Here are 100 books that Sisters of the Lost Marsh fans have personally recommended if you like
Sisters of the Lost Marsh.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
As someone who has always had a somewhat overactive imagination, as soon as I heard the premise of this book – a land created by twins Rose and Arthur that comes to life – I was hooked. The Land of Roar is filled with incredible things – dragons, mermaids, ninja wizards! But it is also filled with their childhood fears, personified by the truly terrifying Crowky. This is a heart-in-your-mouth series with a celebration of childhood adventure at its heart.
The first in a new children's fantasy adventure series, full of imagination, humour and heart, and with echoes of Peter Pan, The Chronicles of Narnia, The Neverending Story and Jumanji.
The Land of Roar is perfect for children aged 8 to 12, and can sit on their bookshelf next to Nevermoor, Wizards of Once and How to Train Your Dragon. Readers can bring their fantasy world to life and meet dragons, unicorns, mermaids and more in this beautifully illustrated children's book.
Believing is just the beginning ...
When Arthur and Rose were little, they were heroes in the Land of…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
I have always been fascinated by sharks, so to read the story of Blue Wing, who lives among them, was an absolute joy. Set on an island near Papua New Guinea, this is a heartbreaking story, beautifully and originally told, that explores grief, friendship, forgiveness, and our relationship with nature. I’ve traveled and swam with sharks near where this book is set and it was so special to revisit those places in the book. But it’s Blue Wing’s selflessness, wisdom, and bravery that make this book utterly unforgettable.
WINNER OF THE EDWARD STANFORD CHILDREN'S TRAVEL BOOK OF THE YEAR 2022
A SUNDAY TIMES CHILDREN'S BOOK OF THE WEEK
Dive beneath the waves with this spell-binding adventure of friendship, forgiveness and bravery, set on the shores of Papua New Guinea, perfect for fans of Katherine Rundell and Eva Ibbotson.
"I want to be able to call the sharks. Teach me the magic and show me the ways."
Blue Wing is desperate to become a shark caller, but instead she must befriend infuriating newcomer Maple, who arrives unexpectedly on Blue Wing's island.
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
Where the World Turns Wild plays on one of my biggest fears about the future – a world without nature. Juniper and her little brother Bear live in a walled city where nature has been almost completely eradicated following the outbreak of a disease. What remains is a tightly controlled and terrifying society that they must escape. Juniper’s bravery and her capacity for survival are driven by the fierce, protective love she has for her little brother. This is an adventure story like no other and one I have returned to time and again.
Animals, trees, flowers, our city forbids them all...
Juniper Greene lives in a walled city from which nature has been banished, following the outbreak of a deadly man-made disease many years earlier. While most people seem content to live in such a cage, she and her little brother Bear have always known about their resistance to the disease, and dream of escaping into the wild. To the one place humans have survived outside of cities. To where their mother is.
When scientists discover that the siblings provide the key to fighting the disease, the pair must flee for their lives.…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
This is an absolute heartstopper of a novel. The protagonist, Jess, has a rare skin condition that means she is allergic to sunlight. Even the tiniest exposure can cause her serious injury and pain. She lives her life in a world of loneliness and shadows, but is desperate for an adventure. When she sneaks out one night she discovers a garden of ice that will change her life forever. Not only did I love the magic of this novel, I loved Jess’s humour and I was weeping for her towards the end. A wonderful book that really touched my heart.
Tom's Midnight Garden meets The Secret Garden in this mystical, classic-feeling adventure!
'A beautiful book that touches on friendship and the unbreakable bond between a protective parent and her child.' THE SUN
'Elegant, assured, sad and hilarious' GUARDIAN
Jess is allergic to the sun. She lives in a world of shadows and hospitals, peeking at the other children in the playground from behind curtains. Her only friend is a boy in a coma, to whom she tells stories.
One night she sneaks out to explore the empty playground she's longed to visit, where she discovers a beautiful impossiblity: a magical…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Writers often ask, “What if I don’t know what really happened?” Memory is so slippery that many writers trip up with self-doubt. Here’s when I turn to Maxine Hong Kingston. Unable to hunt down the facts, Kingston instead revels in speculation: Maybe this is what happened, or maybe this. She might not know why her pregnant aunt drowned herself in the family well, but she sure as heck knows the impact of her aunt’s story on her family dynamics.
This is an exceptionally smart rendering of emotional truth regardless of facts, and as such, signs a permission slip for memoir writers. We can let our DNA speak. We can speculate on the page without having to pin down the facts. Speculation can become part of the story.
A classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America.
When we Chinese girls listened to the adults talking-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen.
Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
K.P. Kulski is one of the essayists in my book and an enthusiastic supporter of Asian women’s voices, and she brings it all out in this powerful novel. Set in a mysterious Joseon-era palace and told from the pov of three generations of women, the story's strength is its blend of cultural heritage and feminist themes.
Kristi draws inspiration for this book from the Korean folk tale A Tiger’s Whisker. I greatly respect KP Kulski for daring to use menstruation as an integral part of the plot. This book is compelling for those interested in a unique blend of historical setting, folklore, and a poignant examination of female identity—all three are a win for me.
"As sharp as broken pottery and as delicate as a peony petal, House of Pungsu is the story my spirit hungered for. K.P. Kulski shifts rice paper doors to reveal the darkest truth."-Lee Murray, USA Today bestselling author and four-time Bram Stoker Award(R) winner.
No one knows what's beyond the walls of the Joseon-era palace that never seems to decay, a sprawling complex where daughter, mother, and grandmother are the only inhabitants. Why is her bed-bound grandmother locked in her room each night, and what exactly is behind the locked doors of the palace pavilions and halls? When daughter unexpectedly…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I absolutely loved this creative take on the whole final girl slasher trope! I really enjoy a strong female character in horror where they’re “just like us.” Reading these poems where the females can be outspoken and confident but also quiet or slutty was powerful.
I enjoyed how they’re inspired or based on different movies. When I finished the book, I had a whole list of movies I needed to watch or re-watch. This collection was on my mind for days after.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.
It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere.
'Intriguing, atmospheric, thought-provoking' Alexandra Bell
'Beautifully crafted, thrilling and atmospheric' Rebecca Netley
In the midst of the woods stands a house called Lichen Hall.
This place is shrouded in folklore - old stories of ghosts, of witches, of a child who is not quite a child.
Now the woods are creeping closer, and something has been unleashed.
Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something.
Then she meets the mysterious mother and young boy who live in…
