Here are 100 books that Wide Sargasso Sea fans have personally recommended if you like
Wide Sargasso Sea.
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I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
I have always been interested in people—specifically exploring what makes us human from different angles and often different disciplines. Overtime, this has taken the shape of writing novels, studying biological anthropology, psychology, and medicine, and sometimes even just people watching. My novels have explored topics such as nonsuicidal self-injury, the pains of growing up, and growing up multicultural. I am currently pursuing a PhD in Psychology.
Dr. Irvin Yalom is a writer and clinical practitioner who is beloved by many in the field of mental health and therapy. I, like many, admire the way in which he tackles the most difficult human dilemmas through intimate stories highlighting the universality of many of these topics. It was difficult for me to pick which of Dr. Yalom’s books to recommend, as I have thoroughly enjoyed each one I’ve read. However, The Schopenhauer Cureis particularly about confronting mortality—the realization of the ephemerality of life and the limitations and acceptance of what we can achieve. Through Dr. Yalom’s adroit depictions of Philip Slate and Julius Hertzfeld, we see the blurred edges of philosophy and psychology, where some of our most basic questions may best be addressed by the melding of the two.
From the internationally bestselling author of Love's Executioner and When Nietzsche Wept, comes a novel of group therapy with a cast of memorably wounded characters struggling to heal pain and change lives
Suddenly confronted with his own mortality after a routine checkup, eminent psychotherapist Julius Hertzfeld is forced to reexamine his life and work -- and seeks out Philip Slate, a sex addict whom he failed to help some twenty years earlier. Yet Philip claims to be cured -- miraculously transformed by the pessimistic teachings of German philosopher Arthur Schopenhauer -- and is, himself, a philosophical counselor in training.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
I read a lot of fiction, both out of love and as my job. One of my biggest frustrations is that it’s so hard to find novels that are both thought-provoking and fun to read. Books that are page-turners often leave me feeling icky, like I’ve mowed down a big, greasy mess of french fries, and I have regrets. Books that are intellectually stimulating are like a bowl of kale that I nibble at and find easy to put down. When I find a novel that is both propulsive and thoughtful, that is my holy grail, and all of the books on this list hit that sweet spot for me.
This book is an intensely philosophical novel that tackles big subjects, like the nature of love, the limits and desirability of freedom, the expression of sexuality, and the very nature of human existence, while at the same time being immersive and easy to read. The main characters, Tomas and Tereza, are full of love for each other but fail to truly connect because of their personal frailties, which I believe is true of all of us at one time or another.
There are concepts from this novel that have become part of my own philosophy, in particular, that responsibility gives meaning to life.
'A cult figure.' Guardian 'A dark and brilliant achievement.' Ian McEwan 'Shamelessly clever ... Exhilaratingly subversive and funny.' Independent 'A modern classic ... As relevant now as when it was first published. ' John Banville
A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
This book wrecked me; it’s such a deep dive into the lives of the woman brutally murdered by Jack the Ripper. Rubenhold reconstructs their lives with great empathy, bringing them to the forefront of the story. The five were real women who felt love, pain, and hope—not faceless victims of sensationalized murder.
These women are often portrayed as “five prostitutes” in pop culture, but Rubenhold shows that there is no evidence of sex work for most of the women. This book pulls back the curtain on the tension, violence, poverty, and heartbreak in Victorian London. This book brought me to absolute tears.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.
Illusion. Women’s framing. Adrift in a world everyone thinks is perfect. Living the glamorous life others want. Being the thing men desire to have, to own, as long as the veneer holds. Dealing with mental illness that people explain away because all the tinsel is just dressing and sparkles, but if you lean on it, it parts, and you find yourself falling through the space.
Although ‘they’ say they care, they don’t, and no one wants to hear the truth, they only want pretend. Within the first five pages, we understand what’s going on inside her, that she has something to hide, and that she’s willing to lie about who she really is. In chapter one, we discover that her best friend, Doreen, doesn’t really know her name. We see the world through her eyes, interspaced with an actual conversation that calls the world a lie and her own framing…
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
Reading this book made me feel as if I was watching a great magician perform several impossible tricks.
It is both clever and funny, it teems with wonderful characters but never seems overstuffed, and it does what very few historical novels manage to do. We absolutely believe that the people are living their lives in the past (this really is Germany in the 1790s), but we also recognize them as our contemporaries.
I find it a magical book, lighter than air, a poignant, gorgeous love story that also satisfies the historian in me.
One of the ten books - novels, memoirs and one very unusual biography - that make up our Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist.
The year is 1794 and Fritz, passionate, idealistic and brilliant, is seeking his father's permission to announce his engagement to his 'heart's heart', his 'true Philosophy': twelve-year-old Sophie. His astounded family and friends are amused and disturbed by his betrothal. What can he be thinking?
Tracing the dramatic early years of the young German who was to become the great romantic…
