Here are 100 books that The Tattered Gloves fans have personally recommended if you like
The Tattered Gloves.
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I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
I recommend this book because of its evident understanding of the psychology of fear.
From the very first, there is an ominous atmosphere—evil characters, and above all, misunderstanding. Everything in this novel is pointed toward a ambience of fright. The characters are, aside from Rebecca, who is quite innocent, mysterious and dark.
Everything in the novel, the house, the furnishings therein, the weather, everything is portrayed as sinister. This is a tour de force of maintaining a consistent and frightening atmosphere.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The 1930s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? Only one deeply familiar with an exciting decade.
She checks all the boxes that I hunt for in thirties fiction. The Great Depression, family, and the persistent drive of a protagonist (Elsa) to survive in the midst of harsh adversity. I love when an author paints vivid word pictures of this era, and Hannah does a superb job (as usual).
I want to feel the thirties, to actually mentally become a participant in experiencing what the characters experience. Hannah does just that.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I grew up in an extremely rural area before the internet, where there was no cable. So, I read. Reading led to my desire to write, and I have. When Jackie discussed the characters of The Waking Bell with me, I envisioned an American version of Rebecca, where the protagonist is a naïve young woman who follows her heart in a dark, gothic setting. While I didn’t grow up in the mountains, I have experienced the differences between people from different backgrounds that live in the same rural area. Those experiences are whereThe Waking Bell begins.
The Lost Ones is set a few years before my book, but I found it intriguing, and it has ghosts. While I usually don’t write ghost stories, I have written with supernatural undertones. This book has what I love: mysterious twists and turns. What’s more, I wanted to recommend it because I kinda stumbled upon it and wanted to share.
SHORTLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD
SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN
'A gothic gem of intrigue and atmosphere' HWA Debut Crown Judges
England, 1917
Reeling from the death of her fiance, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion.
Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs…
I'm a Belgian illustrator and author of children's books. My mother works in a library so I was constantly in contact with books, especially children's books. Stories with beautiful pictures were always a big fascination of mine. Drawing keeps me looking for stories and stories keep me drawing. Everything is an inspiration: a funny moment, a good conversation, or just life. In my university, I renewed my passion for children's books thanks to my teacher Kris, also a children's book illustrator. In my final school years I got the chance to work with one of the best publishers in Belgium: De Eenhoorn (the unicorn) they gave me the chance to grow and...tell stories.
A dear colleague of mine, a few years back he decided to just go for it. He used all his experience and did stuff he never did before. The result, an explosion of colour and beautiful use of different techniques. These pictures just keep on giving and giving. Every time you'll spot something new. Once again wordless, but children necessarily don't need words to understand a story.
Dive into an enchantingly watery world full of surprises!
Shipwreck! A father, daughter and their dog wash up on a small island. Little do the castaways know that the island isn't what it seems at all.
The island shows the family the wonders of life at sea. Colourful fish dart in the waves and birds swoop in the sky. Island life is full of the unexpected. The island protects the family against all kinds of dangers, from tropical storms to arctic snow. Menacing animals lurk underwater, and the island has its own secret, too. Eventually, the family is rescued, and…
Carlyle Labuschagne was born in South Africa, Johannesburg in the early 1980s. Growing up my imagination always trumped the world around me. I was obsessed with stories, sneaking off to watch them or going off on my own to play out my own. I am now an award-winning, International and USA Today bestselling fiction author – kind of a rare species in my neck of the woods. I write many genres but started off with mild Science – fiction with a dystopian undertone. I guess growing up in the apartheid era, and being raised by an African nanny who I regarded as my mom, left a lasting impression on me.
This is one of my favorite on the border of Science Fiction books. About a lonely boy who spends time on a hill in a tree near a closed mine entrance. One day he drops his apple and it rolls to the closed up entrance and the unexpected happens. I long blue arm reaches for the apple and disappears back in the min.
Toward the end, the boy makes friends with the blue-skinned creature from the mine and discovers an entire community living in the cave. The explanation given on why they are so skinny and blue-skinned intrigued me as to why things are the way they are – that all things have a scientific explanation.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
This provocative book covers 250 years of European history. I find something to argue with on pretty much every page but I have to admire Offen’s ambition in this sweeping narrative extending across the nations of Europe from Finland to Greece, from Portugal to Poland.
I so admired this book that I wrote to Karen Offen asking her if she would read some of the chapters of my book, which she did, making helpful suggestions which improved it no end.
This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia-as well as international and transnational feminist organizations.
The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
I am a fan of Nordic noir, and whenever I am in the middle of a Norwegian, Danish, or Finnish series, I always want to know more about the local aspects that I am missing.
As one of the earliest books covering European crime dramas in English, the individual chapters helped me understand the genre’s appeal over other genres, what motivated the different cultural depictions of local and national tensions, and how this, in turn, impacted global distribution and reception of crime series.
On top of this, the intriguing case studies gave me new crime dramas to add to my ever-growing watchlist. A win-win.
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV…
My interest in demography began when I saw rapid demographic change taking place before my eyes in London, and when I noted the different fertility choices of friends and relations and started to put the pieces together and to understand how demography shapes our changing reality. I have published three books on the subject—the first, a version of my PhD thesis, the second and third captured below—and have broadcast and written articles for the press extensively on these topics.
It takes real historic breadth to write a comprehensive history of the nineteenth century and only a historian of the quality of Evans could pull it off so convincingly. Like his mentor Eric Hobsbawm—but unencumbered by the Marxian straight-jacket—Evans masterfully draws the links not only between decades and between countries and continents but also between the social, the economic, and the political. His book is no demographic history, but it takes demography seriously. This really matters in a century in which the Malthusian bonds were broken for some of humanity, not all of it, making it a period of European global supremacy underpinned by demographic takeoff, the effects of which we are still feeling.
"Sweeping . . . an ambitious synthesis . . . [Evans] writes with admirable narrative power and possesses a wonderful eye for local color . . . Fascinating."-Stephen Schuker, The Wall Street Journal
From the bestselling author of The Third Reich at War, a masterly account of Europe in the age of its global hegemony; the latest volume in the Penguin History of Europe series
Richard J. Evans, bestselling historian of Nazi Germany, returns with a monumental new addition to the acclaimed Penguin History of Europe series, covering the period from the…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Listening to my father’s stories about flying for the U.S. 15th Air Force in the Second World War kindled my love for military history at a young age. He brought to life the individual experiences and strategic context of bombing targets like Ploesti and Brenner Pass. Later, I pursued my doctorate in history and focused on U.S. Marine Corps history. More recently, my interests shifted to writing about broader topics like American military history, grand strategy, and race and gender in warfare. Even so, my father left me with an enduring desire to understand human interests and emotions, whether among common soldiers or senior generals. This desire affected my work as a teacher and author.
Although most studies of amphibious operations focus on twentieth-century examples, the chapters in this anthology study ship-to-shore assaults throughout the Middle Ages and the early modern era. I think the introductory chapter is atour de force in explaining how amphibious warfare plays out in tactics, operations, and strategy. The principles remain timeless regardless of terrain or technology. Subsequent chapters represent stand-alone studies of reasons for successes or failures in amphibious battles in the Baltic, Mediterranean, Ireland, and Europe, whether on seashores or along riverbanks. The sum of all the chapters is greater than their individual pieces. I grasped that amphibious warfare sometimes expanded beyond military objectives to include establishing footholds for commercial trade, state development, and imperial expansion.
This volume reconceptualizes amphibious warfare and also fills an important gap in its historiography, examining how it was conceived, practised and employed, from the Crusades, through the first wave of European exploration and colonization, the Price Revolution and the European wars of religion, up to the early Industrial Revolution and the beginnings of a new wave of imperialism. Essays examine issues related to strategy, operational art, tactics, logistics and military technology, but also consider commerce and culture. They reveal that amphibious warfare was often waged for economic reasons and was the quintessential warfare of European imperialism, for sea power was…
