Books like The Gray House — picked by fans

I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?

My name is Thomas Tarasios and I'm a fantasy author. I was a huge fan of the Final Fantasy games growing up, particularly I to IX, and as a voracious fantasy reader I've made it my business to find novels that deliver that 'Final Fantasy feeling' (eccentric ensemble cast, adventure, hard magic system, grim yet fun, etc.), scouring the web, message boards and Reddit for recommendations on this topic and reading the suggested books. When it came time to write my own fantasy series, I set out to write as if it were an original Final Fantasy game—a fan novelization of an awesome new Final Fantasy game that doesn't actually exist as a game!

Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”

I love how urban fantasy mixes magic and the real world, and I’m obsessed with stories that explore identity, especially when life throws you a curve ball and you need to recalibrate your existence around questions like “Who am I? Where am I going?” These books are set in contemporary fantasy universes and explore the themes of identity in different ways. Their worlds are bleak, which makes the spots of humor shine brighter and the protagonists’ triumphs all that more satisfying. As Ursula LeGuin said, “There must be darkness to see the stars.”

Anything involving an adventure with lovable characters is my cup of tea when it comes to books. I love all different kinds and will read books for children as well as huge worlds of epic complications. But while a complex novel can be just as great as any other, sometimes it’s hard to get started. Some unique worlds or characters have so much backstory you need to understand before embarking on the quest. It can ask for too much investment. Make me fall in love quickly. Leave me asking questions. Engage my senses, and I will find myself within the pages, unable to let go. 

Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

Spy stories have always captivated me. This fascination grew after I learned that throughout history, many women worked behind the scenes as key spies. How cool is that? So, I decided to write a girls' spy school set in Jane Austen's world. Junior Library Guild said this about A School for Unusual Girls, “An outstanding alternative history series entry and a must-have for teen libraries.” Scholastic licensed the series for their school book fairs. Ian Bryce, the producer of Spiderman, Transformers, Saving Private Ryan, and other blockbusters, optioned it for film. To date, more than 600,000 copies of my award-winning historical novels are in the hands of readers around the globe.

I write about magic, witches, and weirdness—and all of it is inspired by the strange and startlingly true stories that hide just below the simmering surface of America’s melting pot. As a former journalist, I learned that everyone has an interesting tale to tell. And as a fiction writer, I’ve learned that all of that truth can be spun into something even more fun and fantastical. Reality, after all, is relative. 

When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.