Here are 100 books that The Lost Ones fans have personally recommended if you like
The Lost Ones.
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I am a multi-published author of mainly Gothic, haunted house, and ghostly novels, novellas, and short stories. I love nothing more than exploring historic houses, ancient stone circles and places that are noted for having a certain atmosphere that hints – or, in some cases, screams – a macabre and interesting past. I am the person you will spot, hunched over an old gravestone peering at the much-degraded carving, searching for the name of its owner and a hint to their story. Why? I blame a childhood spent reading M.R. James.
It starts with arguably the most famous first line any novelist has ever written, and I certainly couldn’t stop reading once I had absorbed that.
Rebecca is a classic for all sorts of great reasons. For me, the house is a character here. Manderley is as Gothic as I could ever wish for (and I LOVE Gothic).
Mrs. Danvers, the housekeeper, is one of the most sinister characters ever written. When this novel was first published (1938), certain subjects were pretty much taboo. In the light of today's increased awareness of people’s differing sexualities, I think it’s probably easier to understand her motives – not that it makes her any less scary.
For me, this is a masterpiece of storytelling that defies genre categorization and puts du Maurier firmly in my top favourite authors list.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The 1930s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? Only one deeply familiar with an exciting decade.
She checks all the boxes that I hunt for in thirties fiction. The Great Depression, family, and the persistent drive of a protagonist (Elsa) to survive in the midst of harsh adversity. I love when an author paints vivid word pictures of this era, and Hannah does a superb job (as usual).
I want to feel the thirties, to actually mentally become a participant in experiencing what the characters experience. Hannah does just that.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I grew up in an extremely rural area before the internet, where there was no cable. So, I read. Reading led to my desire to write, and I have. When Jackie discussed the characters of The Waking Bell with me, I envisioned an American version of Rebecca, where the protagonist is a naïve young woman who follows her heart in a dark, gothic setting. While I didn’t grow up in the mountains, I have experienced the differences between people from different backgrounds that live in the same rural area. Those experiences are whereThe Waking Bell begins.
I’m not certain how many readers know of this book. But even though the time setting isn’t the same, I related to Willow’s character and Cady Blue. Both haven’t had an easy life, but you will fall in love with them. If you read this book, let me know if you do. Perhaps it’s because both characters have had hard beginnings.
Those were the words I lived by growing up, the words that protected me in an unsafe home. But words are only letters and eventually even they couldn't keep his hands off me.
Hoping to leave behind the shattered life of my past, I find myself in a boring, small town, with an aunt I've never met and at a school I loathe.
But soon I learn not everything in this world is as black and white as I've determined. Sometimes those we are so quick to judge often need a…
I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.
I’ve spent much of my adult life searching for media that gives me the same feeling as sitting down to my favourite Halloween movies as a kid. The gorgeous, autumnal crunch of Hocus Pocus, the spooky-but-not-scary atmosphere of Tim Burton’s 90’s offerings, the magic and adventure of WillowandThe Dark Crystal. It was a big, specific ask, and yet I found it so perfectly in Frances Hardinge.
My favourite of her books (so far) is A Skinful of Shadows. A twisting, turning, spooky adventure about a girl harboring the spirit of an abused circus bear who must save herself, her doofus brother, and said bear from being hollowed out and used as hosts by their horde of ghoulish ancestors. It’s cozy, clever, spectral perfection.
A Skinful of Shadows is a dark YA historical fantasy set in the early part of the English Civil War. Makepeace is an illegitimate daughter of the aristocratic Fellmotte family, and as such, she shares their unique hereditary gift: the capacity to be possessed by ghosts. Reluctant to accept her appointed destiny as vessel for a coterie of her ancestors, she escapes. As she flees the pursuing Fellmottes across war-torn England, she accumulates a motley crew of her own allies, including outcasts, misfits, criminals, and one extremely angry dead bear. From Costa Book of the Year winner Frances Hardinge comes…
I am a Yorkshire writer with a passion for historical fiction. My love of history came as a surprise to me in my late teens, as I had originally thought history was not my thing. However, I soon discovered the incredible stories throughout history, and how many authors carve fictional stories around these time periods or historical events. I love researching for my own historical writing, whether it be to find out what kind of jobs people did, or what they ate for breakfast. I love reading and writing historical fiction in multiple eras, such as WW2, Victorian times, and further back to the Romans and ancient Egyptians.
This was a book I just could not put down. Originally I was interested in this book because it was set in Yorkshire, but it quickly became one of my favourite reads of all time. Set in 1952 it tells the story of a young lady named Isobel, who moves to the East Riding of Yorkshire with her husband. There is an innocent romance to this book, with an ending I didn’t see coming at all
In the winter of 1952, Isabel Carey moves to the East Riding of Yorkshire with her husband Philip, a GP. With Philip spending long hours on call, Isabel finds herself isolated and lonely as she strives to adjust to the realities of married life.
Woken by intense cold one night, she discovers an old RAF greatcoat hidden in the back of a cupboard. Sleeping under it for warmth, she starts to dream. And not long afterwards, while her husband is out, she is startled by a knock at her window.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
I have been drawn toward tales and stories of the bizarre since childhood. As a reader, I look for works that will surprise me. The real world in general, I find very unsurprising (lord yes, I do!). When I read, when I enter the fictional world (my favorite!) I want to be inspired to read on. I have put down many a book through boredom. I am not a plough. If I am uninterested, I stop. These books have inspired me in my own craft. Currently writing my sixth novel of the unpredictable, I feel I have experienced enough to forward on some irregular reads of the pure and the awesome.
This was my very first read in the Steampunk genre.
What a great book and series this is.
As a baby, Modo is purchased from a travelling gypsy by a well-to-do aristocrat, the mysterious Mr. Socrates. Modo is hideously ugly. Mr. Socrates raises and educates Modo in proper English and manners and fight craft. He lives his life tucked away in a manor, hiding his face from society.
One day, on a rare carriage ride through London, a grown Modo is abandoned in the streets by Mr. Socrates and has to fend for himself. He becomes a detective, yet he can never show his real face to anyone – he meets the beautiful Octavia Milkweed – she finds him curious and befriends him. The evil Clockwork Guild is causing chaos throughout London and Modo must get to the bottom of it. Then find a way to stop it. The adventure…
A gripping new series combines Steampunk, spying, and a fantastic Victorian London.
The mysterious Mr. Socrates rescues Modo, a child in a traveling freak show. Modo is a hunchback with an amazing ability to transform his appearance, and Mr. Socrates raises him in isolation as an agent for the Permanent Association, a spy agency behind Brittania’s efforts to rule the empire. At 14, Modo is left on the streets of London to fend for himself. When he encounters Octavia Milkweed, another Association agent, the two uncover a plot by the Clockword Guild behind the murders of important men. Furthermore, a…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Cuckoo Song is not just a book about growing up, it’s a book about growing up in an environment where you suddenly don’t fit in.
Triss is a character I instantly related to. Once young adulthood hit, I found I’d pulled away from the rest of my family, a black sheep. Wrong. InCuckoo Song, Triss bravely faces her darkest fears in order to find the truth of herself. And though it might be terrifying, it is her truth, and she will claim it.
Read this thought-provoking, critically acclaimed novel from Frances Hardinge, winner of the Costa Book of the Year and Costa Children's Book Awards for The Lie Tree.
When Triss wakes up after an accident, she knows something is very wrong. She is insatiably hungry, her sister seems scared of her, and her parents whisper behind closed doors. She looks through her diary to try to remember, but the pages have been ripped out. Soon Triss discovers that what happened to her is more strange and terrible than she could ever have imagined, and that she is quite literally not herself. In…
