89 Books Like The Lost Child

This book has haunted me for decades. 

So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)

The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.

And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.

Another incredible rewriting of Wuthering Heights and one that’s as dark and Gothic as Emily’s momentous original. In Ill Will, Michael Stewart picks up Emily’s narrative at the point when Heathcliff, having heard Cathy declare that it would degrade her to marry him, departs the Heights. Stewart unravels the tale of where Heathcliff went during the three years that he was missing from Cathy’s world and imagines what happened to him to make him return in such a vengeful guise. Ill Will is also a rewriting that takes up the issue of race, for here, Heathcliff is a young black man and his departure from the Heights prompts him to trace Mr. Earnshaw’s walk to Liverpool in the hope of finding out who he is. 

This is probably the most powerful example of literary pastiche novels I’ve read, not just because it takes on one of the most beloved novels in English literature—Jane Eyre—but because it brutally turns that novel’s premises on their gentrified heads.

I am truly awed by how vibrantly Rhys inhabits Antoinette, Rochester’s doomed wife, weaving in themes of colonialism and gendered power into Charlotte Brontë’s Gothic romance and, in the process, making it a kind of subversive and gritty feminist and anti-colonial manifesto.

Rhys’s depiction of Antoinette’s descent into madness is so visceral and believable that you are (or at least I am) all but cheering as she literally burns the patriarchy to the ground. I also love that while it’s generally considered Rhys’s masterpiece, she wrote it in her seventies. 

Tracy Chevalier edited this incredible anthology of short fiction to mark the bicentenary of Charlotte Brontë’s birth. Comprising contributions from sixteen authors, including Helen Dunmore, Sally Vickers, Susan Hill, Emma Donoghue, and Audrey Niffenegger, among others, these incredible stories are far more than fan fiction. Indeed, while the anthology’s title is the infamous first line of the final chapter of Charlotte Brontë’s novel, don’t be fooled into thinking that this is a romantic collection, for Chevalier’s contributors may take inspiration from Jane Eyre, but they rework it in a huge variety of ways, producing stories that unsettle as much as they celebrate Brontë’s novel. And if you like that, the companion volume, I Am Heathcliff edited by Kate Mosse, operates in the same spirit but is dedicated to Wuthering Heights.

As a young kid reading Dickens for the first time I was mesmerised by this journey into the underworld of Victorian London. I would go on my own imaginary adventures with the Artful Dodger and his gang of thieving street urchins. Years later, when writing my own book about modern street gang members I had the same sense of going on a thrilling journey of discovery and escapades.

Another epistolary novel, this time about a Hitler Youth boy who finds himself working as Hitler’s personal artist. Through a strange series of events, young Tobias Koertig must prowl the streets of Berlin, draw pictures of the devastation from the Allied air raids and bring the drawings back to Hitler as he cowers in his bunker. Tobias is desperately in love with Zenzi, a young Jewish girl he’s known since his childhood. Part love story, part war story, the novel is dark, strange, and often funny, affirming the beauty and unpredictability of life under even the most terrible circumstances. I had a hard time putting this book down.

I absolutely loved this series! The heroine is a young woman struggling to survive the harsh streets of Victorian England. Caught stealing, Mary Quinn is convicted and sentenced to hang. However, the Agency rescues her from the noose and provides her with an education. In return, she trains to work as an investigative agent among the upper-class society of London. These books expose the realistic darker side of that world, but if you could handle Oliver Twist, you can handle these. Lee captured the mystery and intrigue so brilliantly I could not put them down.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

I found Edgeland after hearing an interview with the authors. Their book sounded so incredibly creative that I had to pick up a copy. The story is about an orphan, Wren, banished from the House of Aron and left to live on the streets. Wren struggles to find safety and security while her friend, Alec, both age 12, has risen from apprentice to a high-ranking position within House Aron. The comparison of their lives are in stark contrast from Alec living with safety and security, to Wren seeking to find her place with the banished and forgotten. But the really interesting thing about Edgeland is the Drain.

It is a large, circular waterfall where the dead are sent in hopes of an afterlife. The story starts to accelerate at a fever pitch when Wren and Alec end up going over the edge of the Drain. They will uncover secrets about… show more.

Set in 1875 London, this children’s novel tells the story of a hungry, overworked girl who labors as a chimney sweep and the golem made of soot who cares for her.

I adore the idea of a soot golem as a caregiver and someone to care for. And don’t we all need to love and be loved, even though it can feel scary and risky at times? This story made me want my own soot monster.