100 Books Like She Said

I was a clever child too, ridiculed at my horrible boarding school and constantly afraid of showing off and being laughed at.

But I did not have it half as bad as Roald Dahl’s desperately abused Matilda. Perhaps this is why I loved this book, for taking a child I could so closely identify with and getting her to suffer and overcome it all in the magical ways Matilda does.

A fabulous read, to be read many times and enjoyed again and again.

I loved this fictitious expose of the New York fashion industry because it asks what we would sacrifice for ‘a job a million girls/boys would die for?’ Sometimes, in the creative industries, power can be concentrated in the hands of people for whom ‘the meaning of their life’ is about a creative project being successful.

This can lead them to make the lives of people around them miserable. How much abuse, poor pay, lack of credit, ‘self-exploitation’, being absent for loved ones, how much of this would you tolerate? What if you had to sell your soul to fulfill your dream? This might seem academic, but for many in the creative industries, it has been painfully real.

You know what any misfit with telekinetic powers should do to her enemies after years of torment culminate into a single act of spiteful cruelty? Carrie does! I love how she gains awareness and control of her abilities. I love how she wields her power against her nasty, dim-witted bullies.

I cheer when she locks the door and slowly walks away, leaving them to their fate. I love how she takes revenge on her vicious mother in a way that flies in the face of her vindictive fundamentalist beliefs. A sweet-natured girl, maligned by an entire community, taking a final, violent stand against unbridled ignorance? BADASS.

This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away.
The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.

This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a… show more.

This one is pure fun. It’s hard to believe no one thought to make a female chemist the star of a cooking show before! The story is witty and original, artfully combining the hard truths of being a scientist and a TV personality in male-dominated fields, with femininity and motherhood.

Sexism is rampant (obviously, it’s the 1950s), and the challenges the protagonist faces often seem insurmountable. Garmus takes these difficult themes seriously, while delivering them with humor and a lightheartedness that makes for a refreshing read.

Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.  

Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating. 

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.

Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.

Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.

Tarana Burke is the woman behind the “me too” movement and Unbound is her story.

In 2017 when #MeToo shattered the myth that sexual violence is rare, Burke had already been building the movement for over a decade. Unbound traces her growth as a community organizer and the founder of a survivor movement rooted in empathy.

Although one goal of the book is to correct the record of the “me too” origin story, Burke is more interested in a larger notion of justice. She writes movingly of the pervasiveness and damage of sexual violence, including in her own life, and the promise of healing contained in the words “me too.”