Here are 100 books that The Loki Sword fans have personally recommended if you like
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Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Like the Vikings? Want to read about realVikings? Angus Donald’s first in a series takes you to the harsh realities of 8th century Europe and portrays the Vikings in all their aspects, both violent and noble.
He wears his impeccable research lightly though and it’s an explosive journey that is most compelling when dealing with the culture clash between Charlemagne’s growing empire and the Viking Dane warriors who listen to the beat of their own drum.
“Beserkers” were a caste of Vikings who would supposedly work themselves into a fearsome frenzy of blood rage in battle. But Donald goes deeper than stereotypes, showing the mystical and religious underpinnings of this class of warrior and in so doing bringing reason, emotion, and honor to their struggles.
'Donald is a writer not only at the top of his game, but of the game' Giles Kristian, author of the Raven series 'Donald delivers a masterclass' Theodore Brun, author of A Burning Sea 'A gory, gleeful treat' The Times
The greatest warriors are forged in the flamesTwo pagan fighters
771AD, Northern Europe. Bjarki Bloodhand and Tor Hildarsdottir are journeying south into Saxony. Their destination is the Irminsul, the One Tree that links the Nine Worlds of the Middle-Realm. In this most holy place, they hope to learn how to summon their animal spirits so they can enter the ranks…
The Blade in the Angel's Shadow delivers a compelling fusion of dark magic, espionage, and philosophical tension between chaos and order.
A heretic swordswoman, cosmic entities using humans as pawns, Elizabethan occultism, time travel, and the apocalyptic ambitions of the Angels? It’s bold, unsettling, and fiercely imaginative.
I am a researcher and professor of Planning and Urban Design at Middle East Technical University, Ankara (Turkiye). I am interested in how we can develop sustainable communities in urban and rural areas, modern and historical areas, and create a much more just world for all living beings. This question has become increasingly important for our life as uncertainties arise. New paradigms appear daily with climate change, wars, energy crises, pandemics, migrations, safety and security, growing diversity, and socio-spatial inequalities. I chose these books because they helped me think of new ways to achieve a sustainable and just world for all living beings.
I think this book is very illuminating in learning the social aspect of sustainability.
She particularly focuses on urban regeneration projects in European cities. It shows how social sustainability can be assessed, measured, and monitored by using various regeneration projects in five European cities (Sant Adria de Besos in Spain, Turin in Italy, Rotterdam in the Netherlands, Leipzig in Germany, and Cardiff in the UK).
I like this book because of its comprehensive assessment of the social sustainability of these projects by examining the institutional arrangements, financial products and tools, stakeholders’ involvement, and their contribution, monitoring, and measurement systems. In this way, it provides us with a new framework for assessing social sustainability.
Urban regeneration is a key focus for public policy throughout Europe. This book examines social sustainability and analyses its meaning and significance - an area of research which has, until now, been comparatively neglected. The authors offer a comprehensive European perspective to identify best practice in sustainable urban regeneration in five major cities in Spain, Italy, Netherlands, Germany, and the UK. Urban Regeneration & Social Sustainability: best practice from European cities examines the extent to which social sustainability is incorporated within urban regeneration projects in the EU, but also investigates how local authorities, developers, investors and other key stakeholders approach…
My interest in demography began when I saw rapid demographic change taking place before my eyes in London, and when I noted the different fertility choices of friends and relations and started to put the pieces together and to understand how demography shapes our changing reality. I have published three books on the subject—the first, a version of my PhD thesis, the second and third captured below—and have broadcast and written articles for the press extensively on these topics.
It takes real historic breadth to write a comprehensive history of the nineteenth century and only a historian of the quality of Evans could pull it off so convincingly. Like his mentor Eric Hobsbawm—but unencumbered by the Marxian straight-jacket—Evans masterfully draws the links not only between decades and between countries and continents but also between the social, the economic, and the political. His book is no demographic history, but it takes demography seriously. This really matters in a century in which the Malthusian bonds were broken for some of humanity, not all of it, making it a period of European global supremacy underpinned by demographic takeoff, the effects of which we are still feeling.
"Sweeping . . . an ambitious synthesis . . . [Evans] writes with admirable narrative power and possesses a wonderful eye for local color . . . Fascinating."-Stephen Schuker, The Wall Street Journal
From the bestselling author of The Third Reich at War, a masterly account of Europe in the age of its global hegemony; the latest volume in the Penguin History of Europe series
Richard J. Evans, bestselling historian of Nazi Germany, returns with a monumental new addition to the acclaimed Penguin History of Europe series, covering the period from the…
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare. Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.
Peter Bruegel's paintings - a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others - have long defined our idea of everyday life in 16th Century Europe. In sixteen chapters Rucker brings Bruegel's painter's progress and his colourful world to vibrant life doing for Bruegel what GIRL WITH A PEARL EARRING did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome.
I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.
Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.
Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
A tour de force! This is an amazing book that takes a historical view to explain the story of women’s exclusion from public life and the physical and epistemic violence they experienced through the witch trials in Europe.
I would never have put these two elements together–bringing witch trials into view to help us understand the exclusion of women from the political economy of everyday life. This, Federici argues, led to the restructuring of household relations and the role of women in them, which in turn reflected the changing needs of society with the rise of capitalism.
I found this book illuminating and inspiring as it also tells us about the struggles of women against the shifts in their roles.
'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room
A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
I am a fan of Nordic noir, and whenever I am in the middle of a Norwegian, Danish, or Finnish series, I always want to know more about the local aspects that I am missing.
As one of the earliest books covering European crime dramas in English, the individual chapters helped me understand the genre’s appeal over other genres, what motivated the different cultural depictions of local and national tensions, and how this, in turn, impacted global distribution and reception of crime series.
On top of this, the intriguing case studies gave me new crime dramas to add to my ever-growing watchlist. A win-win.
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
These days, the word fascist is pretty quickly pulled out as a handy insult. Orwell warned even back in the 1940s that the term was used so much that it was becoming meaningless. But when I listen to some of the race-obsessed autocratic leaders lurking in today's politics, I’m convinced “fascist” is a tailor-made description rather than an easy epithet.
I love this book because it helped me get past the hesitation with using that word and is, to my mind, the ultimate philosophical dissection of today’s fascism. For philosopher Alberto Toscano and the thinkers he discusses, fascism is a process at the heart of capitalism itself, "a dynamic that [even] precedes its naming."
His book describes the many aspects of fascism from well beyond Europe in the early twentieth century. If we look around, we can see the percolations of this process producing and reproducing "the racial fantasy of…
The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the 'Great Replacement' to campaigns against critical race theory and 'gender ideology', today's global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.
Drawing especially on Black radical and anti-colonial theories of fascism, Toscano makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a…
Throughout the forty-one years (thirty-four of them at Oxford) I spent as a university teacher, I taught a course on Communist government and politics (latterly ‘Communist and post-Communist government’). Communist-ruled systems were never less than highly authoritarian (when they became politically pluralist, they were, by definition, no longer Communist), and in some countries at particular times they were better described as totalitarian. That was notably true of Stalin’s Soviet Union, especially from the early 1930s to the dictator’s death in 1953. The books I’ve written prior to The Human Factor include The Rise and Fall of Communism and The Myth of the Strong Leader: Political Leadership in the Modern Age.
Fascism and Communism purported to explain all social and political phenomena and, on that basis, justified their authoritarian or totalitarian rule. The term ‘fascist’ tends to be loosely applied to intolerant and autocratic political behaviour, but the outstandingly lucid, and highly readable, book by Robert Paxton not only surveys fascism in practice – in Mussolini’s Italy, Hitler’s Germany and in fascist movements and parties in many different countries – it also shows what its distinctive components are. What he calls the ‘mobilizing passions’ of fascism include the glorification of war and violence, expansionism, racism, a fixation on national solidarity, rejection of the legitimacy of diverse interests and values within a society, and, not least, a cult of the heroic leader, with the leader’s instincts counting for more than reasoned, evidence-based argument.
Fascism was the major political invention of the twentieth century and the source of much of its pain. How can we try to comprehend its allure and its horror? Is it a philosophy, a movement, an aesthetic experience? What makes states and nations become fascist?
Acclaimed historian Robert O. Paxton shows that in order to understand fascism we must look at it in action - at what it did, as much as what it said it was about. He explores its falsehoods and common threads; the social and political base that allowed it to prosper; its leaders and internal struggles;…
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?
This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color…
The British Library houses one of the world's great collections of illuminated manuscripts, and Janet Backhouse has drawn on this resource to make a selection of examples that span over 800 years of medieval book production.