most of my books are romantic comedies, that doesn’t stop my characters from facing some of the darkest parts of themselves and coming out on the other side feeling sure of their own worth. I often explore mental health topics, and I love to see other romance authors de-stigmatizing things like therapy, medication, and reaching out for support. The romance novels I’ve included below cover a wide range of subjects, but they all handle mental health with care, respect, and hope.

I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.

As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up! 

Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.

I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.

I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work. Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.

I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.