Here are 71 books that The Lost Child fans have personally recommended if you like
The Lost Child.
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I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a writer and academic based at Loughborough University specialising in the lives, works, and afterlives of the Brontës. As a Lecturer in English, I teach and research different aspects of the Brontës writings. Alongside my own biography of Emily, I have published widely on the Brontës, including material on Jane Eyre, The Tenant of Wildfell Hall, Emily Brontë’s poetry, and Charlotte's letters. I have also written about how the Brontës inspire contemporary authors, poets, and screenwriters. As well as rereading the siblings’ novels (I love Charlotte’s Shirley!), I’m fascinated by the many biographies and bio-fictions generated about this great Yorkshire family. I hope you enjoy these recommendations!
Another incredible rewriting of Wuthering Heightsand one that’s as dark and Gothic as Emily’s momentous original. In Ill Will, Michael Stewart picks up Emily’s narrative at the point when Heathcliff, having heard Cathy declare that it would degrade her to marry him, departs the Heights. Stewart unravels the tale of where Heathcliff went during the three years that he was missing from Cathy’s world and imagines what happened to him to make him return in such a vengeful guise.Ill Will is also a rewriting that takes up the issue of race, for here, Heathcliff is a young black man and his departure from the Heights prompts him to trace Mr. Earnshaw’s walk to Liverpool in the hope of finding out who he is.
I am William Lee: brute; liar, and graveside thief.
But you will know me by another name.
Heathcliff has left Wuthering Heights, and is travelling across the moors to Liverpool in search of his past.
Along the way, he saves Emily, the foul-mouthed daughter of a Highwayman, from a whipping, and the pair journey on together.
Roaming from graveyard to graveyard, making a living from Emily's apparent ability to commune with the dead, the pair lie, cheat and scheme their way across the North of England.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
This is probably the most powerful example of literary pastiche novels I’ve read, not just because it takes on one of the most beloved novels in English literature—Jane Eyre—but because it brutally turns that novel’s premises on their gentrified heads.
I am truly awed by how vibrantly Rhys inhabits Antoinette, Rochester’s doomed wife, weaving in themes of colonialism and gendered power into Charlotte Brontë’s Gothic romance and, in the process, making it a kind of subversive and gritty feminist and anti-colonial manifesto.
Rhys’s depiction of Antoinette’s descent into madness is so visceral and believable that you are (or at least I am) all but cheering as she literally burns the patriarchy to the ground. I also love that while it’s generally considered Rhys’s masterpiece, she wrote it in her seventies.
Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I am a writer and academic based at Loughborough University specialising in the lives, works, and afterlives of the Brontës. As a Lecturer in English, I teach and research different aspects of the Brontës writings. Alongside my own biography of Emily, I have published widely on the Brontës, including material on Jane Eyre, The Tenant of Wildfell Hall, Emily Brontë’s poetry, and Charlotte's letters. I have also written about how the Brontës inspire contemporary authors, poets, and screenwriters. As well as rereading the siblings’ novels (I love Charlotte’s Shirley!), I’m fascinated by the many biographies and bio-fictions generated about this great Yorkshire family. I hope you enjoy these recommendations!
Tracy Chevalier edited this incredible anthology of short fiction to mark the bicentenary of Charlotte Brontë’s birth. Comprising contributions from sixteen authors, including Helen Dunmore, Sally Vickers, Susan Hill, Emma Donoghue, and Audrey Niffenegger, among others, these incredible stories are far more than fan fiction. Indeed, while the anthology’s title is the infamous first line of the final chapter of Charlotte Brontë’s novel, don’t be fooled into thinking that this is a romantic collection, for Chevalier’s contributors may take inspiration from Jane Eyre, but they rework it in a huge variety of ways, producing stories that unsettle as much as they celebrate Brontë’s novel. And if you like that, the companion volume, I Am Heathcliffedited by Kate Mosse, operates in the same spirit but is dedicated to Wuthering Heights.
'This collection is stormy, romantic, strong - the Full Bronte' The Times
A collection of short stories celebrating Charlotte Bronte, published in the year of her bicentenary and stemming from the now immortal words from her great work Jane Eyre.
The twenty-one stories in Reader, I Married Him - one of the most celebrated lines in fiction - are inspired by Jane Eyre and shaped by its perennially fascinating themes of love, compromise and self-determination.
A bohemian wedding party takes an unexpected turn for the bride and her daughter; a family trip to a Texan waterpark prompts…
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
The Long Season of Rain (the title refers to the monsoons that afflict the Korean Peninsula at the start of summer) reminds us that in Hell Chosŏn women remain subservient to men in almost every sphere of society, and learn early on to endure silently instead of speaking out. This novel exemplifies the richness of Korean-American young-adult novels, which often focus on coming of age and the quest for identity. Especially poignant is the author’s use of a naïve narrator, the daughter of a woman who learns that her husband has taken a concubine.
When the grey Korean Changma--the rainy season--arrives, eleven-year-old Junehee resigns herself to long months cooped up with her sisters, her mother, and her grandmother. But this year, the Changma brings more than water. Orphaned by a mudslide, a young boy comes to live in Junehee's house--and stirs up long-hidden secrets in her family.
For as the rain drums out its story on the sloped roofs of the village, Junehee's own family story unfolds. And Junehee soon realizes that her mother's sadness is tied to a long-standing tradition that neglects women's dreams--a tradition that Junehee hopes to break free of. .…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
From the first page, Fatimah Asghar’s writing pulled me in. It is poetic, playful, and vulnerable.
The story is about three orphaned sisters living under the care of their uncle and figuring out how to relate to each other and the world. I loved the candid explorations of childhood, gender, and, most of all, sisterhood.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022 WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION 2023
'A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life' Sana Goyal, Guardian
In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moise, raising him as a French boy. As he grows up, Moise struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza".
Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of…
While supporting myself as I got my MFA, I worked as a bridal stylist at an upscale Beverly Hills wedding salon. Just like most of the main characters in these books, I was thrust into a new world that was full of couture, decadence, and wealth. It was also full of backstabbing, competition, and elitism and I endured my share of it. As a girl from a blue-collar family who grew up with no fashion sense whatsoever, it was an experience that fed my fascination with glittering societies that have dark sides and inspired my first young adult novel, A Dress for the Wicked.
Sometimes a single mansion can contain a world within itself and the one contained here must be explored at your own peril. Intricate passages, decadent décor, and an upstairs/downstairs divide await, along with murder, mystery, and magic. The story centers on a girl who possesses an insidious gift that can save the ones she loves but at a deadly cost. Told against a backdrop full of lavish ballet costumes, this novel left me wondering how far one should go for another, especially when the sacrifice might be fatal.
Marit doesn't like to use magic too often; it always comes with a heavy price. When her best friend Eve is adopted by a legendary former dancer and placed in an elite ballet program outside of Copenhagen, Marit draws upon her powers to secure a job with the wealthy family so that she can watch over her. But Marit has another, secret motivation: her father died while working for the dancer's family, and she has reason to believe he was murdered.
While Marit adapts to her glittering new life in Copenhagen, she starts to investigate her father's death in earnest.…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.
The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read.
The first book in Philip Pullman's classic SALLY LOCKHART quartet in a beautiful new edition to celebrate the 30 year anniversary.
Soon after Sally Lockhart's father drowns at sea, she receives an anonymous letter. The dire warning it contains makes a man die of fear at her feet. Determined to discover the truth about her father's death, Sally is plunged into a terrifying mystery in the dark heart of Victorian London, at the centre of which lies a deadly blood-soaked jewel. Philip Pullman's ever-popular, action-packed Victorian melodramas are rejacketed for the bicentenary of Charles Dickens in 2012.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
I fell in love with the film and so was deeply relieved when I finally read the book and found out it was even better.
While there’s a horrendous moral misstep that sets things in motion, what I love is how well it captures that timeless, uncertain, motes-of-dust-in-the-sunlight feeling of a teenage, British summertime.
As the protagonists’ small, crumbling world slowly disintegrates around them, McEwan, the genius that he is, finds a universal sense of adolescent instability that keeps you on his side as things go horribly awry.
In the arid summer heat, four children - Jack, Julie, Sue and Tom - find themselves abruptly orphaned. All the routines of childhood are cast aside as the children adapt to a now parentless world. Alone in the house together, the children's lives twist into something unrecognisable as the outside begins to bear down on them.
