Books like The Manningtree Witches — picked by fans

This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away.
The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.

This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a… show more.

This book by Jodi Kantor and Megan Twohey is another book I couldn’t put down.

Two dogged journalists publish a report about Harvey Weinstein’s sexual abuses that helps launch the #metoo movement. Not only were the journalists brave in their pursuit of the truth surrounding powerful men, the voices of all the women who came forward when they were subject to danger for doing so were a testament to the power of true stories and women coming together for a greater good.

Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating. 

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.  

I had been designing and delivering gender training for many years and was researching it for my Phd when this book came out. Its publication was akin to finding an oasis in a desert. Even though gender training has become, as the editors Maria Bustelo, Lucy Ferguson, and Maxime Forest point out in their introduction to this collection of essays, the most widely used tool for gender mainstreaming worldwide, remarkably little has been written about it.

This smart and expertly curated book is one of the first to fill this gap. Featuring writing by both professionals involved in gender training and academics researching it, it shows that the concerns of feminist pedagogy reach beyond formal education, into spheres of public policy through adult learning and training practices.

I absolutely adore Lucy Strange’s books and her latest one, Sisters of the Lost Marsh, is a gloriously Gothic mystery with sisterhood at its centre. The story is about a family of six sisters reigned over by their tyrannical father. When one of the sisters goes missing, 12-year-old Willa decides to take matters into her own hands and uncover what happened. This book is a beautiful blend of mystery, folktale, and feminism and one I simply could not put down. 

Many women continue to embrace a radical feminist perspective, and one of the important feminist writers today is the UK journalist and organizer Julie Bindel. Her reporting on sex trafficking has been essential to understanding the worldwide exploitation of women and girls.

She published this book in 2021 to restate the liberatory goals of feminism and critique the impediments created not only by conservatives but also by liberals. Bindel pulls no punches and takes no prisoners—she’s never afraid to confront the powerful and respond to her critics. One of the great experiences of the past year was being interviewed by Bindel for her podcast on men and feminism. Finally, Bindel reminds us that one of the biggest lies about feminists is that they have no sense of humor. 

I read this book before I’d found words to describe the impact on my teenage self of living in a patriarchal world that didn’t allow me to do things I wanted to because I was a girl—and that insisted I do things I didn’t want to. I read it before I’d heard the word feminist used other than as an insult. But the essentially feminist spirit of the novel touched me deeply. 

I raced through the book, hoping that this single mother who’d fled an alcoholic and abusive husband with her child would make it out alive, that she’d find her people, and that she’d get justice. Years later, I saw the book described as the first feminist novel, and for good reason—written in Victorian England, no less. 

This collection of essays by pioneering feminist Gloria Steinem introduces the reader to the roots of modern-day feminism and the specific challenges Steinem and others faced to obtain what we consider today to be simple rights.

This book combines history, biography, and sociology, and Steinem captivated me with her clear and concise writing style, wit, and dry sense of humor. In addition to recounting her own experiences (such as her assignment as a reporter to pose as a Playboy bunny), she tells the stories of such varied subjects as First Lady Pat Nixon, Marilyn Monroe, author Alice Walker, and others.

I read this book shortly after it was published in 1983, and I read it again in 2020; both times I was shocked at the every-day indignities women faced routinely, and I was repeatedly encouraged by the bravery of Steneim and others to take on the mostly-male “establishment.”

Steinem reminds… show more.