100 Books Like The Manningtree Witches

This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away.
The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.

This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a… show more.

This book by Jodi Kantor and Megan Twohey is another book I couldn’t put down.

Two dogged journalists publish a report about Harvey Weinstein’s sexual abuses that helps launch the #metoo movement. Not only were the journalists brave in their pursuit of the truth surrounding powerful men, the voices of all the women who came forward when they were subject to danger for doing so were a testament to the power of true stories and women coming together for a greater good.

Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating. 

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

A short but beautiful book, full of wisdom, personal reflections, and compelling truths about men and masculinities.

This was one of the first books on men and masculinities to be published in the UK, and I read it in the early 90s. I found it profoundly helpful in guiding me to become a profeminist man. I particularly appreciate Tolson’s gentle but persuasive arguments wherein he deconstructs what it means to be a working-class British man, showing how ‘patriarchal masculinity’ gets created through, for example, family, relationships, institutions, work, and peer-group pressure.

The book is part autobiographical and throughout Tolson is openly reflective on his own masculinity and the contradictions it creates in him. I recently reread this book and was so impressed at how Tolson’s insights into the state of men over 50 years ago remain relevant to this day. 

It’s a cliché, but the writing of Andrea Dworkin changed my life (often through painful internal struggle, but always for the better).

This is not her most well-known book, but this collection of essays and speeches was, for me, the most influential. Her speech “I Want a Twenty-Four-Hour Truce During Which There Is No Rape,” delivered to a men’s group in 1983, helped me understand that radical feminism was not a threat to men but a gift.

A few years before she died (far too young, at age 58, in 2005), I had a chance to meet her, and in the few hours of a shared car trip, I felt the loving spirit that motivated her work. 

The Sri Lankan feminist Kumari Jayawardena produced this groundbreaking history in 1986 and it has never been out of print. It told me so many things I didn’t know, for example how Chairman Mao’s early radicalism was centred on women’s issues: a social system which so subjected women must be brought down; Marxism was a later add-on (but don’t tell the Chinese Communist Party, they don’t like to acknowledge this fact).

The societal changes brought by the movements of the sixties had a different effect on women.

The sexual revolution promised freedom but didn’t plan for jealousy or conflicting ideas of “free.” The anti-war movement and even the civil rights movement saw women’s role as making the sandwiches and lettering the placards. 

Rosen chronicles women’s rising fed-up-ness from the 1950s to the unfinished business left at the book’s publication in 2000.

Speaking of women’s labor, Verges, a French feminist theorist from the island of Reunion, opens this manifesto with a question that I think really gets to the heart of global feminist politics: “Who cleans the world?” This simple question, she argues, explains the fundamental connection between feminism and the other key struggles of our time—the fact that capitalism creates “invisible work and disposable lives.”

Starting from the lives of women in the global South, who are literally found cleaning up the waste of the global North, she reveals that feminism cannot be a fight for the women of the global majority unless it fights racial and economic inequality on a planetary scale. Verges also offers a compelling analysis of #metoo: opposition to gender-based violence cannot begin and end with a focus on individual perpetrators, nor can we allow it to become part of an agenda that criminalizes Black and brown… show more.

I absolutely adore Lucy Strange’s books and her latest one, Sisters of the Lost Marsh, is a gloriously Gothic mystery with sisterhood at its centre. The story is about a family of six sisters reigned over by their tyrannical father. When one of the sisters goes missing, 12-year-old Willa decides to take matters into her own hands and uncover what happened. This book is a beautiful blend of mystery, folktale, and feminism and one I simply could not put down.