Here are 100 books that The Loki Sword fans have personally recommended if you like
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Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Like the Vikings? Want to read about realVikings? Angus Donald’s first in a series takes you to the harsh realities of 8th century Europe and portrays the Vikings in all their aspects, both violent and noble.
He wears his impeccable research lightly though and it’s an explosive journey that is most compelling when dealing with the culture clash between Charlemagne’s growing empire and the Viking Dane warriors who listen to the beat of their own drum.
“Beserkers” were a caste of Vikings who would supposedly work themselves into a fearsome frenzy of blood rage in battle. But Donald goes deeper than stereotypes, showing the mystical and religious underpinnings of this class of warrior and in so doing bringing reason, emotion, and honor to their struggles.
'Donald is a writer not only at the top of his game, but of the game' Giles Kristian, author of the Raven series 'Donald delivers a masterclass' Theodore Brun, author of A Burning Sea 'A gory, gleeful treat' The Times
The greatest warriors are forged in the flamesTwo pagan fighters
771AD, Northern Europe. Bjarki Bloodhand and Tor Hildarsdottir are journeying south into Saxony. Their destination is the Irminsul, the One Tree that links the Nine Worlds of the Middle-Realm. In this most holy place, they hope to learn how to summon their animal spirits so they can enter the ranks…
Dr Dee has designs for a British Empire that will dominate the world for ages to come ushering in Revelation, and with the aegis of the Angels, he has the power to make it a reality.
But, two elements are missing, and through blackmail and occult ritual, infamous swordswoman Captain…
Since I was a kid, “someplace else” has always looked good to me. I turned that passion into a career. I have been a travel writer for the New York Times and travel commenter for Public Radio International. Three of my published books are humorous travel memoirs. I’ve written books about what’s funny when your destination is middle age, the hilarious thrills and disasters that befall you when you’re pretending to be French in Provence, and the gender problems that arise when traveling while married. Bragging is a vice I usually avoid, but I can’t resist telling you that reviewers of my travel books have compared my humor to that of the late Erma Bombeck. I also enjoy giving credit to other successful, amusing humor writers.
The author gets ahold of his mother’s copy of Frommer's 1967 Europe on Five Dollars a Day and uses it as his basis for a contemporary visit. Like his mother, I, too, did the tour in 1967. I was curious to see what had happened to Europe and to my view of it. Of course, most of the restaurants no longer exist, and $5 dollars a day was more like $50 dollars a day, but this travel memoir is full of funny, disastrous, and touching adventures. I admit to a fondness for funny disasters.
When Doug Mack picked up a 1963 edition of Europe on Five Dollars a Day, he stumbled on an inspired idea: to boldly go where millions have gone before, relying only on the advice of a travel guide that's nearly a half century out-of-date. Add to the mix his mother's much- documented grand tour through Europe in the late 1960s, and the result is a funny and fascinating journey into a new (old) world, and a disarming look at the ways the classic tourist experience has changed- and has not-in the last…
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?
This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color…
The British Library houses one of the world's great collections of illuminated manuscripts, and Janet Backhouse has drawn on this resource to make a selection of examples that span over 800 years of medieval book production.
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Peter Heather’s work is one of the broadest in scope on the topic of the European ‘Barbarians’, while still retaining enough detail to keep the reader’s attention pinned. A great starter for this period of history, encompassing the entire first millennium AD, the time when the heart of European civilization gradually moved from the Mediterranean South to the cold Barbarian North. It reads like a novel – but is supported by years of painstaking research. If you can only read one book on Barbarian Europe, this is the book.
At the start of the first millennium AD, southern and western Europe formed part of the Mediterranean-based Roman Empire, the largest state western Eurasia has ever known, and was set firmly on a trajectory towards towns, writing, mosaics, and central heating. Central, northern and eastern Europe was home to subsistence farmers, living in wooden houses with mud floors, whose largest political units weighed in at no more than a few thousand people. By the year 1000, Mediterranean domination of the European landscape had been destroyed. Instead of one huge Empire facing loosely organised subsistence farmers, Europe - from the Atlantic…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht Dürer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves.
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Durer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy. Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions…
I have been to Europe a handful of times, exploring Paris, Italy, Malta, Spain, Prague, Vienna, Budapest, and Amsterdam. Europe lends itself perfectly to be immortalised in literature. The continent is steeped in thousands of years of charming history, oozing out of the cobblestoned streets and painted in layers on the buildings. Scratch the surface and a new, richer layer comes to the fore, exciting and amazing anew. Europe inevitably turns into one of the important characters in any book set there and many a writer have managed to capture its essence in their work. Alongside Peter Sarstedt, Europe inspired my work, taking the reader along on a wondrous journey.
To be honest, this one is close to being a travel book. Rick Steves is a well-known traveler, with a large number of guide books and television shows sharing his exploits with the world. But, this book describes Europe in a way that no travel guide can. Rick is a master of sharing anecdotes of his travels through Europe, never failing to describe the flavours, sights, and sounds of the continent and the wonderful cities we all yearn to see. This was a wonderful escape during the 2020 lockdowns, a true lifesaver!
After 40+ years of writing about Europe, Rick Steves has gathered 100 of his favorite articles and essays together into one inspiring collection: For the Love of Europe: My Favorite Places, People, and Stories.
Join Rick as he's swept away by a fado singer in Lisbon, learns the dangers of falling in love with a gondolier in Venice, and savors a cheese course in the Loire Valley. Contemplate the mysteries of centuries-old stone circles in England, dangle from a cliff in the Swiss Alps, and hear a French farmer's defense of foie gras.
With a brand-new, original introduction from Rick…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
This book is a rich source of information about how certain attire, especially the “string skirt” and its variants, has traditionally been drafted in Europe to promote women’s health and fertility, a tradition that we can trace back, through evidence, for some 20,000 years. Wonderfully illustrated, the data here range from Greece and Turkey in the south, through Central Europe to Latvia and Norway in the far north, as well as occasionally deep into Eurasia. And of course, such apparel was particularly donned for dancing on occasions where the wearer would be seen by all. (Being a show-off runs deep in humanity!)
Shortlisted for the Katharine Briggs Folklore Award 2000.Relationships between dress and the body have existed in European and Anatolian folk cultures well into the twentieth century. Traditional cultures have long held the belief that certain articles of dress could protect the body from harm by warding off the 'evil eye,' bring fertility to new brides, or assure human control of supernatural powers. Ritual fringes, archaic motifs, and colors such as black and red were believed to have powerful, magical effects. This absorbing and interdisciplinary book examines dress in a broad range of folk cultures - from Turkey, Greece, and Slovakia…
I'm an Australian historian specializing in the French Revolution and Napoleon. I have spent a goodly part of my career writing a three-volume biography of Napoleon, alongside chapters, articles, and edited books that aimed at reassessing the man and the period. Working on Napoleon and the French as occupiers led me into the history of massacre and more broadly into the history of violence. I studied under the preeminent French Napoleonic scholar, Jean Tulard, at the University of Paris-Sorbonne, Paris IV.
This masterful analysis of European foreign policy encompasses a period slightly larger than the life of Napoleon, but the core of the book is the French Revolutionary and Napoleonic wars. On first reading this I was struck not only by the depth and breadth of Schroeder’s knowledge, but also by his uncanny ability to question standard interpretations and to present an original and oftentimes provocative evaluation. This book made me think about how best to write history. Elegantly written, this is an accomplished tome that will be read by students of foreign policy for many years to come.
This is the only modern study of European politics to cover the entire timespan from the end of the Seven Years' War in 1763 to the revolutionary year of 1848. Paul Schroeder's comprehensive and authoritative volume charts the course of international history over this turbulent period, in which the map of Europe was redrawn time and again. Professor Schroeder examines the wars, political crises, and diplomatic opportunities of the age, many of which - the Revolutionary and Napoleonic Wars, the Congress of Vienna and its aftermath - had far-reaching consequences for modern Europe.
I married my high school sweetheart and travel partner, and followed my own advice to do graduate work, and started my career working for the French National Railroad in New York City, mapping itineraries for travelers to Europe. Travel means the world to me, and if I don’t have a trip on the horizon, I feel aimless and untethered. I worked in book publishing for 30 years and dropped out of the corporate rat race to take a gap year abroad. I wrote about our “Senior year abroad” in my first book Gap Year Girl. I returned to the US to teach middle school French and organize student trips to France.
For readers with wanderlust who long to hit the road, Gap Year Girl is a pleasure to read.
It is the author’s travel adventure memoir about how she and her husband, late Baby Boomers, retraced their backpacking travels abroad from much earlier years. Bohr describes what it’s like to kiss your job goodbye, sell your possessions, pack your bags, and take off on a quest for adventure.
Readers will be intrigued and inspired by this account of a couple’s experiences on an unconventional, past-the-blush-of-youth quest. Bohr blends the details of travel, culture, and history with humor and the intimacy of her life.
She shares that seven weeks into their journey, homesickness hit them hard in a cold, ancient village in southwestern France, but they rallied and went on to continue their adventure.
In the 1960s and '70s, thousands of baby boomers strapped packs to their backs and flocked to Europe, wandering the continent on missions of self-discovery. Many of these boomers still dream of "going back"-of once again cutting themselves free and revisiting the places they encountered in their youth, recapturing what was, and creating fresh memories along the way. Marianne Bohr and her husband, Joe, did just that.
In Gap Year Girl, Bohr describes what it's like to kiss your job good-bye, sell your worldly possessions, pack your bags, and take off on a quest for adventure. Page by page, she…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
My own background, process, and style have me reaching for ever-tinier stories that I think I can go deep on, in order to hopefully excavate something larger. Judt’s Postwar is the opposite: a colossal swing at a multi-decade period across European history. In this, he synthesizes political, economic, social, and cultural histories to guide the reader through Europe’s development after World War II. It’s a book where you find yourself going over each line a few times in order to make sure you’ve wrung all meaning from it and every sentence returns you to your notes.
Finalist for the Pulitzer Prize * Winner of the Council on Foreign Relations Arthur Ross Book Award * One of the New York Times' Ten Best Books of the Year
"Impressive . . . Mr. Judt writes with enormous authority." -The Wall Street Journal
"Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history." -The Boston Globe
Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers…